Common use of Full-length Movies Clause in Contracts

Full-length Movies. The commentary and critical appreciation of the thematic and stylistic features of the following titles: Sevillanas, by Xxxxx, El otro lado de la cama, by Xxxxxxxx Xxxxxx, Xxxxx xxxxxx, by Xxxxxx, La lengua de las mariposas, by Xxxxxx, La niña de tus ojos, by Xxxxxx, Los años bárbaros, by Xxxxxx, ¡Bienvenido Mister Xxxxxxxx!, by Xxxxxx Xxxxxxxx, Los desafíos, by Erice, Xxxxxx and Xxxx, Los nuevos españoles, by Xxxxxxx, Xxx y los lobos, by Xxxxx, Xxxxxxxx, by Xxxxxx, Xxxxxx, by Xxxxx, Mujeres xx xxxxx de un ataque de nervios, by Xxxxxxxxx, and Xxxxx, by Xxxxxxxx. 1. Spain: Social and Political Contexts (from the Republic to the Civil War). Their Impingement upon Movie-making. Postwar Cinema.

Full-length Movies. The commentary and critical appreciation of the thematic and stylistic features of the following titles: Sevillanas, by Xxxxx, El otro lado de la cama, by Xxxxxxxx Xxxxxx, Xxxxx xxxxxx, by Xxxxxx, La lengua de las mariposas, by Xxxxxx, La niña de tus ojos, by Xxxxxx, Los años bárbaros, by Xxxxxx, ¡Bienvenido Xxxxxxxxxx Mister Xxxxxxxx!, by Xxxxxx Xxxxxxxx, Los desafíos, by EriceXxxxx, Xxxxxx and Xxxx, Los nuevos españoles, by Xxxxxxx, Xxx y los lobos, by Xxxxx, Xxxxxxxx, by Xxxxxx, Xxxxxx, by Xxxxx, Mujeres xx xxxxx de un ataque de nervios, by Xxxxxxxxx, and Xxxxx, by Xxxxxxxx. 1. Spain: Social and Political Contexts (from the Republic to the Civil War). Their Impingement upon Movie-making. Postwar Cinema.

Full-length Movies. The commentary and critical appreciation of the thematic and stylistic features of the following titles: Sevillanas, by Xxxxx, El otro lado de la cama, by Xxxxxxxx Xxxxxx, Xxxxx xxxxxx, by Xxxxxx, La lengua de las mariposas, by Xxxxxx, La niña de tus ojos, by Xxxxxx, Los años bárbaros, by Xxxxxx, ¡Bienvenido Mister Xxxxxxxx!, by Xxxxxx Xxxxxxxx, Los desafíos, by Erice, Xxxxxx and Xxxx, Los nuevos españoles, by Xxxxxxx, Xxx y los lobos, by Xxxxx, Xxxxxxxx, by Xxxxxx, Xxxxxx, by Xxxxx, Mujeres xx xxxxx de un ataque de nervios, by Xxxxxxxxx, and Xxxxx, by Xxxxxxxx.. THEORETICAL SYLLABUS 1. Spain: Social and Political Contexts (from the Republic to the Civil War). Their Impingement upon Movie-making. Postwar Cinema.