MEDIA AND ELECTRONIC RIGHTS Sample Clauses

MEDIA AND ELECTRONIC RIGHTS. A. In the event that a Theatre’s covered production of a play is, in whole or in part, electronically reproduced or transmitted substantially as presented in the stage production, the Theatre shall pay, or cause to be paid, to the Director and/or Choreographer of the stage production a recognition payment of no less than the original contractual fee. The forgoing notwithstanding, in the event that an uncovered mainstage production of a “D” Theatre is electronically reproduced or transmitted substantially as presented in the stage production, the Theatre shall pay, or cause to be paid, to the Director and/or Choreographer of the stage production a recognition payment of no less than one-half (1/2) his/her contractual fee. 1. Notice of all electronic reproductions or transmissions and recognition payments paid as required in this Article XVI, if any, shall be filed with SDC on the Extended Activity Form, annexed hereto as “Schedule E.” 2. The Director and/or Choreographer of the electronically reproduced or transmitted stage production shall receive billing as follows, unless otherwise agreed: “This production was originally directed and/or choreographed for the stage by: .” B. Except as expressly provided herein, no LORT Theatre, subsequent producer or any other third party shall broadcast, exhibit, distribute or otherwise disseminate by any means whatsoever, whether live or recorded, any visual image or sound of a rehearsal, performance or any other part of a LORT Theatre production. 1. Where a LORT Theatre makes or causes to be made a visual and/or aural record of a production, in whole or in part, edited or unedited on motion picture film, magnetic tape, videotape, compact disc, digital video disc, or other mechanical, electronic or technological method that currently exists or that may be developed in the future, and where any part of the direction or choreography may be seen or heard in such visual and/or aural record, the process of making such a record shall be referred to hereinafter as the “Capture” or “Reproduction” of the production, and the visual and/or aural record itself, any part thereof or copy thereof, whether edited or unedited, shall be hereinafter referred to as the “captured material” or “Reproduction”. 2. Captured Material may not be used to discipline Directors and/or Choreographers.
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Related to MEDIA AND ELECTRONIC RIGHTS

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