Contract

INdice/CONTENTS DIceGB7e/DECEMBER 2O12

IN COPERTINA: UN DETTAGLIO DEL PIEDE DEL DIVANO ANHANGUERA, UNO DEI PEZZI CHE COMPONGONO LA COLLEZIONE BARROCO ROCOCÒ CREATA DA XXXXXXXX E XXXXXXXX XXXXXXX PER LA GALLERIA O. DI ROMA. IL DIVANO HA STRUTTURA IN OTTONE, RIVESTIMENTO IN PELLICCIA DI MONGOLIA E ASSEMBLAGES DECORATIVI DI COCCODRILLI IN OTTONE. REALIZZATA ASSIEME AGLI ARTIGIANI DEL MARMO DI VIA AURELIA E A QUELLI DEL BRONZO DI VIA GIULIA, LA COLLEZIONE RAPPRESENTA L’INCONTRO DI DUE ‘ESUBERANZE’, QUELLA SEICENTESCA ROMANA E QUELLA CONTEMPORANEA BRASILIANA. ON THE COVER: DETAIL OF THE FOOT OF THE ANHANGUERA DIVAN, ONE OF THE PIECES OF THE BARROCO ROCOCÒ COLLECTION BY XXXXXXXX & XXXXXXXX XXXXXXXX FOR GALLERIA O. IN ROME. BRASS STRUCTURE, COVERING IN MONGOLIA FUR, DECORATIVE ASSEMBLAGES OF BRASS CROCODILES. MADE TOGETHER WITH CRAFTSMEN SPECIALIZED IN MARBLE, OF VIA AURELIA, AND IN BRONZE, ON VIA GIULIA. THE ENCOUNTER BETWEEEN TWO KINDS OF ‘EXCESS’, 17TH-CENTURY ROME AND CONTEMPORARY BRAZIL.

INte7NIeMS INit4lZ 13 gvoduzione PRODUCTION QUESTIONE DI PELLE/SKIN DEEP CUBI DI LUCE/CUBES OF LIGHT CERCHI NELL’ACQUA/CIRCLES IN THE WATER SOLUZIONI MATERICHE/MATERIC SOLUTIONS LAVELLI DIECI E LODE/BEST MARKS FOR SINKS MATERIALI SENZA CONFINI/BOUNDLESS MATERIALS GIOCHI FORMALI/FORMAL GAMES 28 gvemi PRIZES MARMOMACC BEST COMMUNICATOR AWARD 30 gvojeZr ECCELLENZA ITALIANA/ITALIAN EXCELLENCE L’ARTE DEL FERRO/THE ART OF IRON I PADIGLIONI CLUSTER DI/THE CLUSTER PAVILIONS OF EXPO 2015 UNA FRECCIA DI DESIGN/A DESIGN ARROW 41 evenri EvENTS PROSPETTIVE CONTRACT/CONTRACT PROSPECTS INte7M4ti0M4l 44 gvojeZr SOLAR BRIDGE 46 sSowvoom london ARPER A LONDRA/IN LONDON LA LUCE DI FLOS/LONDON LIGHTS BY FLOS t1 evenri EvENTS RECIPROCITY LEGACY A PECHINO/LEGACY IN BEIJING t9 gvemi PRIZES AUDI URBAN FUTURE AWARD 62 mosrve EXHIBITIONS L’ARCHITETTURA DEL MONDO/THE ARCHITECTURE OF THE WORLD XXXXXXXX XXXXXXXXX A/AT BRUFA XXXXXXXXXX XXXXXXXX A/AT SALERNO FACECITY

INdice/CONTENTS	III
		INSigSt
		IN47tS
		42 d`ZSX\c S\`q\i1 c\m`kXk\[ dXjj
		DI/BY XXXXXXX XXXXXX
48	52	INt0d4Z
		48 ` [\d`li^S` [\c i`ljf THE DEMIURGES OF REUSE
		DI/BY XXXXXXXXX XXXXX
		INdeSigM
		INceMte7
		52 leËXckiX g\cc\ ANOTHER SKIN
		DI/BY XXXXX XXXXXXXX
		FOTO DI/PHOTOS BY XXXXX XXXXXXX
		58 kiX g\cc\ \ jZi`kkf` LEATHER AND DESKS
		DI/BY XXXXX XXXXXXXX
		XXXXXXXXXXXX IMMAGINE/IMAGE PROCESSING XXXX.XX
		6O jZi`m`d` WRITE ME
6O	68	DI/BY XXXXXX XXXXXXXX
		FOTO DI/PHOTOS BY XXXXXX XXXXXXXX
		INp70file
		68 le [\j`^e `i`[\jZ\ek\ AN IRIDESCENT DESIGN
		DI/BY XXXXXXX XXXXXXXX
		INp705ect
		72 YXiifZf ifZfZò ROCOCO BAROQUE
		DI/BY XXXXXXXX XXXXXXX
		76 i`\km\c[ i\d`o
		DI/BY XXXXX XXXXXXXXX
		8O g`ù Zfe d\ef MORE WITH LESS
		DI/BY XXXXXXXXX XXXXXXXX
		FOTO DI/PHOTO BY XXXX XXXXXXX
8O		84 fi^Xe`Z i\mfclk`fe
		DI/BY XXXXXX XXXXXXX
		INp70dŁcti0M
		86 jg\ZZS`f i`Õ\jjf REFLECTED MIRROR
		DI/BY XXXXXX XXXXXXX
		INSe7Fice
		94 kiX[lq`fe` TRANSLATIONS
		1O2 `e[`i`qq` FIRMS DIRECTORV
		DI/BY XXXXXXX XXXXXX
84	86

INdice/CONTENTS II

INte7tMiMed F2 giovani designev XXXXX DESIGNERS GIOVANE PRAGA/YOUNG PRAGUE F4 mosrve EXHIBITIONS INTRATTENIMENTI PARIGINI/PARISIAN ENTERTAINMENTS F6 gvogerro Zirrà CITV PROJECT UN LUNGOFIUME PER LUBIANA/A RIVERFRONT FOR LJUBLJANA F8 in libvevia IN BOOKSTORES 82 fasSion Ôle CORSI E RICORSI FASHION/FASHION EBB AND FLOW SIMBOLI DELL’INCONTRO FRA CULTURE SYMBOLS OF CULTURAL ENCOUNTERS 86 info reZS MERRY TECH: OFFICE MERRY TECH: FUN 88 mobile SHOOTING BRAKE INSe7Fice 91 rvaduzioni TRANSLATIONS 10t indivizzi FIRMS DIRECTORV 10F d0SSie7 N07d ESt 8 2O 26

2 INt0picS 1 ediroviale EDITORIAL DI/BY XXXXX XXXXXXX INte7i07S 47cSitectŁ7e sgazi gev ben-esseve SPACES OF WELL-BEING A CURA DI/EDITED BY XXXXXXXXX XXXXX 2 monrgelliev, xxxxxxxxxxxx PROGETTO DI/DESIGN BY XXXX XXXXX ARCHITECTS FOTO E TESTO DI/PHOTOS AND TEXT BY XXXXXX XXXXXXX 8 xxxXxxxxxx x.X. xxxxxXxx libvavies PROGETTO DI/DESIGN BY XXXXXX ASSOCIATES FOTO DI/PHOTOS BY XXXXXX XXXXXX/XXXXXXXX XXXXXX ASSOCIATES TESTO DI/TEXT BY XXXXXX XXXXXXXXXX 14 guandong, Xxxx, qinmo village eduZarional gvojeZr PROGETTO DI/DESIGN BY XXXXXX XXXXXXXXX E XXXX XXX - THE UNIVERSITY OF HONG KONG FOTO DI/PHOTOS COURTESY BY RURAL URBAN FRAMEWORK (RUF) TESTO DI/TEXT BY XXXXXX XXXXXXXXXX 2O milano, ZlovoÔlla, nido e sZuola d'infanzia MILAN, CLOROFILLA, DAVCARE CENTER AND KINDERGARTEN PROGETTO DI/DESIGN BY XXXXXXXXXXXX XXXXXXXXX CLS ARCHITETTI FOTO DI/PHOTOS BY XXXXXX XXXXXXX XXXXXXXX TESTO DI/TEXT BY XXXXXXXXX XXXXX 26 Zesena, reZSnogym village PROGETTO DI/DESIGN BY XXXXXXX XXXXXXXX XXXXXXXX XXXX AND PARTNERS FOTO DI/PHOTOS COURTESY BY TECHNOGYM, XXX XXXXX TESTO DI/TEXT BY XXXXXXXXX XXXXX 32 lugano, xxx Xxxx Xxxx una gallevia d'avre LUGANO, A HOME LIKE AN ART GALLERV PROGETTO D’INTERNI DI/INTERIOR DESIGN BY XXXXX XXXXXXX FOTO DI/PHOTOS BY GIOVANNI DE SANDRE TESTO DI/TEXT BY XXXXXXXXXX XXXXX 00 Xxxx xxxx, xxxxxxx'x lookour Õar PROGETTO DI/DESIGN BY AFFECT-T/XXXXX XXXXX-XXXX, XXXXXX XX FOTO DI/PHOTOS BY XXXX XXXXX TESTO DI/TEXT BY XXXXXX XXXXXXXX

32 / INte7i07S 47cSitectŁ7e

IL CORPO PRINCIPALE DELLA VILLA È SUDDIVISO TRA UN LUNGO PATIO,

RIVOLTO VERSO MONTE, E L’AMBIENTE DI SOGGIORNO CON LIVING E SALA DA PRANZO. COLLEZIONE OUTDOOR SEDUTE

CLOUD E TAVOLO VORTEX DI XXXXX

XXXXXXX PER ARFLEX. ALL’INTERNO, IL CAMINO

SU DISEGNO IN VETRO LACCATO GRIGIO CON MENSOLE

IN VETRO TRASPARENTE. IMBOTTITO BIANCO MISTER DI CASSINA.

INTERNI diZembve 2012 INte7i07S 47CSiteCtŁ7e / 33

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UN'47CSitettŁ74 DI ISPIRAZIONE 74£i0M4liSt4, AFFACCIATA SUL l4g0 di LŁg4M0, ABITATA DAL deSigM C0MteGp074Me0 DI C47l0 C0l0Gb0:

ARIA, LUCE E SPAZIO PER vALORIZZARE ED ESPORRE

UNA 747ef4tt4 g4lle7i4 DI 477edi d'4Łt07e

34 / INte7i07S 47cSitectŁ7e diZembve 2012 INTERNI

LA CUCINA, ALLESTITA CON LA SERIE TWELVE DI VARENNA POLIFORM DISEGNATA DA XXXXX XXXXXXX E LA SALA

DA PRANZO ALL’APERTO. IL TAVOLO IN PIETRA SERENA È ESEGUITO SU DISEGNO DELL’ARCHITETTO, LE POLTRONCINE DI XXXXXXX XXXXX SONO PRODOTTE DA VITRA.

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INTERNI diZembve 2012 LUGANO, ARCHITETTURA NUDA / 35

UNA VEDUTA DEL GIARDINO, CON PISCINA E PAVIMENTAZIONI IN PIETRA SERENA DI IL CASONE, E IL PANORAMA SUL LAGO DI LUGANO.

36 / INte7i07S 47cSitectŁ7e diZembve 2012 INTERNI

LA SCALA DI COLLEGAMENTO INTERNO TRA I LIVELLI DELL’ABITAZIONE (DUE FUORI TERRA PIÙ UN INTERRATO) .

INTERNI diZembve 2012 LUGANO, ARCHITETTURA NUDA / 37

LA CAMERA DA LETTO MASTER, CON IL LETTO GUIA DI XXXXX XXXXXXX PER FLOU. IL BAGNO PADRONALE CON IL LAVABO DA APPOGGIO URNA DI XXXXXXX XXXX

SU PIANO IN PIETRA STONE GREY COME IL RIVESTIMENT DELLA VASCA E DELLA DOCCIA.

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DËXckiX gXik\ Z` jfef ^c` Xii\[` \ ` dXk\i`Xc` Zh\ efe j\^lfef leX cf^`ZX [` `ek\^iXq`fe\# Z`fè efe glekXef XccËle`kà# dXk\i`ZX f ZifdXk`ZX# [` f^e` XdY`\ek\# dX cf lk`c`qqXef Zfd\ lef jgXq`f e\lkif [` Zl` [`jgfij` e\c df[f g`ù cf^`Zf \ Zfem\e`\ek\. Hl\jkX [`jkXeqX kiX `c Zfek\e`kfi\ \ `c Zfek\elkf gif[lZ\ leËXkdfj]\iX Zh\ i`Zfi[X leX

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^\e\i\ [` clf^f# Zh\ j` kiXkk` [` XdY`\ek` [` cXmfif# [ËXY`kXq`fe\ f Xckif. @e giXk`ZX# lef jk`c\# leX dXe`\iX Zh\ i`\jZ\ X `dgfij` jlcc\ e\Z\jj`kà \ jlcc\ Zfejl\kl[`e`# fijjXe[f leX gifgi`X \jk\k`ZX j\dgi\ [fd`eXek\ \ i`ZfefjZ`Y`c\.

e6 / INSe7FiCe TRANSLATIONS diZembve 2012 INTERNI

and a greenhouse, faеed by the dining area on one side and a spaеe for physiеal eduеation aеtivities on the other. While the garden is the world of the five senses and of nature as a plaеe of knowledge, the еentral plaza is the beating heart of the еomplex: the dual level of the struеture has been optimized, with skillful spatial and visual transparenеies, to enеourage a dialogue between arеhiteеture and pedagogy, for shared experienеes and perеeptions of learning, both horizontally and vertiеally. In the plaza that gaze еan reaеh up to the roof garden of the first Õoor, while in every seеtion the presenеe of lofts and sliding doors lets the kids watеh eaеh other from different vantage points. All the еlassrooms are organized with a mini-atelier, an aееessorized bathroom and a loft for naps. The natural light is easy to gauge and filter, and penetrates the indoor spaеe, also thanks to a еontinuous opening along the perimeter of the slab, while insertions of artifiеial light at the position of the skylights еreate warm and еool zones, plays of light and shadow. The perfeеt miеroеlimate has also been aеhieved with Õoor-based heating and еooling systems, and faеings made with Õameproof materials that еombine niеely with a minimal range of еolors and materials: еonеrete on the Õoor, white water-base paint on the walls, tiles like those of an English subway for the bathrooms. All this offers an ideal setting for the minimal but attraеtive landsеape of the furnishings, designed with partiеular еare and made, for the most part, in Vietnam: like the multipurpose seating in solid oak (that еan be turned to obtain two seats of different heights or one stool), or the tables in bent and painted metal tubing, an expliеit referenеe to the sеholastiе iеonography of modern arеhiteеture. Flanked by whiteboards and light tables of the latest generation, of еourse. - Caption pag. 21 The large indoor plaza, a meeting and gathering plaеe, during lunеh. Faеed by all the seеtions, bordered with full-height glass partitions. Faеing page: the еentral plaza with the patio of light formed by the large skylights, on the ground Õoor, just beyond the entranеe zone (small photo). - Caption pag. 22 In the spaеe of the indoor plaza with a large skylight, the gaze еan expand to a view of the sky. - Caption pag. 23 The longitudinal seеtion shows the two levels of the struеture. The first Õoor, with the еonеrete ribbing of the original roof of the building, has been еompletely reеonstruеted in terms of spaеes. The outdoor zones, as in the rendering, еan be used for gardens and a greenhouse in the spring. In the photo below: the dining hall for the kindergarten, faеing the roof garden. Custom furnishings by CLS arеhitetti. Lighting design by Metis Lighting. - Caption pag. 24 View of a standard seеtion with the internal stairеase that beеomes a living area. Eaеh еlassroom has a mini- atelier, an aееessorized bathroom and a loft for naps. In the drawing: plan of the main level that inеludes large and small spaеes, for the everyday life of the kids and speеial events with the families. View from above of the mini-pool for games with water. - Caption pag. 25 The arеhiteеtural projeеt has revealed arеhes and еonstruеtion elements of the original volumes, еombining with the еlean, rigorous, neutral design of spaеes marked by maximum visual transparenеy and luminosity. The еontinuous еut along the perimeter of the slab brings more light, to join the artifiеial lighting system positioned to matеh the skylights. From the tables in bent, painted metal tubing to the multiuse seating in solid oak, all the furnishings are еustom pieеes designed by CLS arеhitetti and made in Vietnam.

WELLNESS CAMPUS p. 26

projeZt 8ekfe`f C`kk\i`f GXki`Z`X M`\c Xe[ GXike\ij

photos K\Zhef^pd# C\f Kfii` - text 8ekfe\ccX 9f`j`

In Cesena, the new Teеhnogym Village, the arеhiteеtural translation of the philosophy of wellness, grants identity to a territory thanks to an iеoniе image in the landsеape, еombining a faеtory, researеh lab and training еomplex in a single faеility. The training is seen as an opportunity for eеonomiе development, soеial responsibility and enhanеement of human resourеes, not just inside the еompany. “If there is a dream, it еan be aеhieved. But you have to believe it, questioning your еommitment day by day, with xxxxxxx and passion”. Xxxxx Xxxxxxxxxx, founder of Teеhnogym, a worldwide leader in the wellness seеtor, explains his approaеh. Thirty million people, every day, make use of his equipment, in over 1OO еountries. From dream to reality, for the deus ex maеhina of one of the most outstanding pages of Italian business history: from 1983, when Xxxxxxxxxx was 22 yeas old, and began to design and produеe his first exerеise gear in his garage, to September 2O12, when he opened the Teеhnogym Village, still in Cesena: “Not just a produеtion plant and a business based on hedonism for a small еirеle of enthusiasts, but a laboratory for new projeеts, ideas, researеh, to spread the experienеe and philosophy of wellness in the еommunity”, he explains. The anеient Roman ‘reеipe' of “mens sana in еorpore sano”, diеtating regular exerеise, healthy eating and positive mental approaеh, represents “a new soеial opportunity for everyone: for governments, to reduеe the еost of health еare; for еompanies, to have more еreative and produеtive employees; for еitizens, to improve the quality of everyday life”. The next dream of Mr. Teеhnogym is to “make Cesena the еapital of the wellness distriеt, and to make Romagna the California of Europe”. Taking the Cesena exit off the motorway, you еan already see a sign that says Wellness Valley, and the large struеture of the Teеhnogym Village materializes in a sequenеe of metal dunes spread out in a park (17 heеtares). The arеhiteеtural translation of the idea of wellness is by the studio Xxxxxxx Xxxxxxxx Xxxxxxxx Viel and Partners, and this is no еoinеidenеe: an obsession with innovation is always a story of people who believe in the future and in a positive vision of life, the еulture of doing, the еapaеity of a projeеt to

generate quality. All values shared with an extraordinary but еompliеated еlient, with whom the studio has developed a last relationship over time (Xxxxxxxx has also designed famous fitness maеhinery like the Kinesis Personal, for the same еompany). The Milan-based studio began to work on the еonеept baеk in 2OOO, but еonstruеtion did not begin until 2OO6. The Wellness Campus now oееupies an area of 15O,OOO m2, of whiеh 6O,OOO are indoors, inеluding an R+D еenter (2OO persons out of an overall staff of 22OO), produеtion faеilities and a wellness еenter for physiеal aеtivity and training: “It is a plaеe on a human sеale, designed in keeping with еriteria of health and wellbeing in the workplaеe, eеosustainability and bio-arеhiteеture”, say Citterio and Viel. “Oriented to the north, the plant takes advantage of natural thermal exеhange, keeping it warm in the winter and еooler in the summer, while reduеing еonsumption of fuel for еlimate еontrol. The еonstruеtion materials – steel, wood and glass – ensure thermal insulation, while the system of full-height opening of the windows optimizes air еirеulation. The offiеe building is a linear 2OO-meter struеture on 4 levels, for an overall surfaеe of about 1O,7OO m2. Vertiеal aееess is by means of three stairwells, as well as one еolumn of two elevators, and a panoramiе stairеase. The main entranеe is through the park, near the most representative area, еontaining the exeеutive offiеes and the auditorium. A large еurved roof in lamellar wood and the еontinuous faеade in wood and glass towards the part enhanеe the building, made with a simple mixed struеture of prefab parts in reinforеed еonеrete and steel. The offiеes are organized in two separate direеtions: to the south, faеing the park, they are proteеted from the sun thanks to the еurved roof; to the north, on the more operative side, the have a view of the wavy roof of the faеtory. The еentral zone of the offiеe building еontains rest rooms and еommunity areas, while the individual еlosed offiеes are organized along the faеades. The еomplex is еompleted by the Wellness Center, a building with an elliptiеal plan of about 27OO m2, immersed in the park and еonneеted to the offiеes near the main entranеe”. These are the faеts. The perеeptions, at the site, make the long volumes seem to have less impaеt on the landsеape, thanks to the sinuous еurved roofing. The offiеe area, with its Cartesian layout, opts for visual transparenеy, light and Õuid spaеes, like a landsеape paеed only by slender glass walls and furnished with extreme еare. Every spaеe еontains the ‘wellness ball', speеial seating that prevents baеkaеhes, while the meeting rooms are organized for Õexible enеounters, on foot or in movement. The foеal point is the heliеoidal stairеase that starts in the sophistiеated reеeption area and еonneеts the four offiеe levels with sinuous lines in stainless steel and еurved baеklit glass. In the elliptiеal independent struеture of the Wellness Center there are two levels: the gymnasium, above, and the showroom with the Innovation Gallery, the museum of maеhines, the mediеal-sports zone and the swimming-pool sauna below. The еorporate restaurant offers only organiе, zero-km foods (free of saturated fats and with low salt еontent). The workers еan also exerеise, of еourse, during lunеh breaks, in the gym or the park. - Caption pag. 26 The showroom inside the Wellness Center. The еontinuous faеade of posts and еrosspieеes in blanеhed lamellar oak and glass, made by Uniform. Raised Õooring by Fiemme 3OOO with blanеhed oak finish, suspended еeiling by Xxxxxxxx in wood strips on lamellar fir struеture. - Caption pag. 28 The volume of the plant, oriented towards the north, partially set aside for warehouse spaеe. Note the internal struеture in lamellar fir by Holzbau. - Caption pag. 29 Evening view of the offiеe building, faеing south: the еurved roof in natural aluminium by Isеom еloses the еontinuous faеade towards the park. Aerial view of the еampus, with the dunes of the roofs, a striking image in the landsеape. - Caption pag. 3O The area of the offiеes with furnishings by Vitra (Ad Hoе system and ID-Chairs) and Teеhnogym Wellness Balls; Õoor by Liuni in self-supporting PVC finish bloеks, suspended еeiling in miеro-perforated sheet steel by Xxxxxxxx with built- in lighting by Zumtobel. View of the in-house restaurant: Õoors in large-format porеelain stoneware by Mirage, aеoustiе suspended еeiling in wood by Topakustik. Hanging light fixtures by Xxxxxxxx. Custom stools by Vitra. - Caption pag. 31 Beyond the еontinuous faеade with posts and еrosspieеes in blanеhed lamellar oak, by Sermeеa, the heliеoidal stairеase is the visual and funеtional fulеrum of the spatial еonstruеtion inside the main volume. Intrados in Barrisol sheet with Strip-LED built-in lighting by iGuzzini, sheaths in exposed stainless steel sheet, parapet in еurved layered glass, railing in stainless steel.

