Commercial Recording Sample Clauses
The Commercial Recording clause defines the terms under which a party may record, reproduce, or distribute audio or video content for commercial purposes. Typically, this clause outlines the permissions required, any royalties or fees involved, and the scope of use, such as whether recordings can be sold, streamed, or broadcast. Its core function is to clarify the rights and obligations related to commercial exploitation of recorded material, thereby preventing disputes over unauthorized use and ensuring all parties understand the conditions for lawful commercial recording.
Commercial Recording. ‘Commercial Recording’ refers to any recording of a performance or rehearsal by a third- party party producer featuring RNS, where the orchestra has been contracted to record for: • Film soundtrack • Television incidental music (including Signature Tune, Jingles, Idents, Stings) • Sample Music • Music for Advertising / Branding / Idents • Library/Production Music purposes All ‘Commercial Recording’ shall be subject to MU Collective Bargaining agreements and rates. Any adjustment or variation of rate is subject to negotiation with the Musicians’ Union. MU Collective Bargaining agreements include: • PACT / MU Agreement Independent Production Film/TV • BPI / MU Agreement Commercial Audio • IPA / MU Agreement Advertising • PMAG / MU Agreement Library • BBC / MU Agreement BBC TV and Radio • ITV / MU Agreement ITV NMT shall make and maintain an accurate list of all the members of RNS who perform on each recording made under this agreement so as to assist collecting societies in identifying those members of the orchestra whose performances are on a particular Recording.
Commercial Recording. ‘Commercial Recording’ refers to any recording of a performance or rehearsal by a third-party party producer featuring the Sinfonia Viva, where the orchestra has been contracted to record for: • Commercial Audio Release • Film soundtrack • Television incidental music (including Signature Tune, Jingles, Idents, Stings) • Sample Music • Music for Advertising / Branding / Idents • Library/Production Music purposes All ‘Commercial Recording’ shall be subject to MU Collective Bargaining agreements and rates. Any adjustment or variation of rate is subject to negotiation with the Musicians’ Union. MU Collective Bargaining agreements include: • PACT / MU Agreement Independent Production Film/TV • BPI / MU Agreement Commercial Audio • IPA / MU Agreement Advertising • PMAG / MU Agreement Library • BBC / MU Agreement BBC TV and Radio • ITV / MU Agreement ITV Sinfonia Viva shall make and maintain an accurate list of all the members of the orchestra who perform on each recording made under this agreement so as to assist collecting societies in identifying those members of the orchestra whose performances are on a particular Recording.
Commercial Recording. ‘Commercial Recording’ refers to any recording of a performance or rehearsal, whether in-house or by a third-party party producer featuring BCMG, where the BCMG has been contracted to record for: • Commercial Audio Releases • Film soundtrack • Television incidental music, Signature Tune, Jingles, Idents, Stings • Sample Music • Music for Advertising / Branding / Idents • Library/Production Music • Broadcasts of Productions beyond the allocation granted within this Appendix • Promotional Uses beyond the allocation granted within this Appendix All ‘Commercial Recording’ shall be subject to MU Collective Bargaining agreements and rates. Any adjustment or variation of rate is subject to negotiation with the Musicians’ Union. MU Collective Bargaining agreements include:
Commercial Recording. Insofar as COMPOSER is concerned, COMMISSIONERS may enter into a contract with a recording company during the term as defined in Sections 4 and 8 of this Agreement for the purpose of recording in any and all physical or digital media the WORK in its entirety or in part.
Commercial Recording.
A. Subject to the exclusions in section F. below, any event recorded or broadcast for commercial purposes shall be classified as a commercial event and all employees performing services under this agreement on such work shall be compensated at the appropriate commercial recording rate according to the provisions of sections C., D., E., and G. below. For the purpose of this agreement "commercial purposes" applies to recordings which are duplicated and sold for profit.
Commercial Recording a. No allowance is made for commercial recording of the production as pertains to the WORK and is outside the scope of this Agreement.
Commercial Recording. ‘Commercial Recording’ refers to any recording of a performance or rehearsal by a third- party party producer featuring the ESO, where the orchestra has been contracted to record for: