Equitable Remuneration from Collecting Societies. This agreement is without prejudice to the musicians’ rights to receive a share of equitable remuneration from domestic or foreign collecting societies for the broadcast or public performance of their recorded performance(s) pursuant to national legislation.
Equitable Remuneration from Collecting Societies. This agreement is without prejudice to the musicians’ rights to receive a share of equitable remuneration from domestic or foreign collecting societies for the broadcast or public performance of their recorded performance(s) pursuant to national legislation. Appendix 2: Orchestral Musicians engaged as Soloists When members of the Core Orchestra are engaged by Orchestra of the Swan to undertake concerto performances, the minimum fees for such work will be £300. Enhanced fees will be paid for significant orchestral solos or continuo playing, by negotiation with the musician and Orchestra of the Swan.
Equitable Remuneration from Collecting Societies. This agreement is without prejudice to the musicians’ rights to receive a share of equitable remuneration from domestic or foreign collecting societies for the broadcast or public performance of their recorded performance(s) pursuant to national legislation. Appendix 2: Orchestral Musicians engaged as Soloists When members of the Core Orchestra are engaged by Orchestra of the Swan to undertake concerto performances, the minimum fees for such work will be £300. Enhanced fees will be paid for significant orchestral solos or continuo playing, by negotiation with the musician and Orchestra of the Swan. Instrument Position Name Instrument Position Name Violin 1 Leader Xxxxx Le Page Flute 1 Principal Xxxxx Xxxxx Co-leader vacancy Flute 2 Co-Principal Xxxx Xxxxxxxxxxxxx Co-Principal Xxxxx Xxxxx Xxxxxxx Principal (as required) (alphabetical) Oboe 1 Principal Xxxxxxxx Xxxxx Tutti Violin 1 R&F Xxxxxxx Xxxxx Oboe2 Co-Principal Xxxxxx Xxxxxxxxxxx & Violin 2 R&F Xxxxxxx Xxxxxxx Cor Anglais Principal Xxxxxx Xxxxxxxxxxx R&F vacancy Clarinet 1 Principal Xxxxx Xxxxxx R&F Xxx Xxxxxx Clarinet 2 Co-Principal Xxxx Xxxx R&F Xxxxxxx Xxxxx Bass clarinet Principal (as required) R&F Xxx Xxxxxxxxxx Bassoon 1 Principal Xxxxxx Xxxxxxx R&F Xxxxxxxx Xxxxxxxx Bassoon 2 Co-Principal Xxxxxx Xxxxxxxx R&F Xxxxx Xxxx Contra Principal (as required) Xxxxx Principal vacancy Horn 1 Principal Xxxxxxxxx Xxxxx-Xxxxxxx Co-Principal Xxxxxxx Xxxxx Horn 1 Co-Principal Xxxxx Xxxxxxxxx R&F Xxxx Xxxxxxx Xxxx 3 Principal (as required) R&F Xxxx Xxxxxxx Horn 4 Co-Principal (as required) Bumper Principal (as required) Cello Principal Xxxx Xxxxxxxxxxxx Trumpet 1 Principal Xxxx Xxxxxx Co-Principal Xxxxx Xxxxx Trumpet 2 Co-Principal Xxxxx Xxxxxx R&F vacancy Trombone 1 Principal Xxxxxx-Xxx Xxxxxxx R&F Xxxx Xxxxxxx Trombone 2 Co-Principal (as required) Bass Trombone Principal (as required) Bass Principal vacancy Tuba Principal (as required) Co-Principal (as required) Timpani Principal Xxx Xxxxxx Percussion 1 Principal Xxx Xxxxxx Percussion 2 Co-Principal (as required) Harp Principal (as required) Harpsichord Principal Xxxxx Xxxxxxxx
Equitable Remuneration from Collecting Societies. This agreement is without prejudice to the musicians’ rights to receive a share of equitable remuneration from domestic or foreign collecting societies for the broadcast or public performance of their recorded performance(s) pursuant to national legislation. Promotional / EPK ESO recognises the need to embrace existing and emerging technologies and making the most of promotional opportunities, whilst at the same time protecting the rights of musicians and copyright holders of musical works. Use of in-house recording is allowed, without further payment, to promote the orchestra or the recording itself. However, duration of such use shall be limited to a maximum of 20 minutes aggregate length. No single musical piece, however short, may be used in its entirety. Promotional / EPK recordings may be used by ESO for its own publicity material including its own website, artist profiles, arts and culture themed programming where the orchestra is featured and may include free and non-commercial presentation by ESO to promote ticket sales for the concert(s) for which the Musician has been engaged under this Agreement. Promotional / EPK recordings shall not be used for the evaluation of the performance of any musician. For sake of clarity, where a Commercial Recording (Clause (3) below) is made for or by a third party, promotional use will be as defined within the appropriate MU collective bargaining agreement.
