Common use of Web Sites and Other Platforms Clause in Contracts

Web Sites and Other Platforms. Up to a total of 15 minutes of edited rehearsal and/or performance footage per production (which may depict an entire scene or musical number), as well as unlimited Additional Footage, may be used as follows: 1. On websites of the Theatre; transferee not-for-profit Theatres; not-for- profit arts and tourism-related agencies of the city, county, state and intra- and inter-state region in which the Theatre is located; local Rotary, Chamber of Commerce, and local not-for-profit “booster” organizations; media web sites; arts calendar websites (such as Xxxxxxxx.xxx); third-party promotional and ticketing services (e.g., Xxxxxxxxxxxx.xxx, Ticketmaster, XxxXxx.xxx); and not-for-profit service and arts promotion organizations (e.g., SDC, Theatre Communications Group, Americans for the Arts); 2. On websites of sponsors and/or supporters of the Theatre, provided: a. The Director’s and/or Choreographer’s image is used solely to acknowledge the sponsorship or support and is not in any way used directly or indirectly to endorse the sponsor or a specific product of the sponsor; b. At the time of contracting, the Theatre solicits from the Director and/or Choreographer, any current or potential professional conflicts which may limit the use of the Director’s and/or Choreographer’s image on the sponsor or supporter’s web site, and the Theatre, based upon the Director’s and/or Choreographer‘s written notification, does not use the Director’s and/or Choreographer’s image in any way that may pose conflicts; c. The footage is not used for more than two years from the date of the first paid public performance. The Director and/or Choreographer may negotiate a lesser time period; and d. The Theatre shall indemnify the Director and/or Choreographer against any breach of a Director and/or Choreographer exclusivity clause when such breach is a result of a use not authorized by this provision. 3. Promotional and publicity recordings may be delivered though the following platforms, including, but not limited to: mobile technology (including, but not limited to, cell phones), sales kiosks, podcasts, wallpaper, and video e-blasts. Theatres may also use and provide materials captured hereunder to other substantially similar delivery platforms that are currently available or as they may evolve. 4. For all usage authorized hereunder, the Theatre’s ticket sale information may be presented on the same “page” as the Reproduction. 5. The above time restrictions apply per distribution point, not per delivery platform. Thus, a permitted Reproduction may be used on a number of different web sites, not just one Reproduction for the entire web. 6. Reproductions may be changed on an individual distribution point (e.g., a single web site) as often as the Theatre wishes, provided the total amount of material on that distribution point at any one time adheres to the time limitations set forth above. 7. In no event may the theatre serialize the production on one or multiple distribution points and/or delivery platforms. 8. Use of captured material for any purpose other than specified above is strictly prohibited. For any violation under this provision, the Director and/or Choreographer shall be paid an amount equal to seven (7) times the daily rate that is applicable for the LORT Theatre’s Stage Category.

Web Sites and Other Platforms. Up to a total of 15 minutes of edited rehearsal and/or performance footage per production (which may depict an and entire scene or musical number), as well as unlimited Additional Footage, may be used as follows: 1. On websites of the Theatre; transferee not-for-profit Theatres; notnot- for-for- profit arts and tourism-related agencies of the city, county, state and intra- and inter-state region in which the Theatre is located; local Rotary, Chamber of Commerce, and local not-for-profit “booster” organizations; media web sites; arts calendar websites (such as Xxxxxxxx.xxx); third-party promotional and ticketing services (e.g., Xxxxxxxxxxxx.xxx, Ticketmaster, XxxXxx.xxx); and not-for-for- profit service and arts promotion organizations (e.g., SDC, Theatre Communications Group, Americans for the Arts); 2. On websites of sponsors and/or supporters of the Theatre, provided: a. The Director’s and/or Choreographer’s image is used solely to acknowledge the sponsorship or support and is not in any way used directly or indirectly to endorse the sponsor or a specific product of the sponsor; b. At the time of contracting, the Theatre solicits from the Director and/or Choreographer, any current or potential professional conflicts which may limit the use of the Director’s and/or Choreographer’s image on the sponsor or supporter’s web site, and the Theatre, based upon the Director’s and/or Choreographer‘s Choreographer ‘s written notification, does not use the Director’s and/or Choreographer’s image in any way that may pose conflicts; c. The footage is not used for more than two years from the date of the first paid public performance. The Director and/or Choreographer may negotiate a lesser time period; and d. The Theatre shall indemnify the Director and/or Choreographer against any breach of a Director and/or Choreographer exclusivity clause when such breach is a result of a use not authorized by this provision. 3. Promotional and publicity recordings may be delivered though the following platforms, including, but not limited to: mobile technology (including, but not limited to, cell phones), sales kiosks, podcasts, wallpaper, and video e-blasts. Theatres may also use and provide materials captured hereunder to other substantially similar delivery platforms that are currently available or as they may evolve. 4. For all usage authorized hereunder, the Theatre’s ticket sale information may be presented on the same “page” as the Reproduction. 5. The Director and/or Choreographer shall receive billing on the Theatre’s website show page. Inadvertent omission of any of the requirements herein shall be rectified upon notification, but, in any event, shall not be considered a material breach of this Agreement. 6. The above time restrictions apply per distribution point, not per delivery platform. Thus, a permitted Reproduction may be used on a number of different web sites, not just one Reproduction for the entire web. 67. Reproductions may be changed on an individual distribution point (e.g., a single web site) as often as the Theatre wishes, provided the total amount of material on that distribution point at any one time adheres to the time limitations set forth above. 78. In no event may the theatre serialize the production on one or multiple distribution points and/or delivery platforms. 89. Use of captured material for any purpose other than specified above is strictly prohibited. For any violation under this provision, the Director and/or Choreographer shall be paid an amount equal to seven (7) times the daily rate that is applicable for the LORT Theatre’s Stage Category.

