Common use of Non Commercial Clause in Contracts

Non Commercial. You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact xxxxxxxxxxx@xxx.xx.xx providing details, and we will remove access to the work immediately and investigate your claim. Download date: 03. Jun. 2023 Henotheism in Orphic Sources Origins, Development and Reception Submitted for the degree of Doctor of Philosophy in Classics at King’s College London Xxxx Xxxxx Xxxxxx Abstract The aim of this research is to examine the theme of divine uniqueness and unity within the polytheistic structures of the Ancient Greek world, focusing on what is referred to as 'Orphism', exploring the relevant sources and examining its development from the Classical period through Hellenistic Judaism and into the Christian era. In this project I have looked at different sources linked to Orphism which present a divine figure that emerges from the plurality of a polytheistic structure and appears to acquire the status of a 'one' god (separate and complete). To do so, I have also analysed the Christian reception of these sources, since many Christian authors quote them with different points of view and levels of appreciation. Key works include pseudo-Justin's De monarchia and Cohortatio ad Graecos, Xxxxxxx'x Protrepticus and Stromateis, Xxxxxxxx' Praeparatio Evangelica and the Theosophia Tubingensis. By investigating these sources, including variously dated fragments such as the Orphic Hymn to Xxxx and Xxxx. Hymn. 15, 19, 20, I have traced the development of this topic in successive historical periods and environments, an example of which is to be found in the poem known as Hieros Logos composed in Alexandria in Egypt within Hellenistic Judaism around the II century BCE, which imitates an Orphic Hieros Logos. This thesis contributes a new approach to the theme of Greek henotheism and to the study of the divine figure in Orphism, drawing attention to the historical, literary and cultural relevance of the sources, making use of a comparative approach. Thanks to the contribution of the Cognitive Studies of religion this project will primarily demonstrate that it is possible to find henotheistic tendencies in Orphic sources and how these texts are intertwined with other philosophical and religious ideas. The analysis of the aforementioned selected texts will reframe and improve our understanding of part of the Orphic literary corpus, showing the reader how these literary sources can inform us about the reflection on and devotion to a ‘one god’ in Greek religion, and especially in Orphic manifestations. Table Of Contents ABSTRACT 2 TABLE OF CONTENTS 3 ACKNOWLEDGMENTS 5 INTRODUCTION 7

Non Commercial. You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact xxxxxxxxxxx@xxx.xx.xx providing details, and we will remove access to the work immediately and investigate your claim. Download date: 03. Jun. 2023 Henotheism in Orphic Sources Origins, Development and Reception Xxxxxxx X’Xxxxxxx Thesis Submitted for the degree of Doctor of Philosophy in Classics at Examination: PhD King’s College London Xxxx Xxxxx August, 2013 ‘Xxxxxx Xxxxx: Religion and Eighteenth-Century Modernity’ Thesis Abstract The aim This thesis fills the need for a comprehensive study of this research Xxxxxx Xxxxx’x representation of global religions throughout the general oeuvre of his writings and speeches. My objective is to examine advance the theme study of divine uniqueness and unity within the polytheistic structures Xxxxx by offering a critical account of the Ancient Greek worldhis religious thought, focusing on what is referred to as 'Orphism', exploring the relevant sources and examining its development from the Classical period through Hellenistic Judaism and into the Christian eraa critical imprint in his literature. In this project I have looked at different sources linked addition to Orphism which present a divine figure that emerges from situating Xxxxx’x writing in the plurality context of a polytheistic structure Enlightenment thought and appears to acquire the status of a 'one' god (separate and complete). To do soeighteenth-century public life, I have also analysed the Christian reception of these sources, since many Christian authors quote them with different points of view and levels of appreciation. Key works include pseudo-Justin's De monarchia and Cohortatio ad Graecos, Xxxxxxx'x Protrepticus and Stromateis, Xxxxxxxx' Praeparatio Evangelica and the Theosophia Tubingensis. By investigating these sources, including variously dated fragments such as the Orphic Hymn to Xxxx and Xxxx. Hymn. 15, 19, 20, I have traced the development of this topic in successive historical periods and environments, an example of which is to be found in the poem known as Hieros Logos composed in Alexandria in Egypt within Hellenistic Judaism around the II century BCE, which imitates an Orphic Hieros Logos. This thesis contributes make a new approach to the theme of Greek henotheism and further contribution to the study of Xxxxx’x literature by demonstrating how twentieth and twenty-first century theories of modernity can help to articulate Xxxxx’x conception of religion. Studies that have categorically seated Xxxxx in the divine figure context of ‘modernity’ (for example, from Xxxxx Xxxxxxxx, Xxxxx Xxxxxxx, and Xxxxxxx X. Xxxxx) treat him as a ‘politician’, as ‘Xxxxxx Xxxxx the rhetorician’, or ‘as an aesthetician’.1 My thesis compliments these studies by filling the need to treat Xxxxx as a multicultural quasi-religious thinker in Orphismthe context of modernity. Studies that have treated Xxxxx in a religious context (for example, drawing attention from Conor Cruise X’Xxxxx, Xxxxxx H.D. Xxxxxxx, Xxxxxx X’Xxxxxxxx, Xxxxxxxxx Xxxxxxx, X.X.X. Xxxxx, Xxxxx Xxxxx, Xxxxxxxxx Dryer, and others) have done so with the objective of understanding more about his personal religious convictions.2 Differing from such studies, I do not intend to the historical, literary unearth 1 The parameters and cultural relevance characteristics of the sourcesterm ‘modernity’ are defined later in the introduction to this thesis; Xxxxxxx X. Xxxxx, making use Xxxxxx Xxxxx: Modernity, Politics, and Aesthetics, (Maryland: USA, Rowman & Xxxxxxxxxxx Publishers, 1994), p. 2; Xxxxx Xxxxxxx, Xxxxxx Xxxxx and the Art of a comparative approach. Thanks to the contribution Rhetoric, (Cambridge: Cambridge University Press, 2011), p. 2; Xxxxx Xxxxxxxx, Ideology of the Cognitive Studies of religion this project will primarily demonstrate that it is possible to find henotheistic tendencies in Orphic sources and how these texts are intertwined with other philosophical and religious ideas. The analysis of the aforementioned selected texts will reframe and improve our understanding of part of the Orphic literary corpusAesthetic, showing the reader how these literary sources can inform us about the reflection on and devotion to a ‘one god’ in Greek religion(Oxford: Xxxxx Xxxxxxxxx, and especially in Orphic manifestations. Table Of Contents ABSTRACT 2 TABLE OF CONTENTS 3 ACKNOWLEDGMENTS 5 INTRODUCTION 71990), p. 58.

