PERFORMANCE RIGHTS FOR SOFTWAREPerformance Rights Agreement • September 27th, 2007
As we use software in increasingly varied contexts, the concept of a software license has become progressively more complex. Software is embedded in devices that do not obviously resemble computers. Web services make soft- ware on one computer available to anyone with internet access. An individual may use several computers over the course of the day so the concept of a node locked or indi- vidual license is no longer clear. How should time based and single use and consumptive licenses be governed and interact? This paper examines how these and other issues in software licensing can be seen as instances of the gen- eral concept of performance rights, rather than simply reproduction rights. Licenses involving finely specified performance rights are common in the entertainment in- dustry for music, film, stage and television. We describe how, as software and our use of it becomes more sophisti- cated, we see performance rights as becoming an apt basis for software licensing.
AGREEMENTPerformance Rights Agreement • March 31st, 2021
The Association “Latvian Performers and Producers Association”, represented by Head of the Distribution and Remuneration Department Edgars Bite (hereinafter – LaIPA), as one Party, and ___________________________________________ (hereinafter – Performer), whose performance has ever been fixated in a phonogram or an audio-visual work, as the other Party, both jointly hereinafter - the Parties, conclude this Agreement on the following:
PERFORMANCE RIGHTS AGREEMENTPerformance Rights Agreement • August 31st, 2020
Full payment of Performance Royalties is due 30 days after the outlined performance period dates above, which will be (mm/dd/yy). The company acknowledges that OperAdventures has the right to charge the credit card on file with OperAdventures if no such payment is received.
AGREEMENTPerformance Rights Agreement • March 29th, 2022
The Association “Latvian Performers and Producers Association”, represented by Head of the Distribution and Remuneration Department Edgars Bite (hereinafter – LaIPA), as one Party, and (hereinafter – Performer), whose performance has ever been fixated in a phonogram or an audio-visual work, as the other Party, both jointly hereinafter - the Parties, conclude this Agreement on the following:
AGREEMENTPerformance Rights Agreement • September 4th, 2017
performance has ever been fixated in a phonogram or an audio visual work, as the other Party, both jointly hereinafter - the Parties, conclude this Agreement on the following:
MIA PR1 CCEA Multimedia Copyright Permissions Performance Rights: Assignment, Consent and WaiverPerformance Rights Agreement • October 14th, 2020
The purpose of this short agreement is to enable the Filmmaker and CCEA to use the Film and its Portfolio for the Purposes (as listed below). By signing this agreement you are: showing that you consent to being filmed by the Filmmaker; transferring to the Filmmaker any legal rights that you may have in the recording of your performance; waiving any moral rights you may have in the recording of your performance; and consenting to the Filmmaker and CCEA using your image in the Film and its Portfolio for the Purposes as listed below. Please note: THIS IS A LEGALLY BINDING DOCUMENT