Web Sites and Other Platforms. Up to a total of 15 minutes of edited rehearsal and/or performance footage per production (which may depict an entire scene or musical number), as well as unlimited Additional Footage, may be used as follows: 1. On websites of the Theatre; transferee not-for-profit Theatres; not-for- profit arts and tourism-related agencies of the city, county, state and intra- and inter-state region in which the Theatre is located; local Rotary, Chamber of Commerce, and local not-for-profit “"booster” " organizations; media web sites; arts calendar websites (such as Xxxxxxxx.xxx); third-party promotional and ticketing services (e.g., Xxxxxxxxxxxx.xxx, Ticketmaster, XxxXxx.xxx); and not-for-profit service and arts promotion organizations (e.g., SDCUnited Scenic Artists, Theatre Communications Group, Americans for the Arts); 2. On websites web sites of sponsors and/or supporters of the Theatre, provided: a. a) The Director’s and/or Choreographer’s image is Designs are used solely to acknowledge the sponsorship or support and is are not in any way used directly or indirectly to endorse the sponsor or a specific product of the sponsor; b. b) At the time of contracting, the Theatre solicits from the Director and/or Choreographer, Designer any current or potential professional conflicts which may limit the use of the Director’s and/or Choreographer’s image Designer's designs on the sponsor sponsor’s or supporter’s 's web site, and the Theatre, based upon the Director’s and/or Choreographer‘s Designer's written notification, does not use the Director’s and/or Choreographer’s image designs in any way that may pose conflicts; c. c) The footage is not used for more than two years from the date of the first paid public performance. The Director and/or Choreographer Designer may negotiate a lesser time period; and d. d) The Theatre shall indemnify the Director and/or Choreographer Designer against any breach of a Director and/or Choreographer Designer exclusivity clause when such breach is a result of a use not authorized by this provision. 3. Promotional and publicity recordings may be delivered though through the following platforms, including, but not limited to: mobile technology (including, but not limited to, cell phones), sales kiosks, podcasts, wallpaper, and video e-blasts. Theatres may also use and provide materials captured hereunder to other substantially similar delivery platforms that are currently available or as they may evolve. 4. For all usage authorized hereunder, the Theatre’s 's ticket sale information may be presented on the same “"page” " as the Reproduction. 5. The Designer shall receive billing on the Theatre's website show page in the customary order of Set, Costume, Lighting, and Sound. Inadvertent omission of any of the requirements herein shall be rectified upon notification, but, in any event, shall not be considered a material breach of this Agreement. 6. The above time restrictions apply per distribution point, not per delivery platform. Thus, a permitted Reproduction may be used on a number of different web sites, not just one Reproduction for the entire web. 67. Reproductions may be changed on an individual distribution point (e.g., a single web site) as often as the Theatre wishes, provided the total amount of material on that distribution point at any one time adheres to the time limitations set forth above. 78. In no event Without the expressed, written consent of the Designer, a LORT Theatre may the theatre serialize the production on one not post or multiple distribution points and/or delivery platformsotherwise disseminate or broadcast images of a Designer's sketches, renderings, plans, drafting, models or other work product to any website or other platform. 89. Use of captured material for any purpose other than specified above is strictly prohibited. For any violation under this provision, the Director and/or Choreographer Designer shall be paid an amount equal to seven (7) times the daily rate that is applicable for the LORT Theatre’s 's Stage Category.