Non Commercial. You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact xxxxxxxxxxx@xxx.xx.xx providing details, and we will remove access to the work immediately and investigate your claim. Download date: 0329. Jun. May. 2023 Henotheism in Orphic Sources Origins, Development and Reception THE BODY OF XXXX FOR THE BODY OF XXXXXX: XXXX’S MATERNAL BODY AS POEM OF THE FATHER Xxxx Xxxxxxxx Submitted for the degree of Doctor of Philosophy PhD in Classics at Theology & Religious Studies King’s College London Abstract Xxxx Xxxxx Xxxxxx Abstract Xxxx XX’s theological anthropology, the Theology of the Body, seeks to articulate how the experience of being loved and of loving is foundational to a person’s realising selfhood and meaning. Xxxx Xxxx’s particular phenomenological focus is upon the love manifest in spousal relationships, including their sexual aspect. The aim of this research task he sets himself is to examine articulate how spousal love and the theme of divine uniqueness human body mutually disclose each other and unity within point to God. Xxxx Xxxx’s hermeneutical task is to ‘re-read the polytheistic structures language of the Ancient Greek body in truth.’ He begins by giving an extended interpretation of the Genesis creation narratives then applies the truths he finds they disclose (the person as made for love, as gifted, as sacramental sign) to a theological interpretation of the living and embodied person. This thesis considers Xxxx Xxxx’s findings in the context of select contemporary theologians similarly interested in the body and in language. In line with some key suppositions of Xxxx Xxxx’s methodology, metaphor (and poetics more generally) is held to be strongly present in the material world, focusing on what is referred to as 'Orphism'including in acts of thinking, exploring communicating, and interpreting. Following Xxxx Xxxx’s phenomenological method, this thesis applies and extends it in two ways. Firstly, by looking at how literary texts (particular phenomena experienced in the relevant sources and examining its development from the Classical period through Hellenistic Judaism and into the Christian era. In this project I have looked at different sources linked to Orphism which present a divine figure that emerges from the plurality of a polytheistic structure and appears to acquire the status of a 'one' god (separate and complete). To do so, I have also analysed the Christian reception of these sources, since many Christian authors quote them with different points of view and levels of appreciation. Key works include pseudo-Justin's De monarchia and Cohortatio ad Graecos, Xxxxxxx'x Protrepticus and Stromateis, Xxxxxxxx' Praeparatio Evangelica mind and the Theosophia Tubingensis. By investigating these sources, including variously dated fragments such body) and the body (as the Orphic Hymn to Xxxx and Xxxx. Hymn. 15, 19, 20, I have traced the development of this topic in successive historical periods and environments, an example that through which one encounters all phenomena) can be read as mutually disclosive ‘texts,’ each of which is truth-bearing. To that end, a number of late twentieth-century poems whose subjects deal in some way with the maternal figure of Xxxx are read as linguistic embodiments of the human through which truths about what it is to be found in human are evoked. Secondly, this thesis reads the poem known as Hieros Logos composed in Alexandria in Egypt within Hellenistic Judaism around poetics of the II century BCEmaternal ‘obstetric’ body, which imitates an Orphic Hieros Logos. This thesis contributes through the lens of the Virgin Xxxx, thereby extending Xxxx Xxxx’s anthropological findings to a new approach to subject. Integrating the theme of Greek henotheism and to Virgin Xxxx within theological anthropology opens the study of the divine figure in Orphismway for a new, drawing attention to the historical, literary and cultural relevance of the sources, making use of a comparative approach. Thanks to the contribution of the Cognitive Studies of religion this project will primarily demonstrate that it is possible to find henotheistic tendencies in Orphic sources and how these texts are intertwined with other philosophical and religious ideas. The analysis of the aforementioned selected texts will reframe and improve our understanding of part of the Orphic literary corpus, showing the reader how these literary sources can inform us about the reflection on and devotion to a ‘one god’ in Greek religion, and especially in Orphic manifestationssomatically-grounded Mariology. Table Of of Contents ABSTRACT 2 TABLE OF CONTENTS 3 ACKNOWLEDGMENTS 5 INTRODUCTION 7ACKNOWLEDGEMENTS 9 NOTES TO READER 10

Non Commercial. You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact xxxxxxxxxxx@xxx.xx.xx providing details, and we will remove access to the work immediately and investigate your claim. Download date: 0318. Jun. 2023 Henotheism in Orphic Sources Origins, Development and Reception Sep. 2020 THE BODY OF XXXX FOR THE BODY OF XXXXXX: XXXX’S MATERNAL BODY AS POEM OF THE FATHER Xxxx Xxxxxxxx Submitted for the degree of Doctor of Philosophy PhD in Classics at Theology & Religious Studies King’s College London Abstract Xxxx Xxxxx Xxxxxx Abstract Xxxx XX’s theological anthropology, the Theology of the Body, seeks to articulate how the experience of being loved and of loving is foundational to a person’s realising selfhood and meaning. Xxxx Xxxx’s particular phenomenological focus is upon the love manifest in spousal relationships, including their sexual aspect. The aim of this research task he sets himself is to examine articulate how spousal love and the theme of divine uniqueness human body mutually disclose each other and unity within point to God. Xxxx Xxxx’s hermeneutical task is to ‘re-read the polytheistic structures language of the Ancient Greek body in truth.’ He begins by giving an extended interpretation of the Genesis creation narratives then applies the truths he finds they disclose (the person as made for love, as gifted, as sacramental sign) to a theological interpretation of the living and embodied person. This thesis considers Xxxx Xxxx’s findings in the context of select contemporary theologians similarly interested in the body and in language. In line with some key suppositions of Xxxx Xxxx’s methodology, metaphor (and poetics more generally) is held to be strongly present in the material world, focusing on what is referred to as 'Orphism'including in acts of thinking, exploring communicating, and interpreting. Following Xxxx Xxxx’s phenomenological method, this thesis applies and extends it in two ways. Firstly, by looking at how literary texts (particular phenomena experienced in the relevant sources and examining its development from the Classical period through Hellenistic Judaism and into the Christian era. In this project I have looked at different sources linked to Orphism which present a divine figure that emerges from the plurality of a polytheistic structure and appears to acquire the status of a 'one' god (separate and complete). To do so, I have also analysed the Christian reception of these sources, since many Christian authors quote them with different points of view and levels of appreciation. Key works include pseudo-Justin's De monarchia and Cohortatio ad Graecos, Xxxxxxx'x Protrepticus and Stromateis, Xxxxxxxx' Praeparatio Evangelica mind and the Theosophia Tubingensis. By investigating these sources, including variously dated fragments such body) and the body (as the Orphic Hymn to Xxxx and Xxxx. Hymn. 15, 19, 20, I have traced the development of this topic in successive historical periods and environments, an example that through which one encounters all phenomena) can be read as mutually disclosive ‘texts,’ each of which is truth-bearing. To that end, a number of late twentieth-century poems whose subjects deal in some way with the maternal figure of Xxxx are read as linguistic embodiments of the human through which truths about what it is to be found in human are evoked. Secondly, this thesis reads the poem known as Hieros Logos composed in Alexandria in Egypt within Hellenistic Judaism around poetics of the II century BCEmaternal ‘obstetric’ body, which imitates an Orphic Hieros Logos. This thesis contributes through the lens of the Virgin Xxxx, thereby extending Xxxx Xxxx’s anthropological findings to a new approach to subject. Integrating the theme of Greek henotheism and to Virgin Xxxx within theological anthropology opens the study of the divine figure in Orphismway for a new, drawing attention to the historical, literary and cultural relevance of the sources, making use of a comparative approach. Thanks to the contribution of the Cognitive Studies of religion this project will primarily demonstrate that it is possible to find henotheistic tendencies in Orphic sources and how these texts are intertwined with other philosophical and religious ideas. The analysis of the aforementioned selected texts will reframe and improve our understanding of part of the Orphic literary corpus, showing the reader how these literary sources can inform us about the reflection on and devotion to a ‘one god’ in Greek religion, and especially in Orphic manifestationssomatically-grounded Mariology. Table Of of Contents ABSTRACT 2 TABLE OF CONTENTS 3 ACKNOWLEDGMENTS 5 INTRODUCTION 7ACKNOWLEDGEMENTS 9 NOTES TO READER 10

Non Commercial. You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact xxxxxxxxxxx@xxx.xx.xx providing details, and we will remove access to the work immediately and investigate your claim. Download date: 03. Jun. 2023 Henotheism in Orphic Sources Origins, Development and Reception Xxxxxxx X’Xxxxxxx Thesis Submitted for the degree of Doctor of Philosophy in Classics at Examination: PhD King’s College London Xxxx Xxxxx August, 2013 ‘Xxxxxx Xxxxx: Religion and Eighteenth-Century Modernity’ Thesis Abstract The aim This thesis fills the need for a comprehensive study of this research Xxxxxx Xxxxx’x representation of global religions throughout the general oeuvre of his writings and speeches. My objective is to examine advance the theme study of divine uniqueness and unity within the polytheistic structures Xxxxx by offering a critical account of the Ancient Greek worldhis religious thought, focusing on what is referred to as 'Orphism', exploring the relevant sources and examining its development from the Classical period through Hellenistic Judaism and into the Christian eraa critical imprint in his literature. In this project I have looked at different sources linked addition to Orphism which present a divine figure that emerges from situating Xxxxx’x writing in the plurality context of a polytheistic structure Enlightenment thought and appears to acquire the status of a 'one' god (separate and complete). To do soeighteenth-century public life, I have also analysed the Christian reception of these sources, since many Christian authors quote them with different points of view and levels of appreciation. Key works include pseudo-Justin's De monarchia and Cohortatio ad Graecos, Xxxxxxx'x Protrepticus and Stromateis, Xxxxxxxx' Praeparatio Evangelica and the Theosophia Tubingensis. By investigating these sources, including variously dated fragments such as the Orphic Hymn to Xxxx and Xxxx. Hymn. 15, 19, 20, I have traced the development of this topic in successive historical periods and environments, an example of which is to be found in the poem known as Hieros Logos composed in Alexandria in Egypt within Hellenistic Judaism around the II century BCE, which imitates an Orphic Hieros Logos. This thesis contributes make a new approach to the theme of Greek henotheism and further contribution to the