Common use of REAL-TIME ENGAGEMENTS Clause in Contracts

REAL-TIME ENGAGEMENTS. a) Real-time applies to an engagement where the Musician is hired to perform on an EMD, and such performance is live, and the EMD is used in the same manner as traditional musical instruments for the purpose of creating musical effects. b) EMD's may be synchronized in real-time performances, but each such EMD used over two (2) individual separate DAW systems or devices in number shall be paid in accordance with doubling fees set forth herein to a maximum of seventy-five percent (75%) regardless of the number of EMD's which are synchronized. c) Any synchronized EMD, which is triggered by a DAW, to create separate and distinct musical parts shall be construed as a double to a maximum of seventy- five percent (75%). d) All applicable conditions and fees set forth elsewhere in this Scale Agreement shall apply to real-time performances except as herein provided.

REAL-TIME ENGAGEMENTS. a) “Real-time time”, applies to an engagement where the a Musician is hired to perform on an EMD, and such performance is live, and the EMD is used in the same manner as traditional musical instruments for the purpose of creating performing musical effects. b) EMD's EMDs may be synchronized in real-time performances, but each such EMD used over two (2) individual individually separate DAW systems or devices in number shall be paid in accordance with doubling fees set forth herein to a maximum of seventy-five percent (75%) regardless of the number of EMD's EMDs which are synchronized. c) Any synchronized EMD, which is triggered by a DAWDAW sequencer, to create separate and distinct musical parts shall be construed as a double to a maximum of seventy- seventy-five percent (75%). d) All applicable conditions and fees set forth elsewhere in this Scale Agreement shall apply to real-time performances except as herein provided.