Program Production Clause Samples
The PROGRAM PRODUCTION clause outlines the responsibilities and procedures involved in creating and delivering a program or content. It typically specifies the standards for production quality, timelines for delivery, and the parties responsible for various aspects such as filming, editing, and final approval. For example, it may require the producer to meet certain technical specifications or to obtain necessary clearances before delivery. This clause ensures that both parties have a clear understanding of the production process, reducing the risk of disputes over quality, deadlines, or responsibilities.
Program Production. If MAE meets the contingencies set forth in Paragraph 1 above, Company agrees to produce the First Special intended for a broadcast window beginning October 16, 2000. The First Special will incorporate the "live" finals of the Next Big Star competition conducted on Company's website: ▇▇▇▇▇▇▇▇▇▇▇.▇▇▇ (the "Website").
Program Production. CONTRACTOR will collaborate with the COUNTY representative to track and meet program turnaround time requirements. Prior to a scheduled shoot date, COUNTY shall submit to CONTRACTOR a Program Request Form which summarizes the program request in writing. The form shall be subject to changes and additions which shall be mutually agreed upon in writing. Changes and additions may be submitted by COUNTY to Contractor within 24 hours prior to shoot date when an emergency such as cancellation necessitates. CONTRACTOR may act as the field producer during assigned shoots for programs if assigned by the COUNTY Programming Coordinator. For each half-hour program, a 30 second promo about the completed program shall be provided to COUNTY by the CONTRACTOR.
Program Production. 1.1 Producer agrees to produce the Program in accordance with (i) the description thereof attached hereto as Exhibit A, (ii) the Program Budget, attached hereto as Exhibit B and (iii) the PBS Production Cost Principles and Procedures.
1.2 Producer will furnish and/or arrange for all necessary Program elements, rights and permissions and for all personnel, services and facilities required for acquisition or production and recording of the Program. Producer will maintain, or will arrange to have maintained, a complete file of all funding agreements, production subcontracts, property acquisitions, rights arrangements, talent contracts, employment agreements, clearance forms and other agreements or documents related to Program production or acquisition and will make copies of the same available to PBS upon reasonable request.
1.3 Program acquisition and production shall be under Producer's direct supervision and co-production arrangements and subcontracts for substantial Program production hereunder may not be made by Producer without prior PBS approval. All expenditures in connection with the Program will be on Producer's own behalf so that any obligations incurred by Producer with respect to the Program will be at Producer's own risk without obligation of any kind on the part of PBS to such obligee. Nothing herein shall be deemed to create any association, partnership or joint venture between PBS and Producer with respect to the Program or otherwise.
1.4 Producer acknowledges that SIP member stations have delegated to PBS the responsibility of delivering to them programs designed not only to meet the highest artistic and journalistic standards, but also to motivate viewers to contribute to their local public television stations. Producer agrees that PBS shall be entitled to participate in the pre-production, production and post-production creative decision making process in order to ensure maximum fundraising potential of the completed Program. Producer therefore agrees to consult with PBS on Program production matters and agrees to give reasonable good faith consideration to any suggestions made by PBS. As part of such consultation, Producer agrees to provide PBS with scripts or script outlines as requested by PBS; to invite an individual designated by PBS to attend principal shooting and editing sessions upon request and to screen the rough and fine cuts of the Program on a timely basis. All final creative and production decisions shall be made by Producer...
Program Production