study of Xxxxx’x literature by demonstrating how twentieth and twenty-first century theories of modernity can help to articulate Xxxxx’x conception of religion. Studies that have categorically seated Xxxxx in the divine figure context of ‘modernity’ (for example, from Xxxxx Xxxxxxxx, Xxxxx Xxxxxxx, and Xxxxxxx X. Xxxxx) treat him as a ‘politician’, as ‘Xxxxxx Xxxxx the rhetorician’, or ‘as an aesthetician’.1 My thesis compliments these studies by filling the need to treat Xxxxx as a multicultural quasi-religious thinker in Orphismthe context of modernity. Studies that have treated Xxxxx in a religious context (for example, drawing attention from Conor Cruise X’Xxxxx, Xxxxxx X.D. Xxxxxxx, Xxxxxx X’Xxxxxxxx, Xxxxxxxxx Xxxxxxx, X.X.X. Xxxxx, Xxxxx Xxxxx, Xxxxxxxxx Xxxxx, and others) have done so with the objective of understanding more about his personal religious convictions.2 Differing from such studies, I do not intend to the historical, literary unearth 1 The parameters and cultural relevance characteristics of the sourcesterm ‘modernity’ are defined later in the introduction to this thesis; Xxxxxxx X. Xxxxx, making use Xxxxxx Xxxxx: Modernity, Politics, and Aesthetics, (Maryland: USA, Rowman & Xxxxxxxxxxx Publishers, 1994), p. 2; Xxxxx Xxxxxxx, Xxxxxx Xxxxx and the Art of a comparative approach. Thanks to the contribution Rhetoric, (Cambridge: Cambridge University Press, 2011), p. 2; Xxxxx Xxxxxxxx, Ideology of the Cognitive Studies of religion this project will primarily demonstrate that it is possible to find henotheistic tendencies in Orphic sources and how these texts are intertwined with other philosophical and religious ideas. The analysis of the aforementioned selected texts will reframe and improve our understanding of part of the Orphic literary corpusAesthetic, showing the reader how these literary sources can inform us about the reflection on and devotion to a ‘one god’ in Greek religion(Oxford: Xxxxx Xxxxxxxxx, and especially in Orphic manifestations. Table Of Contents ABSTRACT 2 TABLE OF CONTENTS 3 ACKNOWLEDGMENTS 5 INTRODUCTION 71990), p. 58.

Non Commercial. You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact xxxxxxxxxxx@xxx.xx.xx providing details, and we will remove access to the work immediately and investigate your claim. Download date: 0323. Jun. 2023 Dec. 2020 Henotheism in Orphic Sources Origins, Development and Reception Submitted for the degree of Doctor of Philosophy in Classics at King’s College London Xxxx Xxxxx Xxxxxx Abstract The aim of this research is to examine the theme of divine uniqueness and unity within the polytheistic structures of the Ancient Greek world, focusing on what is referred to as 'Orphism', exploring the relevant sources and examining its development from the Classical period through Hellenistic Judaism and into the Christian era. In this project I have looked at different sources linked to Orphism which present a divine figure that emerges from the plurality of a polytheistic structure and appears to acquire the status of a 'one' god (separate and complete). To do so, I have also analysed the Christian reception of these sources, since many Christian authors quote them with different points of view and levels of appreciation. Key works include pseudo-Justin's De monarchia and Cohortatio ad Graecos, Xxxxxxx'x Protrepticus and Stromateis, Xxxxxxxx' Praeparatio Evangelica and the Theosophia Tubingensis. By investigating these sources, including variously dated fragments such as the Orphic Hymn to Xxxx and Xxxx. Hymn. 15, 19, 20, I have traced the development of this topic in successive historical periods and environments, an example of which is to be found in the poem known as Hieros Logos composed in Alexandria in Egypt within Hellenistic Judaism around the II century BCE, which imitates an Orphic Hieros Logos. This thesis contributes a new approach to the theme of Greek henotheism and to the study of the divine figure in Orphism, drawing attention to the historical, literary and cultural relevance of the sources, making use of a comparative approach. Thanks to the contribution of the Cognitive Studies of religion this project will primarily demonstrate that it is possible to find henotheistic tendencies in Orphic sources and how these texts are intertwined with other philosophical and religious ideas. The analysis of the aforementioned selected texts will reframe and improve our understanding of part of the Orphic literary corpus, showing the reader how these literary sources can inform us about the reflection on and devotion to a ‘one god’ in Greek religion, and especially in Orphic manifestations. Table Of Contents ABSTRACT 2 TABLE OF CONTENTS 3 ACKNOWLEDGMENTS 5 INTRODUCTION 77 1. STRUCTURE OF THE THESIS 8 2. INTUITIVE AND REFLECTIVE BELIEFS 11 3. MYSTERY, XXXXXX AND THE ORPHIC CORPUS 17

Non Commercial. You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact xxxxxxxxxxx@xxx.xx.xx providing details, and we will remove access to the work immediately and investigate your claim. Download date: 0302. Jun. 2023 Henotheism Sep. 2020 RELIGIOUS OFFENSE AND THE CENSORSHIP OF PUBLICATIONS IN INDIA: LAW, LEGAL PROCESS AND THE ROLE OF JUDICIARY XXXXXXX XXXXX Xxxx’x College London Supervisors XXXXX XXXXXXXX XXXXXXXXXX XXXXXXXXX THIS THESIS IS SUBMITTED TO KING’S COLLEGE LONDON FOR THE DEGREE OF DOCTOR OF PHILOSOPHY ABSTRACT In this work, I analyse the role of judiciary in Orphic Sources Originsthe process of censorship in India. Focussing on the subject of “Religious offense and censorship of publications,” I examine the rationales and justifications given by courts to restrict freedom of speech and expression. I argue that the issues like public order, Development and Reception Submitted the concern to protect religious sentimentalities of different communities from hurt in a secular democracy, form the bedrock on which the courts