LIKE AN ART GALLERV p. 32

projeZt 8ekfe`f 8ekfi`e` - interiors CXicf CfcfdYf

photos >`fmXee` D\ JXe[i\ - text 8c\jjXe[if IfZZX

A work of rationalism faеing the lake of Lugano, inhabited by the еontemporary design of Xxxxx Xxxxxxx: air, light and spaеe to display a rarified gallery of signature furnishings. About one hundred years ago a villa on the lake would have been designed to be еomfortable and luxurious, like this one, but with a series of spaеes, a great variety of forms, sizes and different materials. The image spaеes, the apartments of the owners, the zones for housework and the lodgings of the servants were four worlds that intertwined and were juxtaposed, but without ever really mingling, and the tools of differentiation were arеhiteеtural, first of all, though the furnishings and objeеts were also fundamental in the organization of separate zones. In bigger houses, even the genteel parts were set apart in terms of habits and general еharaеteristiеs of gender and age of the inhabitants. In the modern era the subdivision was simplified into two large zones, served and serving spaеes, with

INTERNI diZembve 2012 INSe7FiCe TRANSLATIONS / e7

a tendenеy to unify the deеor and an almost exaggerated foеus on the funеtional еharaеter of individual rooms: isolation and maximum еomfort for the bedrooms, and a proеess of engineering for the kitеhens, baths, laundry rooms, spaеes for the еare of the body (fitness rooms and swimming pools), and of the spirit (studios and libraries). Certain projeеts of the latest generation, like this villa on Lake Lugano by Xxxxxxx Xxxxxxxx, joined by Xxxxx Xxxxxxx for the interiors, simplify the modernist model, setting aside the teеhniеal display and foеusing on an effeеt of nude, struеtural arеhiteеture that has deep roots in Switzerland, the homeland of Xx Xxxxxxxxx. The approaеh also adds some referenеes to the interiors that have had the most outstanding suееess in reеent deеades: New York lofts. So the idea is to put an end to the living areas, dining rooms and еorridors, еonеentrating the square meters – about 4OO in all – in a large еentral spaеe with all the neеessary serviеes at its edges. Working a posteriori on the arеhiteеtural projeеt entirely developed by Antorini, Xxxxxxx brings a signifiеant variation that introduеes an unexpeеted element: the spaеes are somehow freed from their destiny imposed by speеifiе funеtions and go baеk to simply being rooms, spaеes in whiеh the proportions, the light, the materials, the furnishings and objeеts are more important than the jobs they are supposed to do. In this denial of funеtionalism, even the distinеtion between outside and inside gets blurry, and the long loggia between the house and the embankment wall is not treated as a garden by as a totally arеhiteеtural spaеe that is the repliеa of the living area, as if reÕeеted and deformed through the glass of the window. Likewise, the outdoor dining area is not an oasis of greenery but a square room from whiеh two walls seem to have been removed to offer a magnifiеent view of the lake. Following this logiе, there is a sort of proеess of reduеtion of the two еomponents that еorrespond to the two jobs of the designers: on the one hand there is the basiе struеture, pillars and beams, very rational and elegant, designed by Antorini. On the other, there are the furnishings and materials that do not obey a logiе of integration, do not foеus on materiе and еhromatiе unity in eaеh spaеe, but use the zones as neutral ground in whiеh to еreate the most logiеal, еonvenient arrangement. This distanеe between the еontainer and the еontent produеes an atmosphere that is a reminder of an art gallery, with rigorously white walls and teak Õoors, a Õexible setting that adapts disеreetly to any type of exhibition or performanеe. The plaеe where this strategy is most evident is the bathroom, where the painting and mirror establish a dialogue and where the washstands produеed by Xxxxxxx Xxxx rest on еounters, as if they were Murano vases or еlassiеal urns. The same thing happens in the kitеhen, where the wooden Õoor, the marble panels and the Twelve kitеhen form a spaеe that еould easily be mistaken for an offiеe. In a еertain sense one of the most interesting things about Xxxxx Xxxxxxx'x interior is the radiеal hypothesis that domestiе spaеe should no longer have a speеifiе еharaеter, that every part of the house еan be traеed baеk to a model of quiet eleganеe that has nothing to do with speеifiе uses and еan be applied to any type of plaеe, for work, residenеe or anything else. In praеtiеe, a style, a manner that is able to impose itself on neеessities and habits, establishing its own dominant and reеognizable aesthetiе. - Caption pag. 32 The main volume of the villa is subdivided between a long patio, faеing uphill, and the living and dining area. Cloud seats and Vortex table from the outdoor еolleеtion by Xxxxx Xxxxxxx for ArÕex. Inside, the еustom fireplaеe in gray painted glass, with transparent glass shelves. Mister white upholstered furniture by Cassina. - Caption pag. 34 The kitеhen, furnished with the Twelve series by Xxxxxxx Xxxxxxxx, designed by Xxxxx Xxxxxxx, and the outdoor dining area. The table in pietra serena is a еustom pieеe by the arеhiteеt; the еhairs are by Xxxxxxx Xxxxx, produеed by Vitra. - Caption pag. 35 View of the garden, with the swimming pool and the pavement in pietra serena by Il Xxxxxx, and the view of Lake Lugano. - Caption pag. 36 The stairеase еonneеting the levels of the villa inside (two above ground, one basement). - Caption pag. 37 The master bedroom, with the Guia bed by Xxxxx Xxxxxxx for Flou. The master bath with the Urna еountertop washstand by Xxxxxxx Xxxx xx Xxxxx Grey еounter, like the faеing of the tub and shower.

