SINGING AND SPEAKING ROLES. The Engager agrees that any Artist in a group of four (4) or less, required to sing or speak more than eight (8) bars of music or speak fifteen (15) scripted words or more in a ballet shall receive additional compensation at a rate no less than the amount as specified below for each such performance. Additional Compensation per Performance $34.69 13:02 RRSP and Dues
SINGING AND SPEAKING ROLES. An Artist shall be compensated $8.00 per performance for singing and/or speaking ten (10) words in a ballet or dance work. An Artist who sings or speaks more than ten (10) words in a ballet or dance work shall receive thirty-five dollars ($35.00) per performance in addition to weekly contractual compensation.
SINGING AND SPEAKING ROLES. An ARTIST shall be compensated $7.00 per performance for making any utterance (e.g. making noise, yelling, etc.), singing and/or speaking one to ten (10) words in a dance piece or dance work. An ARTIST who utters, sings or speaks more than ten (10) words in a dance piece or dance work shall receive $30.00 per performance in addition to weekly contractual compensation. EMPLOYER shall meet with the AGMA Delegates concerning each ARTIST whom EMPLOYER requests to vocalize in any dance piece to determine the script and the exact number of words each ARTIST is being asked to vocalize in such dance piece. EMPLOYER shall prepare a written script after such meeting which shall state the exact words required to be vocalized by any such ARTIST and which shall state the number of words constituted thereby and the fee to be paid therefor. After review and upon agreement of the parties as to the number of words, the script prepared by EMPLOYER shall be signed by both EMPLOYER and such AGMA Delegates as evidence of the words to be vocalized and the applicable fee. Each Artist required to vocalize shall be provided with such script. EMPLOYER shall add such fee to the payroll check immediately following any such performance without any requirement by such ARTIST to file any “overtime” form or any other such form to request payment for singing and/or speaking roles. No ARTIST shall be requested to sing or speak any words in any dance piece unless a script has first been prepared and presented as provided above. No Artist shall receive compensation for vocalization without first receiving such script.
SINGING AND SPEAKING ROLES. The Engager agrees that each Dancer who shall be required to sing or speak lines in a ballet when such singing or speaking may be done by another person without injury to the structure or character of the ballet shall receive additional compensation at the rate of not less than twenty-four dollars and fifty-four cents ($25.54) in 2004/2005, twenty-five dollars and twenty-one cents ($25.21) in 2005/2006 and twenty-six dollars and three cents ($26.03) in 2006/2007 for each such performance.
SINGING AND SPEAKING ROLES. 1) An ARTIST shall be compensated $7.35 in the 1999/2000 season (7/1/99 6/30/00), $7.72 in the 2000/2001 season (7/1/00 6/30/01), $8.10 in the 2001/2002 season (7/1/01 6/30/02) per performance for singing and/or speaking ten (10) words in a dance piece or dance work. An ARTIST who sings or speaks more than ten (10) words in a dance piece or dance work shall receive $31.50 in the 1999/2000 season (7/1/99 6/30/00), $33.00 in the 2000/2001 season (7/1/00 6/30/01), $35.00 in the 2001/2002 season (7/1/01 6/30/02) per performance in addition to weekly contractual compensation.
2) In addition to the compensation provided for above, each ARTIST who sings more than two songs in any dance piece or dance work shall receive an additional $5.00 for each such additional song.
SINGING AND SPEAKING ROLES. 1) An ARTIST shall be compensated for singing and/or speaking ten (10) words or less in a dance piece or dance work as specified in Paragraph 23(a) for each final Dress Rehearsal or Performance. An ARTIST who sings or speaks more than ten (10) words in a dance piece or dance work final Dress Rehearsal or Performance shall receive an amount as specified in Paragraph 23(a) in addition to weekly contractual compensation. Question and answer periods of a Lecture Demonstration are exempt from this clause; however, any singing or speaking in the performance aspect of a Lecture Demonstration shall be compensated according to this clause.
2) In addition to the compensation provided for above, each ARTIST who sings more than two (2) songs in any dance piece or dance work final Dress Rehearsal or Performance shall receive an amount as specified in Paragraph 23(a) for each such additional song. Question and answer periods of a Lecture Demonstration are exempt from this clause; however, any singing or speaking in the performance aspect of a Lecture Demonstration shall be compensated according to this clause.
SINGING AND SPEAKING ROLES. EMPLOYER shall compensate an ARTIST who sings or speaks ten (10) words or more (except background noise; e.g., Black Cake) in a ballet or dance work sixteen dollars and fifteen cents ($16.15) per Performance in addition to all other compensation owed such ARTIST.
SINGING AND SPEAKING ROLES. Each dancer who shall be required to sing more than eight (8) bars of music or speak more than fifteen (15) words in a ballet when such singing or speaking may be done by another person without injury to the essential structure or character of the ballet, shall receive additional compensation at the rate of not less than fifteen dollars ($15.00) for each such performance. The Engager agrees to confer with CAEA when such occasions arise with a view to determine whether or not payment is appropriate.
SINGING AND SPEAKING ROLES. In the event a Dancer is required to sing or speak lines in a ballet the EMPLOYER agrees to negotiate an additional per performance rate for such role prior to such engagement. Any Artist who sings in West Side Story Suite, including the songs Cool, America, Somewhere, will be paid at theA4 Rate, irregular schedule rehearsal rate for each orchestra rehearsal and performance.
SINGING AND SPEAKING ROLES. The Engager agrees that each dancer who shall be required to sing or speak lines in a ballet when such singing or speaking may be done by another person without injury to the essential structure or character of the ballet shall receive additional compensation at the rate of not less than the rate specified in Rule 18.01. The Engager agrees to confer with CAEA and the Artist's representatives when such occasions arise with a view to determine whether or not payment is appropriate.