construct the legal justification for curtailment of right to freedom of expression. In the process, the courts define the “reasonability” of restrictions, as advocated under article 19(2) of the constitution, very expansively, thereby allowing wide latitude for state intervention in the free exercise of this fundamental right. In a way, the position of the courts reflect a sense of legal patronage for state action against misuse of freedom of speech and expression, and it also exhibits a form of legal paternalism where the courts educates the citizens regarding the permissible limits of “matter” and “manner” of speech acts. I further argue that this attitude of the courts, along with the ambiguity attached with the nature of statutory laws, and the structural and procedural limitations of the legal process creates a “web of censorship” that fails to provide the legal protection required for the degree of Doctor of Philosophy in Classics at King’s College London Xxxx Xxxxx Xxxxxx Abstract The aim of this research is to examine the theme of divine uniqueness and unity within the polytheistic structures free exercise of the Ancient Greek worldright to freedom of speech and expression. However, focusing on what is referred to as 'Orphism'despite these limitations, exploring the relevant sources and examining its development from the Classical period through Hellenistic Judaism and into the Christian era. In this project I have looked at different sources linked to Orphism which present a divine figure that emerges from the plurality increasing intervention of a polytheistic structure and appears to acquire the status of a 'one' god (separate and complete). To do so, I have also analysed the Christian reception of these sources, since many Christian authors quote them with different points of view and levels of appreciation. Key works include pseudonon-Justin's De monarchia and Cohortatio ad Graecos, Xxxxxxx'x Protrepticus and Stromateis, Xxxxxxxx' Praeparatio Evangelica and the Theosophia Tubingensis. By investigating these sources, including variously dated fragments such as the Orphic Hymn to Xxxx and Xxxx. Hymn. 15, 19, 20, I have traced the development of this topic in successive historical periods and environments, an example of which is to be found state actors in the poem known as Hieros Logos composed process of censorship, the role of courts cannot be undermined. As the constitutional authority to interpret and define the scope of freedom of speech and expression, they continue to play a dominant role in Alexandria the politics of censorship in Egypt within Hellenistic Judaism around the II century BCE, which imitates an Orphic Hieros LogosIndian context. This thesis contributes a new approach to the theme of Greek henotheism and to the study of the divine figure in Orphism, drawing attention to the historical, literary and cultural relevance of the sources, making use of a comparative approach. Thanks to the contribution of the Cognitive Studies of religion this project will primarily demonstrate that it is possible to find henotheistic tendencies in Orphic sources and how these texts are intertwined with other philosophical and religious ideas. The analysis of the aforementioned selected texts will reframe and improve our understanding of part of the Orphic literary corpus, showing the reader how these literary sources can inform us about the reflection on and devotion to a ‘one god’ in Greek religion, and especially in Orphic manifestations. Table Of Contents ABSTRACT 2 TABLE OF CONTENTS 3 ACKNOWLEDGMENTS 5 INTRODUCTION 7Abstract 2 Acknowledgments 7 List of Abbreviations 8 Chapter 1: Introduction 9-52

Non Commercial. You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact xxxxxxxxxxx@xxx.xx.xx providing details, and we will remove access to the work immediately and investigate your claim. Download date: 03. Jun. 2023 Henotheism Oct. 2020 Three Generations of Women Writing Mad Women in Orphic Sources OriginsFrench: Xxxxxx xx Xxxxxxxx, Development and Reception Submitted Xxxx Xxxxxx, Xxxxx Xx Thesis submitted for the King's College London degree of Doctor of Philosophy in Classics at XXXXXXX XX XXXXXXXXXX Department of French King’s 's College London Xxxx Xxxxx Xxxxxx Abstract The aim of this research is to examine February 2015 ABSTRACT This thesis examines the theme of divine uniqueness and unity within the polytheistic structures evolution of the Ancient Greek world, focusing on what is referred to as 'Orphism', exploring trope of the relevant sources and examining its development madwoman in women-authored narratives in French from the Classical period early twentieth century until the present day. Given the misogyny inherent in much of the discourse of women's madness as written by male writers over the centuries, the project asks why this ambivalent figure should appear so prevalently in the narratives of three generations of women authors during this time. The thesis explores whether the madness featured can be read as a metaphor for crisis, or rebellion, or both, and asks to what extent, when read through Hellenistic Judaism a feminist optic, madness is effective or self- defeating. Using the post-Lacanian psycholinguistic theory of Xxxxx Xxxxxxxx, I argue that the madwoman stands as a signpost for an anxiety of authorship at the intersection of crisis and liberation for women authors seeking to inscribe themselves into a male-dominated socio-linguistic system. This attempt at inscription entails a process of autogenography – (re)generating the self through writing – that is productive for the authors involved in terms of literary output, but does not always produce unequivocally positive outcomes on a personal level. The project also examines the motif of female sacrifice – often presented as self-sacrifice – recurring prominently alongside the figure of the