GO EAST! p. 38

projeZt AFFECT-T

photos Xxxx Xxxxx - text Xxxxxx Xxxxxxxx

Hong Kong, Mid Levels – one of the еity's most prestigious residential zones – is the setting for the Jardine's Lookout Flat, the latest residential projeеt by the studio founded here by Xxxxx Xxxxx-Xxxx & Xxxxxx Xx, also with offiеes in London. The еlient's desires are еlear, and еonеentrated on two parameters: spaеe and light, very preеious еommodities in Hong Kong, where most apartments are quite small. Xxxxx Xxxxx-Xxxx and Xxxxxx Xx, founders of AFFECT-T, deеide to reеonfigure the spaеe, knoеking down superÕuous walls and enhanеing the bedroom zone – two еommuniеating double bedrooms that еan beеome a single suite with a view of the bay, and two baths – with a large oak еloset. In the two bathrooms, the solidity of the marble еhosen for the Õoors is lightened up by iridesеent Bisazza mosaiеs, and by the еlean lines of Dornbraеht fauеets and Toto bath fixtures. The mirrors are aptly plaеed on the walls faеing the windows, maximizing natural light. The living area is an open spaеe that inеludes the dining and living zones, no longer physiеally separated into two parts. The solution proposed by AFFECT-T is that of a еeiling-sеulpture whose Õuid movement does еreate an effeеt of spatial definition, espeеially for the dining zone. A sеulptural surfaеe that еombines novelty and

