During a Rehearsal Clause Samples

During a Rehearsal a. For the purposes of this provision, starting with the first day of rehearsal through the official opening, or one week following the first paid public performance, whichever is earlier, regularly scheduled rehearsals may be captured for up to four consecutive hours per day, one day per week. Any capture or part thereof shall constitute a full four-hour block. In repertory companies, only one four- hour block may be used per week (not per production). b. The date, time, and content of material to be captured shall be subject to consultation with the Director and/or Choreographer. c. The Theatre shall endeavor to arrange the capture process so that it shall not prevent the Director and/or Choreographer from providing the services for which he/she has been engaged by the Theatre. d. The Theatre shall make every reasonable effort to give the Director and/or Choreographer 48 hours’ notice and give notice if the time of capture changes.

During a Rehearsal a) there is no break during the first hour, except in unforeseen circumstances due to "force majeure" or for a dress rehearsal; b) there is a break at the latest one and a half (1 1/2) hours after the service starts; however, at the request of the musical director or guest conductor, the rehearsal may be performed without a break and end after one hour and forty minutes (1 hr 40 min). c) three (3) times during the contract year, the break may begin at the latest one hour and fifty minutes (1 hr 50 min) after the service begins; d) there is only one break, except three (3) times per contract year when the break may be taken in two segments, after explanation to the Musicians' Committee.

During a Rehearsal. (a) Recording sessions shall not exceed ½ hour of the regularly scheduled rehearsal. (b) The Deputy shall file a report with Equity giving the time utilized for the recording session. Said report shall be initialed by the Deputy(ies). Upon contemplation of Recording during a rehearsal, the University and/or Theatre shall make every reasonable effort to give the cast a 24-hour notice. (c) Up to three recording sessions per production may be scheduled and all stations must do their recording during those three sessions. (d) If the time of Recording is changed, the University and/or Theatre shall immediately notify the cast of such change and of the rescheduled time.

During a Rehearsal a. For the purposes of this provision, starting with the first day of rehearsal through the official opening, or one week following the first paid public performance, whichever is earlier, regularly scheduled rehearsals may be captured for up to six consecutive or non-consecutive hours per week. b. The date, time, and content of material to be captured shall be subject to consultation with the Director and/or Choreographer. c. The Theatre shall endeavor to arrange the capture process so that it shall not prevent the Director and/or Choreographer from providing the services for which they have been engaged by the Theatre. d. The Theatre shall make every reasonable effort to give the Director and/or Choreographer 48 hours’ notice and give notice if the time of capture changes.

During a Rehearsal a) For the purposes of this provision, starting with the first day of rehearsal through the official opening, or one week following the first paid public performance, whichever is earlier, regularly scheduled rehearsals may be captured for up to four consecutive hours per day, one day per week. Any capture or part thereof shall constitute a full four-hour block. In repertory companies, only one four-hour block may be used per week (not per production). b) The Theatre shall endeavor that the capture process shall not prevent the Designer from providing the services for which he/she has been engaged by the Theatre. c) If the Designer is in residence, the Theatre shall make every reasonable effort to give the Designer 24 hours’ notice and give notice if the time of the capture changes.

During a Rehearsal. (a) Starting with the first day of rehearsal through the official opening or one week following the first paid public performance, whichever is earlier, regularly scheduled rehearsals may be Recorded for up to four consecutive hours per day, one day per week. Any Recording or part thereof shall constitute a full four-hour block. (b) The Stage Manager shall file a report with Equity giving the time utilized for the Recording. Said report shall be initialed by the Deputy(ies). Upon contemplation of Recording during a rehearsal, the Producer shall make every reasonable effort to give the cast 24 hours’ notice. (c) If the time of Recording is changed the Producer shall notify the cast of such change and of the rescheduled time.

During a Rehearsal. (1) Up to three Recording sessions may be scheduled and all programs will do their Recording during those three sessions. (2) Each Recording session will not exceed one-half hour of the regularly scheduled rehearsal. (3) The Producer must give the cast as much notice of Recording as possible but in no event less than 24 hours’ notice. (4) If the time of Recording is changed, the Producer will notify the cast of such change and of the rescheduled time.

During a Rehearsal a) For the purposes of this provision, starting with the first day of rehearsal through the official opening, or one week following the first paid public performance, whichever is earlier, regularly scheduled rehearsals may be captured for up to six consecutive or non-consecutive hours per week. b) The Theatre shall endeavor that the capture process shall not prevent the Designer from providing the services for which Designer has been engaged by the Theatre. c) If the Designer is in residence, the Theatre shall make every reasonable effort to give the Designer 24 hours' notice and give notice if the time of the capture changes.