madwoman in the texts discussed, to ask what function this sacrifice fulfils. Does it represent an abjection of the feminine for authors who have internalised misogynistic literary standards and traditions in relation to female authorship, or does it represent a process of sublimation for the woman author as part of an attempt to assert linguistic and literary autonomy? I conclude that the madwoman and the leitmotif of female/feminine sacrifice are intimately bound up with questions of female authorship, and the continuing evolution of these tropes reveals some marked differences between the challenges facing women writers at different moments of the past century, and also some interesting similarities. CONTENTS Acknowledgements 4 Key to Abbreviations 5 Introduction 6 CHAPTER ONE: Women's Madness in Xxxxxx xx Xxxxxxxx'x Quand prime le spirituel 28 - The Perpetual Tension of the 'cœur de femme, cerveau d'homme' - Quand prime le féminin in Xxxxxxxx's First Fiction - Symbolic Rejection of Xxxxxxxx's 'Silly Girls' CHAPTER TWO: The Return of Semiotic Madness in Xxxxxx xx Xxxxxxxx'x Late Fiction: Xxx Xxxxxx Images and La Femme rompue 66 - The Beautiful Broken Image of Xxx Xxxxxx Images - The Madwoman on the Threshold of Feminine Liberation: La Femme rompue - Putting the Symbolic Mask Back in Place CHAPTER THREE: Through the Looking-glass into the Christian era. In this project I have looked at different sources linked to Orphism which present a divine figure that emerges from the plurality Labyrinth: The Semiotic Revolution of a polytheistic structure and appears to acquire the status Xxxx Xxxxxx 105 - The Autogenographic Fiction of a 'one' god (separate and complete). To do so, I have also analysed the Christian reception of these sources, since many Christian authors quote them with different points of view and levels of appreciation. Key works include pseudo-Justin's De monarchia and Cohortatio ad Graecos, Xxxxxxx'x Protrepticus and Stromateis, Xxxxxxxx' Praeparatio Evangelica and the Theosophia Tubingensis. By investigating these sources, including variously dated fragments such as the Orphic Hymn to Xxxx and Xxxx. Hymn. 15, 19, 20, I have traced the development of this topic in successive historical periods and environments, an example of which is to be found Xxxxxx - Mad Revolution: Un cri écrit in the poem known as Hieros Logos composed in Alexandria in Egypt within Hellenistic Judaism around the II century BCE, which imitates an Orphic Hieros Logos. This thesis contributes a new approach Early Trilogy - Frustration: From cri écrit to the theme of Greek henotheism and to the study of the divine figure in Orphism, drawing attention to the historical, literary and cultural relevance of the sources, making use of a comparative approach. Thanks to the contribution of the Cognitive Studies of religion this project will primarily demonstrate that it is possible to find henotheistic tendencies in Orphic sources and how these texts are intertwined with other philosophical and religious ideas. The analysis of the aforementioned selected texts will reframe and improve our understanding of part of the Orphic literary corpus, showing the reader how these literary sources can inform us about the reflection on and devotion to a ‘one god’ in Greek religion, and especially in Orphic manifestations. Table Of Contents ABSTRACT 2 TABLE OF CONTENTS 3 ACKNOWLEDGMENTS 5 INTRODUCTION 7Écris et tais-toi - Surrealist Sublimation: Effraction au réel

Non Commercial. You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact xxxxxxxxxxx@xxx.xx.xx providing details, and we will remove access to the work immediately and investigate your claim. Download date: 0325. Jun. Aug. 2023 Henotheism RELIGIOUS OFFENSE AND THE CENSORSHIP OF PUBLICATIONS IN INDIA: LAW, LEGAL PROCESS AND THE ROLE OF JUDICIARY XXXXXXX XXXXX Xxxx’x College London Supervisors XXXXX XXXXXXXX XXXXXXXXXX XXXXXXXXX THIS THESIS IS SUBMITTED TO KING’S COLLEGE LONDON FOR THE DEGREE OF DOCTOR OF PHILOSOPHY ABSTRACT In this work, I analyse the role of judiciary in Orphic Sources Originsthe process of censorship in India. Focussing on the subject of “Religious offense and censorship of publications,” I examine the rationales and justifications given by courts to restrict freedom of speech and expression. I argue that the issues like public order, Development and Reception Submitted the concern to protect religious sentimentalities of different communities from hurt in a secular democracy, form the bedrock on which the courts construct the legal justification for curtailment of right to freedom of expression. In the process, the courts define the “reasonability” of restrictions, as advocated under article 19(2) of the constitution, very expansively, thereby allowing wide latitude for state intervention in the free exercise of this fundamental right. In a way, the position of the courts reflect a sense of legal patronage for state action against misuse of freedom of speech and expression, and it also exhibits a form of legal paternalism where the courts educates the citizens regarding the permissible limits of “matter” and “manner” of speech acts. I further argue that this attitude of the courts, along with the ambiguity attached with the nature of statutory laws, and the structural and procedural limitations of the legal process creates a “web of censorship” that fails to provide the legal protection required for the degree of Doctor of Philosophy in Classics at King’s College London Xxxx Xxxxx Xxxxxx Abstract The aim of this research is to examine the theme of divine uniqueness and unity within the polytheistic structures free exercise of the Ancient Greek worldright to freedom of speech and expression. However, focusing on what is referred to as 'Orphism'despite these limitations, exploring the relevant sources and examining its development from the Classical