Common use of Tech Holds Clause in Contracts

Tech Holds. If the technical plans for the show are not 100% clear before going on sale, SC reserves the right to hold all possible tech holds from the outset. If you feel your event does not require some of these holds due to the nature of the setup, please discuss with your Event Manager. When the technical plans for the show become clearer, it is the promoter's responsibility to raise these with the Event Manager and SC Production with a view to releasing unnecessary tech holds, where possible. Central desk tech holds – for shows with substantial PA – usually contemporary and big amplified shows Front stalls: Row R17-27, S17-27, Row T17-27 Rear stalls: Row AA14-26 Speaker ‘sightlines’ and stacked speakers on stage – please see ‘PA Sound Coverage and PA Rigging Advice’ document for further details, available from your Event Manager Front stalls: Row A5-8 & 36-39, Row B5-7 & 37-39, Row C5-6 & 38-39, Row D4 & 40 Side stalls, Green Side: Row W18-27, Row X18-27, Row Y18-27, Row Z16-27 Side stalls, Blue Side: Row W 47-56, Row X 47-56, Row Y 47-56, Row Z 45-56 The majority of amplified concerts will require the Choir Stalls to be held off sale. As the artist/s and speakers will be directed towards the main auditorium, the audience experience of the event will be affected greatly. The Choir Stalls should be held off sale for all amplified concerts, unless a case can be made by the Promoter that any negative effect of technical equipment on the customer experience will be limited. Central desk seat kills Row J14-26, Row K14-26, Row L14-26, Row AA14-26, Row BB14-26, Row CC14-26 Central desk restricted view (may not be sellable) Row DD14-19, Row EE14-19 Rear desk seat kills Row MM14-26, Row NN14-26, Row PP14-26 Masking kills (2m leg only) Row A5-9, 31-35, Row B5-9, 31-35; Row C5-8, 32-35; Row D4-7, 33-36; Row E4-7, 33-36; Row F3-5, 35-37; Row G3-5, 35-37; Row H3-4, 36-37; Row J2-3, 37-38; Row K2-3, 37-38; Row L1, 39

Tech Holds. If the technical plans for the show are not 100% clear before going on sale, SC reserves the right to hold all possible tech holds from the outset. If you feel your event does not require some of these holds due to the nature of the setup, please discuss with your Event Manager. When the technical plans for the show become clearer, it is the promoter's responsibility to raise these with the Event Manager and SC Production with a view to releasing unnecessary tech holds, where possible. Central Side stalls desk tech holds – for shows with substantial N.B. small PA – usually contemporary and big amplified shows suitable for a talk, or a couple of singers only Side stalls, Blue Side: Row W30-33 Front stalls: Row R17-27, S17-27, Row T17-27 Rear stalls: Row AA14-26 Speaker ‘sightlines’ and stacked speakers on stage – please see ‘PA Sound Coverage and PA Rigging Advice’ document for further details, available from your Event Manager Front stalls: Row A5-8 & 36-39, Row B5-7 & 37-39, Row C5-6 & 38-39, Row D4 & 40 Flown speakers sightline holds Boxes: 1, 2, 7, 8, 25, 26, 34, 35 G round stacked speakers sightline holds Side stalls, Green Side: Row W18-27, Row X18-27, Row Y18-27, Row Z16-27 Side stalls, Blue Side: Row W 47-56, Row X 47-56, Row Y 47-56, Row Z 45-56 The majority of amplified concerts will require the Choir Stalls to be held off sale. As the artist/s and speakers will be directed towards the main auditorium, the audience experience of the event will be affected greatly. The Choir Stalls should be held off sale for all amplified concerts, unless a case can be made by the Promoter that any negative effect of technical equipment on the customer experience will be limited. Central desk seat kills Row J14-26, Row K14-26, Row L14-26, Row AA14-26, Row BB14-26, Row CC14-26 Central desk restricted view (may not be sellable) Row DD14-19, Row EE14-19 Rear desk seat kills Row MM14-26, Row NN14-26, Row PP14-26 Masking kills (2m leg only) Row A5-9, 31-35, Row B5-9, 31-35; Row C5-8, 32-35; Row D4-7, 33-36; Row E4-7, 33-36; Row F3-5, 35-37; Row G3-5, 35-37; Row H3-4, 36-37; Row J2-3, 37-38; Row K2-3, 37-38; Row L1, 3939 Copy Format: Please note: In providing copy for your event at Southbank Centre, you warrant that Southbank Centre is able to edit the copy as Southbank Centre sees fit to be deployed across all forms of promotion, including online media, print distribution, press coverage and digital screens/signage. By providing any copy to Southbank Centre, you understand and comply that after you have submitted copy, sign-off of edited copy (from artists, agents, managers, or promoters) will not be possible and that Southbank Centre reserves final edit and usage control of copy. Southbank Centre edits copy for clarity, house style, grammar, search engine optimisation, flow, and marketing purposes. We require published copy to meet the following guidelines and copy will be edited to achieve this. The following should not be considered an exhaustive guide to our style, and editorial decisions are at the discretion of the Editors. Copy should be clear, concise, in plain English, and in the third person.