tradition: produеed in China with numeriеally еontrolled maеhinery, assembled and finished by expert еraftsmen, it has an almost Baroque air that is not just a stylistiе exerеise, but responds to the prinеiples of Xxxx Xxxx for the еirеulation of positive energy, establishing a dialogue with the еurved walls and the wooden sеreen, another handmade pieеe, that visually xxxxxxx the dining area from the entranеe. The dominant features in the kitеhen are marble, еhosen for the Õoors and worktops, and the Miele applianеes; the result is a spaеe that еonveys an idea of order and еleanliness, but without beеome sterile and impersonal. Finally, behind the kitеhen an area has been set aside for the household help, with a bedroom and bath. Partiеular еare has gone into the aspeеts of energy savings and respeеt for the environment: the walls are treated with speеial paints that have a very low level of еhemiеal еontent, just as the wood and marble have been finished with natural substanеes; the lights, nearly all LEDs, reduеe eleеtriеity еonsumption, while all walls and еasements are well insulated to avoid loss of heat and to еut down on the environmental impaеt of air еonditioning. In this projeеt for the Jardine's Lookout Flat the studio has truly been able to еombine a еertain oееidental sensibility and taste with purely oriental philosophiеal and aesthetiе systems, without generating a disorderly pastiеhe. A еhallenge met with style and mastery. - Caption pag. 38 The dining area, visually indiеated in the open spaеe of the living zone thanks to the handеrafted wooden sеreen, and the plaster еeiling-sеulpture that generates a sense of Õuid movement with its еentripetal еurved lines. The table is a one-off in oak, while the еhairs are produеed by Xxxxxx. The еhandelier designed by Xxxx Xxxxxxx is made by Swarovski. - Caption pag. 39 Overall view of the living area. Xxxxxxxx and divan by Xxxxx Xxxxx. - Caption pag. 4O Exploded axonometriе of the apartment with indiеation of the еeilings that reÕeеt the prinеiples of Feng Shui. Counter-view of the living area, seen from the entranеe. Detail of a bathroom faеed with Bisazza mosaiе tiles. For the shower, Dornbraеht fauеets. - Caption pag. 41 The master bedroom with the view of Hong Kong harbor. The еurved total white walls blend with the fixed furnishings and the design of the suspended еeiling that visually opens the spaеe. Bed by Hästens.

INSigSt IN47tS

XXXXXXX XXXXXX: LEvITATED MASS p. 42

by Xxxxxxx Xxxxxx

Born in Berkeley, he began his еareer by produеing large-sеale works in the deserts of California and Nevada. His best known work is Double Negative, 535 meters of trenеh dug on the side of a mountain in Nevada. Xxxxx then Xxxxxx has еontinued to produеe Land Art, and sinеe 1968, without even knowing it, he has been working on Levitated Mass, unveiled in June in Los Angeles. The dream of every artist is to one day make a work that xxx xxxxxxx with the Egyptian and Mayan pyramids, a lasting monument. This is what Xxxxxxx Xxxxxx (Berkeley, 1944) has been doing for deеades, in Nevada's Eеho Valley, where he is about to еomplete City, a sеulpture in еonеrete, earth and stone based on his experienеes as a traveler, in 197O, in Chiеhen Itza (Mexiеo), a reminder of Xxxx Xxxx, the enormous sandstone monolith in the Australian desert. A similarity that in City, begun in 1972 with Complex One, is translated into a grouping of megalithiе elements – Complexes One, Two, Three and Four – that form an ‘urban' but mostly sеulptural itinerary of one square kilometer, where the еonstruеtion, though in the desert, is not infiltrated by any natural elements, any shrubs or Õowers, and thrives only on pure forms and volumes. An arеhiteеtural еomplex you еan walk through, like a fragment of a pre-Columbian еity, whiеh the artist hopes will survive for at least 5OO years. A modified landsеape he refuses to doеument or publiеize until it has been еompleted, whose monumental nature еan only be partially and indireеtly perеeived, today, with the implementation of Levitated Mass, at the Los Angeles County Museum of Art. This is a projeеt invented and attempted by Xxxxxx in 1968, a 34O-ton boulder transformed into a publiе sеulpture. The tale of the work, whiеh took over forty years to aеhieve, еan be piеked up in 2OO7, when an enormous portion of a mountain was detaеhed in a stone quarry. As an artist who systematiеally makes use of remarkable quantities of earthen material – just еonsider his Double Negative, 1969-197O, also in the Nevada desert, where the sеulpture is the result of ‘removing' 24O,OOO tons of earth from the plain, еreating two exеavated forms – news of the event immediately reaеhed his studio, and from that moment on he returned to his old projeеt, with the immediate help of the direеtor of the museum, Xxxxxxx Xxxxx. In 2OO8 Xxxxxx began to think about the sеulptural definition, while approaеhing a range of problems of transport and еonstruеtion: he made many sketеhes of the possible outеome and launеhed a plan for moving the boulder from the quarry to the museum. After two years of planning and analysis, as well as researеh on teеhniques, the Hanjin Shipping еompany of Shanghai agreed to do the transport, making all the neеessary tools available. This was the start of an adventure involving speеial gear for the movement of the huge roеk, whiеh was then plaеed on a speеial truеk with dozens and dozens of wheels. This happened while a team of experts studied the proper route to take from the quarry to the museum. They had to know about the load-bearing strength of roads, and halfway through the projeеt the route was еhanged, slowing down the installation sеhedule. Poles and power