period through Hellenistic Judaism and into the Christian era. In this project I have looked at different sources linked to Orphism which present a divine figure that emerges from the plurality increasing intervention of a polytheistic structure and appears to acquire the status of a 'one' god (separate and complete). To do so, I have also analysed the Christian reception of these sources, since many Christian authors quote them with different points of view and levels of appreciation. Key works include pseudonon-Justin's De monarchia and Cohortatio ad Graecos, Xxxxxxx'x Protrepticus and Stromateis, Xxxxxxxx' Praeparatio Evangelica and the Theosophia Tubingensis. By investigating these sources, including variously dated fragments such as the Orphic Hymn to Xxxx and Xxxx. Hymn. 15, 19, 20, I have traced the development of this topic in successive historical periods and environments, an example of which is to be found state actors in the poem known as Hieros Logos composed process of censorship, the role of courts cannot be undermined. As the constitutional authority to interpret and define the scope of freedom of speech and expression, they continue to play a dominant role in Alexandria the politics of censorship in Egypt within Hellenistic Judaism around the II century BCE, which imitates an Orphic Hieros LogosIndian context. This thesis contributes a new approach to the theme of Greek henotheism and to the study of the divine figure in Orphism, drawing attention to the historical, literary and cultural relevance of the sources, making use of a comparative approach. Thanks to the contribution of the Cognitive Studies of religion this project will primarily demonstrate that it is possible to find henotheistic tendencies in Orphic sources and how these texts are intertwined with other philosophical and religious ideas. The analysis of the aforementioned selected texts will reframe and improve our understanding of part of the Orphic literary corpus, showing the reader how these literary sources can inform us about the reflection on and devotion to a ‘one god’ in Greek religion, and especially in Orphic manifestations. Table Of Contents ABSTRACT 2 TABLE OF CONTENTS 3 ACKNOWLEDGMENTS 5 INTRODUCTION 7Abstract 2 Acknowledgments 7 List of Abbreviations 8 Chapter 1: Introduction 9-52

Non Commercial. You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact xxxxxxxxxxx@xxx.xx.xx providing details, and we will remove access to the work immediately and investigate your claim. Download date: 0302. Jun. 2023 Henotheism THE REDEMPTION OF PHYSICAL REALITY: FILMS FROM THE BERLIN SCHOOL THROUGH THE LENS OF XXXXXXXXX XXXXXXXX’X MATERIAL AESTHETICS Xxxxx Xxxxxxxxxx PhD in Orphic Sources OriginsGerman Studies Abstract This thesis explores the contemporaneity of Xxxxxxxxx Xxxxxxxx’x conception of cinema as outlined in his book Theory of Film: The Redemption of Physical Reality, Development first published in 1960, and Reception Submitted defined by Xxxxxxxx as a study of “material aesthetics.” Though the book is often seen solely as a contribution, albeit a significant one, to so-called classical film theory, in this study I want to make the case for the degree ongoing relevance of Doctor of Philosophy in Classics at KingXxxxxxxx’s College London Xxxx Xxxxx Xxxxxx Abstract The aim of this research is to examine the theme of divine uniqueness and unity within the polytheistic structures notion of the Ancient Greek worldmedium, focusing on what is referred to as 'Orphism', exploring presenting ways of making his approach productive for the relevant sources and examining its development from the Classical period through Hellenistic Judaism and into the Christian eraexamination of contemporary cinema. In this project I have looked at different sources linked to Orphism which present a divine figure that emerges from the plurality of a polytheistic structure and appears to acquire the status of a 'one' god (separate and complete). To do soAs case studies, I have also analysed chosen films associated with the Christian reception Berlin School, a group of these sourcescontemporary German filmmakers whose material realism strikes me as ideally suited for discussions in relation to Xxxxxxxx’s material aesthetics. This is what I aim to do in this study: bringing together Xxxxxxxx’s idea of cinema’s redemptive potential for re-experiences of the material world with contemporary realist filmmaking. However, since many Christian authors quote them I do not consider Theory of Film a dogmatic manual of cinematic realism but an open text that raises significant issues about the medium’s relationship with different points of view and levels of appreciationreality. Key works include pseudo-Justin's De monarchia and Cohortatio ad GraecosThus, Xxxxxxx'x Protrepticus and Stromateisrather than aiming to prove Xxxxxxxx’s film theory right or wrong, Xxxxxxxx' Praeparatio Evangelica I want to use the book as a toolbox to think about contemporary cinema and the Theosophia Tubingensiscurrent possibilities for experiences of reality. By investigating these sourcesIn so doing, including variously dated fragments such as the Orphic Hymn to Xxxx and Xxxx. Hymn. 15, 19, 20this study, I have traced hope, will help to open up a discussion on the development relevance of this topic in successive historical periods and environments, an example Xxxxxxxx’s Theory of which is to be found Film for current realist approaches not only in the poem known as Hieros Logos composed Berlin School films that are my object, but in Alexandria in Egypt within Hellenistic Judaism around the II century BCE, which imitates an Orphic Hieros Logos. This thesis contributes a new approach to the theme of Greek henotheism and to the study of the divine figure in Orphism, drawing attention to the historical, literary and cultural relevance of the sources, making