Tech Holds. If the technical plans for the show are not 100% clear before going on sale, SC reserves the right to hold all possible tech holds from the outset. If you feel your event does not require some of these holds due to the nature of the setup, please discuss with your Event Manager. When the technical plans for the show become clearer, it is the promoter's responsibility to raise these with the Event Manager and SC Production with a view to releasing unnecessary tech holds, where possible. Central Side stalls desk tech holds – for shows with substantial N.B. small PA – usually contemporary and big amplified shows suitable for a talk, or a couple of singers only Side stalls, Blue Side: Row W30-33 Front stalls: Row R17-27, S17-27, Row T17-27 Rear stalls: Row AA14-26 Speaker ‘sightlines’ and stacked speakers on stage – please see ‘PA Sound Coverage and PA Rigging Advice’ document for further details, available from your Event Manager Front stalls: Row A5-8 & 36-39, Row B5-7 & 37-39, Row C5-6 & 38-39, Row D4 & 40 Boxes: 1, 2, 7, 8, 25, 26, 34, 35 Side stalls, Green Side: Row W18-27, Row X18-27, Row Y18-27, Row Z16-27 Side stalls, Blue Side: Row W 47-56, Row X 47-56, Row Y 47-56, Row Z 45-56 The majority of amplified concerts will require the Choir Stalls to be held off sale. As the artist/s and speakers will be directed towards the main auditorium, the audience experience of the event will be affected greatly. The Choir Stalls should be held off sale for all amplified concerts, unless a case can be made by the Promoter that any negative effect of technical equipment on the customer experience will be limited. Central desk seat kills Row J14-26, Row K14-26, Row L14-26, Row AA14-26, Row BB14-26, Row CC14-26 Central desk restricted view (may not be sellable) Row DD14-19, Row EE14-19 Rear desk seat kills Row MM14-26, Row NN14-26, Row PP14-26 Masking kills (2m leg only) Row A5-9, 31-35, Row B5-9, 31-35; Row C5-8, 32-35; Row D4-7, 33-36; Row E4-7, 33-36; Row F3-5, 35-37; Row G3-5, 35-37; Row H3-4, 36-37; Row J2-3, 37-38; Row K2-3, 37-38; Row L1, 3939 Please note: In providing copy for your event at Southbank Centre, you warrant that Southbank Centre is able to edit the copy as Southbank Centre sees fit to be deployed across all forms of promotion, including online media, print distribution, press coverage and digital screens/signage. By providing any copy to Southbank Centre, you understand and comply that after you have submitted copy, sign-off of edited copy (from artists, agents, managers, or promoters) will not be possible and