Web Sites and Other Platforms. Up to a total of 15 minutes of edited rehearsal and/or performance footage per production (which may depict an and entire scene or musical number), as well as unlimited Additional Footage, may be used as follows: 1. On websites of the Theatre; transferee not-for-profit Theatres; not-for- profit arts and tourism-related agencies of the city, county, state and intra- and inter-state region in which the Theatre is located; local Rotary, Chamber of Commerce, and local not-for-profit “booster” organizations; media web sites; arts calendar websites (such as Xxxxxxxx.xxx); third-party promotional and ticketing services (e.g., Xxxxxxxxxxxx.xxx, Ticketmaster, XxxXxx.xxx); and not-for-profit service and arts promotion organizations (e.g., SDC, Theatre Communications Group, Americans for the Arts); 2. On websites of sponsors and/or supporters of the Theatre, provided: a. The Director’s and/or Choreographer’s image is used solely to acknowledge the sponsorship or support and is not in any way used directly or indirectly to endorse the sponsor or a specific product of the sponsor; b. At the time of contracting, the Theatre solicits from the Director and/or Choreographer, any current or potential professional conflicts which may limit the use of the Director’s and/or Choreographer’s image on the sponsor or supporter’s web site, and the Theatre, based upon the Director’s and/or Choreographer‘s Choreographer ‘s written notification, does not use the Director’s and/or Choreographer’s image in any way that may pose conflicts; c. The footage is not used for more than two years from the date of the first paid public performance. The Director and/or Choreographer may negotiate a lesser time period; and d. The Theatre shall indemnify the Director and/or Choreographer against any breach of a Director and/or Choreographer exclusivity clause when such breach is a result of a use not authorized by this provision. 3. Promotional and publicity recordings may be delivered though the following platforms, including, but not limited to: mobile technology (including, but not limited to, cell phones), sales kiosks, podcasts, wallpaper, and video e-blasts. Theatres may also use and provide materials captured hereunder to other substantially similar delivery platforms that are currently available or as they may evolve. 4. For all usage authorized hereunder, the Theatre’s ticket sale information may be presented on the same “page” as the Reproduction. 5. The Director and/or Choreographer shall receive billing on the Theatre’s website show page. Inadvertent omission of any of the requirements herein shall be rectified upon notification, but, in any event, shall not be considered a material breach of this Agreement. 6. The above time restrictions apply per distribution point, not per delivery platform. Thus, a permitted Reproduction may be used on a number of different web sites, not just one Reproduction for the entire web. 67. Reproductions may be changed on an individual distribution point (e.g., a single web site) as often as the Theatre wishes, provided the total amount of material on that distribution point at any one time adheres to the time limitations set forth above. 78. In no event may the theatre serialize the production on one or multiple distribution points and/or delivery platforms. 89. Use of captured material for any purpose other than specified above is strictly prohibited. For any violation under this provision, the Director and/or Choreographer shall be paid an amount equal to seven (7) times the daily rate that is applicable for the LORT Theatre’s Stage Category.

Web Sites and Other Platforms. Up to a total of 15 minutes of edited rehearsal and/or performance footage per production (which may depict an entire scene or musical number), as well as unlimited Additional Footage, may be used as follows: (1. ) On websites web sites of the TheatreTheatre (including third party hosting sites); transferee not-for-profit Theatres; not-for- for-profit arts and tourism-related agencies of the city, county, state and intra- and inter-state region in which the Theatre is located; local Rotary, Chamber of Commerce, Commerce and local not-for-profit “booster” organizations; media web sites; arts calendar websites web sites (such as Xxxxxxxx.xxx); third-third party promotional and ticketing services (e.g., Xxxxxxxxxxxx.xxx, Ticketmaster, XxxXxx.xxx); ) and not-for-profit arts service and arts promotion organizations (e.g., SDCActors’ Equity Association, Theatre Communications Group, Americans for the Arts); (2. ) On websites web sites of sponsors and/or supporters of the Theatre, provided: a. (a) The DirectorActor’s and/or Choreographer’s image likeness is used solely to acknowledge the sponsorship or support and is not in any way used directly or indirectly to endorse the sponsor or a specific product of the sponsor; b. (b) At the time of contracting, the Theatre solicits from the Director and/or Choreographer, Actor any current or potential professional conflicts which that may limit the use of the Director’s and/or ChoreographerActor’s image on the sponsor sponsor’s or supporter’s web site, and the Theatre, based upon the DirectorActor’s and/or Choreographer‘s written notification, does not use the Director’s and/or ChoreographerActor’s image in any way that may pose conflicts; c. (c) The footage is not used for more than two years from the date commencement of the first paid public performanceActor’s individual employment contract. The Director and/or Choreographer Actor may negotiate a lesser time period; and d. (d) The Theatre shall indemnify the Director and/or Choreographer Actor against any breach of a Director and/or Choreographer an Actor exclusivity clause when such breach is a result of a the use not authorized by this provision.Rule 35(L); (3. ) Promotional and publicity recordings Recordings may be delivered though through the following platforms, including, but not limited to: mobile technology (including, including but not limited to, to cell phones), sales kiosks, lobby loops, podcasts, wallpaper, and video e-blasts. Theatres may also use and provide materials captured hereunder to through other substantially similar delivery platforms that are currently available or as they may evolve. (4. ) For all usage authorized hereunderby this Rule 35(L), the Theatre’s ticket sale information may be presented on the same “page” as the Reproduction. 5Recording. The above time restrictions apply per distribution pointIf voice- over or other live actor work performance is required, not per delivery platform. Thus, a permitted Reproduction may be used on a number of different web sites, not just one Reproduction for the entire web. 6. Reproductions may be changed on an individual distribution point (e.g., a single web site) as often as the Theatre wishes, provided the total amount of material on that distribution point at any one time adheres in addition to the time limitations set forth above. 7. In no event may the theatre serialize the production on one or multiple distribution points and/or delivery platforms. 8. Use of captured material for any purpose other than specified above is strictly prohibited. For any violation under this provisionpermitted performance footage, the Director and/or Choreographer applicable SAG-AFTRA Agreement shall be paid an amount equal apply to seven (7) times the daily rate that is applicable for the LORT Theatre’s Stage Categorysuch voice-over or other work.

