Publishing Rights. The right to publish in volume form, and to distribute and sell or otherwise exploit for reproduction in the form of text and in any language, any story or article or series of stories or articles and/or illustrations based upon or derived from the Format and/or the Programme(s) or any element of it/them and/or any novelised version adaptation, dramatization, transcript or summary of or expansion of narrative based upon the Format and/or the Programme(s), or any part(s) of the Programme(s) but for the avoidance of doubt excluding any publication as part of the Core Transmission Rights, the Core Secondary Transmission Rights and/or the VOD Rights. For the avoidance of doubt, the Producer will not be in breach of the holdback against exploitation of the Publishing Rights as set out in Clause 21 where there has been exploitation of the Publishing Rights notified in writing to Channel 4 by the Producer prior to signature of this Agreement and the commission of the Programme(s).
Publishing Rights. With respect to the publishing rights and ownership of the underlying composition embodied in the Master, the Artist, and the Producer hereby acknowledge and agree that the underlying composition shall be owned/split between them as follows: - Licensee, owns 50% of publishing rights. - Xxxxxxxxxx Xxxxxxxx Xxxxxxx (SAMRO), owns 50% of publishing rights.
Publishing Rights. In the event that I seek to publish findings, in writing or orally, relating to my participation in the Project, I shall submit a draft of any proposed written submission or oral presentation to the Company at least fourteen (14) days prior to the intended submission for publication to allow the Company to review such publication for inadvertent disclosure of confidential information. The Company shall have the opportunity to request changes or additions to the proposed written submission. If any such submission or presentation discloses any confidential information of the Company, the Company shall so notify me within ten (10) days of receipt of the draft and I shall delete from such submission or presentation the confidential information identified by the Company.
Publishing Rights. (a) WRESTLER agrees and grants PROMOTER during the Term the unconditional and exclusive right throughout the world to use, simulate and portray WRESTLER’s name, likeness, voice, personality, personal identification and personal experiences, characters if owned by him or PROMOTER, incidents, situations and events which heretofore occurred or hereafter occur (in whole or in part) as it relates in any manner to WRESTLER’s life and WRESTLER’s wrestling career, in connection with the creation and sale of certain movies, or other forms of media now known or hereinafter discovered, as PROMOTER shall determine in its sole discretion (collectively “Publishing Rights”). For the avoidance of doubt, PROMOTER shall have the right to produce and develop the Book and any Publishing Rights associated therewith during the Term of the Agreement. If PROMOTER however, has begun to materially develop the concept and/or format for the Book, which shall include but not be limited to retaining a writer for the Book, in any manner during the Term in cooperation with WRESTLER which may be evidenced by working with a writer on his Book or by his prior written consent to such use, then PROMOTER shall have the right to complete, publish and/or sell the Book or such other end results of the Publishing Rights despite the expiration of the Term. Notwithstanding anything to the contrary herein, PROMOTER shall have the right in perpetuity to sell and/or distribute the Book or the end results of any Publishing Rights developed in any manner during the Term of this Agreement in cooperation with WRESTLER regardless of whether this Agreement expires or terminates for any reason whatsoever.
(b) WRESTLER reserves no rights to himself with respect to the Publishing Rights set forth in Section 4.5(a). Notwithstanding the foregoing, PROMOTER shall use commercially reasonable efforts to attempt to provide WRESTLER with the right to approve the edited versions of the end results of any Publishing Rights associated therewith which publisher provides to PROMOTER provided WRESTLER approves such versions in accordance with the publisher’s publishing schedule. WRESTLER represents and warrants that WRESTLER has not prior hereto and shall not for a period of at least eighteen (18) months after termination of this Agreement for any reason whatsoever, authorize or grant any party other than PROMOTER the right to print, publish and/or sell any book similar to that contemplated by the Publishing Rights herein.
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Publishing Rights. With respect to the publishing rights and ownership of the underlying composition embodied in the Master, the Artist, and the Producer hereby acknowledge and agree that the underlying composition shall be owned/split between them as follows:
Publishing Rights. YOU HAVE THE RIGHT TO PUBLISH AND SPEAK PUBLICLY ABOUT THE RESULTS OF YOUR USE OF THE GOODS, BUT OXFORD NANOPORE ENCOURAGES YOU TO DO SO ONLY AFTER YOU SUCCESSFULLY COMPLETE THE CONTROL EXPERIMENTS INCLUDED WITH THE GOODS UNDER THE TERMS DEFINED IN THE DOCUMENTATION. IF SO REQUIRED BY OXFORD NANOPORE IN YOUR ORDER, YOU MAY ONLY PUBLISH AND SPEAK PUBLICLY ABOUT THE RESULTS OF YOUR USE OF THE GOODS AFTER PROVIDING THE REQUIRED ACKNOWLEDGMENT OF FITNESS FOR PURPOSE VIA OXFORD NANOPORE’S ONLINE FORM. Notwithstanding the above, You are encouraged to share Your experiences using the Goods with Oxford Nanopore and with other Community participants via the private online forum provided at xxxx://xxx.xxxxxxxxxxxx.xxx, xxxx://xxxx.xxxxxxxxxxxx.xxx or other web address specified by Oxford Nanopore (such website, the “Oxford Website”) at any time during Your participation in the Community. Publishing and/or speaking publicly about the results of Your use of the Goods and/or posting on the Oxford Website is subject to Your compliance with the terms of this Contract, including clause 14.1.
Publishing Rights. The Executive agrees and grants the Company the right in perpetuity (exclusive during the Employment Term and non-exclusive thereafter) throughout the world to use, simulate and portray the Executive Intellectual Property (including the Executive’s name and likeness), the Executive’s voice, personality, personal identification and personal experiences, characters whether owned by him or the Company, incidents, situations and/or events which heretofore occurred or hereafter may occur as it relates in any manner to the Executive’s life and the Executive’s wrestling career, in connection with the production and distribution of theatrical or other films, or other forms of audio/visual media now known or hereinafter discovered, as the Company shall determine in its sole discretion (collectively “Publishing Rights”).
Publishing Rights. Author hereby grants to Publisher during the Term an exclusive, worldwide, sub-licensable, Royalty-bearing license to reproduce, distribute, offer for sale, sell and promote printed and electronic versions of The Book in any manner, medium or format.
Publishing Rights. WRESTLER agrees and grants PROMOTER during the Term the unconditional and exclusive right throughout the world to use, simulate and portray WRESTLER’s name, likeness, voice, personality, personal identification and personal experiences, characters if owned by her or PROMOTER, incidents, situations and events which heretofore occurred or hereafter occur (in whole or in part) as it relates in any manner to WRESTLER’s life and WRESTLER’s wrestling career, in connection with the creation and sale of certain movies, or other forms of media now known or hereinafter discovered, as PROMOTER shall determine in its sole discretion (collectively “Publishing Rights”).
Publishing Rights. The exclusive, perpetual, irrevocable, transferable (including without limitation sublicenseable), worldwide right to produce, distribute and otherwise exploit any audio-visual work (or audio or visual), either live action or animated, of any length, or cause any of the foregoing to occur, which is produced for initial exploitation by any means other than Theatrical Distribution, including without limitation direct sales to the home market or the Internet;