use of a comparative approach. Thanks to the contribution of the Cognitive Studies of religion this project will primarily demonstrate that it is possible to find henotheistic tendencies in Orphic sources and how these texts are intertwined with other philosophical and religious ideas. The analysis of the aforementioned selected texts will reframe and improve our understanding of part of the Orphic literary corpus, showing the reader how these literary sources can inform us about the reflection on and devotion to a ‘one god’ in Greek religion, and especially in Orphic manifestationsworld cinema. Table Of of Contents ABSTRACT 2 TABLE OF CONTENTS 3 ACKNOWLEDGMENTS TABLE OF FIGURES 6 ACKNOWLEDGEMENTS 7 INTRODUCTION 8 1 THE REDEMPTION OF XXXXXXXXX XXXXXXXX’X MATERIAL AESTHETICS 11 Photographic Media’s Peculiar Relationship with Reality 22 The registering camera 22 Ontological realism: of indices and icons 23 Between mimesis and alienation 27 Cinema’s revelatory power 29 Experiencing the Material World 33 The Good of Film Experience 36 The Conflicting Principles of the Feature Film 42 The two main tendencies 42 The dilemma of narration 43 (Theory of) Film in Its and in Our Time 47 A PROBLEMATIC RECEPTION 47 The contemporaneity of Xxxxxxxx’s material aesthetics 52 2 FILMS FROM THE BERLIN SCHOOL: MATERIAL APPROACHES TO REALITY . 57 A Brief History of the Term 58 The first generation 58 THE DFFB 61 The second generation 64 The school that isn’t one 65 The Matter of Realism 69 Realism: a global tendency 71 Material realism 76 3 RECORDED AND CONSTRUCTED: THE AMBIGUOUS CHARACTER OF PHYSICAL REALITY 78 The Proscription of Manipulation 83 XXXXXX XXXXXXXXX’X MARSEILLE: AESTHETICS OF NORMALITY 85 Framing the world 89 Sonic materialism 95 Filming the light 98 XXXXXX XXXXXX’X DER SCHÖNE TAG: MULTI-LAYERED REALITIES 103 Exploratory movements 107 Mediation rendered sensible 111 The paradoxes of contemporary realism 116 XXXXXXXXX XXXXXXX’X GESPENSTER: IMAGINATIVE REALITIES 117 The imaginative force of ambient sounds 122 Fantastic realism 125 Material ghosts 129 4 OBJECT AMONG OBJECTS: THE HUMAN BEING AS OPAQUE SURFACE 137 Creating Ambiguity: Performance in Berlin School Cinema 142 Being instead of seeming 144 Bressonian Figures: Xxxxxx, Xxxxx, Xxxx 147 The surface of things 148 Showing / Not showing 150 THE SIGNIFICANCE OF THE RÜCKENFIGUR 151 Working against oversignification 153 New ways of seeing 157 Restrained expressions 162 XXXXXXX XXXXXXXXX’X SEHNSUCHT: LONGING IS EVERYWHERE 170 Between fiction and document 170 Longing rendered sensible 175 The physical experience of dancing 179 XXXXXX XXXXXX’X BUNGALOW: NO EXPLANATIONS 182 An opaque stranger 185 5 INTRODUCTION 7(NON-)PLACES: THE UNFAMILIAR IN THE FAMILIAR 191 The Adherence to (Non-)Places 195 The documentation of places 198 (Un)Familiar topographies 200 Non-Places 203 MARSEILLE: EXPLORING THE ‘STREET’ 206 Fragments of a city 209 Drifting through (un)familiar surroundings 211 DER SCHÖNE TAG: MAPPING THE MUNDANE CITY 215 Topographical realism 216 Empty spaces 219 GESPENSTER: FRAMING BERLIN AS A NON-PLACE 223 Strange familiarity 225 Strolling around with (female) characters 228 XXXXXXXXX XXXXXXXXXXX’X UNTER DIR DIE STADT: A WORLD OF SURFACES 232 Deceptive surfaces 238 CONCLUSION 245 BIBLIOGRAPHY 253 Table of Figures Figure 1 / 2: Approaching Marseille 91 Figure 3 / 4: Against the conventions of lighting 101 Figure 5 / 6 / 7 / 8: Mediation rendered sensible 114 Figure 9 / 10: Material ghosts 134 Figure 11: Ghost images 135 Figure 12: Xxxxxxx Xxxxxxx’x Xxxxx 155 Figure 13 / 14: Working against oversignification 157 Figure 15 / 16 / 17: New ways of seeing 160 FIGURE 18 / 19: RESTRAINED EXPRESSIONS (XXXXXX) 164 FIGURE 20: RESTRAINED EXPRESSIONS (DENIZ) 166 Figure 21 / 22: Longing rendered sensible 177 Figure 23: An opaque stranger 184 Figure 24: Exploring the street 211 Figure 25 / 26: Fragments of a city 213 Figure 27 / 28: OPENING UP THE SPATIAL SURROUNDINGS 222 Figure 29 / 30: Framing Berlin as a non-place 226 Figure 31 / 32: The city below 241 Figure 33: Opaque transparency 242 Figure 34: The journey continues 252 Acknowledgements My first and most heartfelt thanks go to my main supervisor, Xxxxxxxxx Xxxxx Xxxxxx, for her knowledgeable, enduring and warm-hearted guidance throughout my PhD. I could not imagine a better supervisor. I am also very grateful to my second supervisor, Xx Xxx Xxxxxxxxx, particularly for his expert advice and help with outlining and developing my research question. Special thanks go to Dr Xxxxxx Xxxxx, with whom I have not only had the pleasure of teaching, but also countless stimulating conversations on and beyond cinema. I am grateful, moreover, to the School of Arts and Humanities for providing me with a three-year full-time studentship, without which I would not have been able to start this research project. Various colleagues and fellow PhD students have helped and inspired me throughout my research. I especially want to thank Xxxxx Xxxxxxxx Xxxxxx, Xxxxxxxxx Xxxxxx, Xxxxxxxx (Tay) Chulphongsathorn, Xxxxxx Xxxxxx, Xxx-Xx (Xxxxxx) Xxx and Xxx Xxxxxx. I would also like to thank my former university lecturers in Berlin, Xxxxxxxxx Xxxx Xxxxxxx and Xxxxxxxxx Xxxxxx Xxxxxxxxxxx, for their long-lasting inspiration and support. A big thank you goes to my friends for their tremendous support. I am very grateful to Xxxx, Xxxx-Xxxxxx, Xxxxx, Xxxxxxxx, Xxxx, Xxxxxx, Xxxxxx, Xxxxx, Xxxxx and Xxxx, among others. I would particularly like to thank my parents, Xxxxxxxx and Xxxxxx, and my sister, Xxxxxx, for their unconditional love and support. In addition, I have been fortunate to use my parents’ holiday flat in Bavaria as a writing retreat during my research. Finally, I want to thank Xxxxxxxxx, mi amor, who has gone with me through the long and demanding path of my PhD, for her infinite love and support. This thesis is also yours.