Web Sites and Other Platforms. Up to a total of 15 minutes of edited rehearsal and/or performance footage per production (which may depict an entire scene or musical number), as well as unlimited Additional Footage, may be used as follows: 1. On websites of the Theatre; transferee not-for-profit Theatres; not-for- for-profit arts and tourism-related agencies of the city, county, state and intra- and inter-state region in which the Theatre is located; local Rotary, Chamber of Commerce, and local not-for-profit “booster” organizations; media web sites; arts calendar websites (such as Xxxxxxxx.xxx); third-party promotional and ticketing services (e.g., Xxxxxxxxxxxx.xxx, Ticketmaster, XxxXxx.xxx); and not-for-profit service and arts promotion organizations (e.g., SDCUnited Scenic Artists, Theatre Communications Group, Americans for the Arts); 2. On websites web sites of sponsors and/or supporters of the Theatre, provided: a. a) The Director’s and/or Choreographer’s image is Designs are used solely to acknowledge the sponsorship or support and is are not in any way used directly or indirectly to endorse the sponsor or a specific product of the sponsor; b. b) At the time of contracting, the Theatre solicits from the Director and/or Choreographer, Designer any current or potential professional conflicts which may limit the use of the DirectorDesigner’s and/or Choreographer’s image designs on the sponsor sponsor’s or supporter’s web site, and the Theatre, based upon the DirectorDesigner’s and/or Choreographer‘s written notification, does not use the Director’s and/or Choreographer’s image designs in any way that may pose conflicts; c. c) The footage is not used for more than two years from the date of the first paid public performance. The Director and/or Choreographer Designer may negotiate a lesser time period; and d. d) The Theatre shall indemnify the Director and/or Choreographer Designer against any breach of a Director and/or Choreographer Designer exclusivity clause when such breach is a result of a use not authorized by this provision. 3. Promotional and publicity recordings may be delivered though through the following platforms, including, but not limited to: mobile technology (including, but not limited to, cell phones), sales kiosks, podcasts, wallpaper, and video e-blasts. Theatres Theatre may also use and provide materials captured hereunder to other substantially similar delivery platforms that are currently available or as they may evolve. 4. For all usage authorized hereunder, the Theatre’s ticket sale information may be presented on the same “page” as the Reproduction. 5. The Designer shall receive billing on the Theatre’s website show page in the customary order of Set, Costume, Lighting, Sound and Projections. Inadvertent omission of any of the requirements herein shall be rectified upon notification, but, in any event, shall not be considered a material breach of this Agreement. 6. The above time restrictions apply per distribution point, not per delivery platform. Thus, a permitted Reproduction may be used on a number of different web sites, not just one Reproduction for the entire web. 67. Reproductions may be changed on an individual distribution point (e.g., a single web site) as often as the Theatre wishes, provided the total amount of material on that distribution point at any one time adheres to the time limitations set forth above. 78. In no event Without the expressed, written consent of the Designer, Court Theatre may the theatre serialize the production on one not post or multiple distribution points and/or delivery platformsotherwise disseminate or broadcast images of a Designer’s sketches, renderings, plans, drafting, models or other work product to any website or other platform. 89. Use of captured material for any purpose other than specified above is strictly prohibited. For any violation under this provision, the Director and/or Choreographer Designer shall be paid an amount equal to seven (7) times the daily rate that is applicable for the LORT Court Theatre’s Stage Category.