Common use of Completing Contracts Clause in Contracts

Completing Contracts. (1) The Theatre agrees that all blanks, including opening date, name of part, salary and required date of arrival, will be filled in writing before signing or delivery. (2) All plays must be specified in the Actor’s contract along with the Actor’s assignment in the plays which may be "As Cast" (for Seasonal Contracts, see Rule 56). Actor shall be advised in writing at the time of job offer whether “As Cast” assignments will be included in the contract and shall specify whether such assignments include playing a role and/or understudying a role. If the entire season has not been set, the Actor may agree to appear in a play "To Be Announced." If additional productions are added to the contract, the Actor may agree to appear in these productions by mutual consent. (3) If the Actor agrees to appear in a production "As Cast," the understudy part assigned as of opening night and/or the part assigned and performed at the first public performance shall be deemed the Actor’s assignment for that production and may not be changed or added to without an agreement in writing. (See also Rule 56, Seasonal Contracts.) Should the Actor’s assignment be changed, no additional compensation will be required, but if the Actor is given additional assignments, the Actor shall be compensated in accordance with Rule 55(Q). (4) An Actor may be assigned no more than four job assignments (excluding bit parts and Fight Captain) in a production in which the Actor may be performing. Job assignments may include performing parts, understudying parts or performing as Assistant Stage Manager, if permitted. (5) Should any contract be signed more than two months in advance of projected starting date, such date may be listed as "on or about" with a three day grace period on either side of the date. The Theatre shall notify the Actor and Equity at least two months prior to the rehearsal date as to the exact starting date of the Actor’s contract. If the Theatre fails to so notify the Actor and Equity, payments to the Actor start on the earlier of the grace period dates. (6) All concessions or waivers granted to the Theatre shall be made known to the actors and Stage Managers at the time of audition, interview or initial contact, if feasible. (7) The Theatre agrees to indicate on the face of the contract or in a rider the dates of an overnight tour, if known. (8) The Theatre shall identify on the face of the standard employment contract the category of the stage(s) for which the Actor has been engaged.

Completing Contracts. (1) The Theatre agrees that all blanks, including opening date, name of part, salary and required date of arrival, will be filled in writing before signing or delivery. (2) All plays must be specified in the Actor’s contract along with the Actor’s assignment in the plays which may be "As Cast" (for Seasonal Contracts, see Rule 56). Actor shall be advised in writing at the time of job offer whether “As Cast” assignments will be included in the contract and shall specify whether such assignments include playing a role and/or understudying a role. If the entire season has not been set, the Actor may agree to appear in a play "To Be Announced." If additional productions are added to the contract, the Actor may agree to appear in these productions by mutual consent. (3) If the Actor agrees to appear in a production "As Cast," the understudy part assigned as of opening night and/or the part assigned and performed at the first public performance shall be deemed the Actor’s assignment for that production and may not be changed or added to without an agreement in writing. (See also Rule 56, Seasonal Contracts.) Should the Actor’s assignment be changed, no additional compensation will be required, but if the Actor is given additional assignments, the Actor he shall be compensated in accordance with Rule 55(Q). (4) An Actor may be assigned no more than four job assignments (excluding bit parts and Fight Captain) in a production in which the Actor he may be performing. Job assignments may include performing parts, understudying parts or performing as Assistant Stage Manager, if permitted. (5) Should any contract be signed more than two months in advance of projected starting date, such date may be listed as "on or about" with a three day grace period on either side of the date. The Theatre shall notify the Actor and Equity at least two months prior to the rehearsal date as to the exact starting date of the Actor’s his contract. If the Theatre fails to so notify the Actor and Equity, payments to the Actor start on the earlier of the grace period dates. (6) All concessions or waivers granted to the Theatre shall be made known to the actors and Stage Managers at the time of audition, interview or initial contact, if feasible. (7) The Theatre agrees to indicate on the face of the contract or in a rider the dates of an overnight tour, if known. (8) The Theatre shall identify on the face of the standard employment contract the category of the stage(s) for which the Actor has been engaged.

Completing Contracts. (1) The Theatre agrees that all blanks, including opening date, name of part, salary and required date of arrival, will be filled in writing before signing or delivery. (2) All plays must be specified in the Actor’s or Stage Manager’s contract along with the Actor’s assignment in the plays which may be "“As Cast" ” (for Seasonal Contracts, see Rule 56). Actor shall be advised in writing at the time of job offer whether “As Cast” assignments will be included in the contract and shall specify whether such assignments include playing a role and/or understudying a role. If the entire season has not been set, the Actor or Stage Manager may agree to appear be employed in a play "“To Be Announced." ” If additional productions are added to the contract, the Actor or Stage Manager may agree to appear be employed in these productions by mutual consent. (3) If the Actor agrees to appear in a production "“As Cast," ” the understudy part assigned as of opening night and/or the part assigned and performed at the first public performance shall be deemed the Actor’s assignment for that production and may not be changed or added to without an agreement in writing. (See also Rule 56, Seasonal Contracts.) Should the Actor’s assignment be changed, no additional compensation will be required, but if the Actor is given additional assignments, the Actor shall be compensated in accordance with Rule 55(Q). (4) An Actor or Assistant Stage Manager (as permitted under Rule 64(B)(1)) may be assigned no more than four job assignments (excluding bit parts and Fight Captainparts) in a production in which the Actor or Assistant Stage Manager may be performing. A fifth assignment may be added provided (i) the Theatre and Actor agree in writing, (ii) the Actor is paid no less than $50.00 for the fifth assignment, and (iii) the Actor is not assigned to perform as an Assistant Stage Manager. Job assignments may include performing parts, understudying parts or performing as Assistant Stage Manager, if permitted. (5) Should any contract be signed more than two months in advance of projected starting date, such date may be listed as "“on or about" ” with a three day grace period on either side of the date. The Theatre shall notify the Actor or Stage Manager and Equity at least two months prior to the rehearsal date as to the exact starting date of the Actor’s or Stage Manager’s contract. If the Theatre fails to so notify the Actor or Stage Manager and Equity, payments to the Actor or Stage Manager start on the earlier of the grace period dates. (6) All concessions or waivers granted to the Theatre shall be made known to the actors Actors and Stage Managers at the time of audition, interview or initial contact, if feasible. (7) The Theatre agrees to indicate on the face of the contract or in a rider the dates of an overnight tour, if known. (8) The Theatre shall identify on the face of the standard employment contract the category of the stage(s) for which the Actor or Stage Manager has been engaged.