Common use of Console Clause in Contracts

Console. The console must have 40 input channels. We advise the following brands: o DIGICO (SD SERIES) o AVID o YAMAHA CL SERIES – QL SERIES - M7CL - LS9 o SOUNDCRAFT (VI SERIES – SI SERIES) * o BEHRINGER X SERIES MONITOR If Presenter provides Monitor console with operator, the console should have 7+ mixes, dynamic processing and effects. All the members, except the lead voice, have their own headphones and wired in-ear monitor amplifiers. Each member requires an XLR/TRS cable. The lead voice travels with a wireless in-ear system. MONITOR LIST FULL DESCRIPTION MONITOR EQ 1 KANKO XXXXXXXX (PERCUSSION 1) IN EAR (IN EAR MONITOR AMP) OK 2 XXXXX XXXXXXXX (PERCUSSION 2) IN EAR (IN EAR MONITOR AMP) OK 3 XXXXXXXX XXXXXXX (GTR 01) IN EAR (IN EAR MONITOR AMP) OK 4 XXXXX XXXXXXXX (GTR 02) IN EAR (IN EAR MONITOR AMP) OK 5 XXXXXXXXX XXXX (BASS) IN EAR (IN EAR MONITOR AMP) OK 6 XXXXXX XXXXXXX (WIND INSTRUMENTS) IN EAR (IN EAR MONITOR AMP) OK 7 MARIKATIA XXXXXX (LEAD VOICE) IN EAR – SHURE PSM 900 or equivalent Company travels with one wireless in-ear system. OK INPUT LIST FULL MIX INSTRUMENT PLAYER MIC / D.I. STAND 1 BOMBO (ANDEAN KICK) KANKO SHURE BETA 57 BOOM 2 CAJON (1) IN KANKO SHURE BETA 91 SHORT 3 CAJON (1) OUT KANKO SHURE SM 57 SHORT 4 BAR CHIMES - SHAKER KANKO SHURE BETA 57 BOOM 5 CAJON (2) IN DIEGO M. SHURE BETA 91 SHORT 6 CAJON (2) OUT DIEGO M. SHURE SM 57 SHORT 7 CONGA HI DIEGO M. SHURE SM 57 / BETA 56 CLAMP 8 CONGA LO DIEGO M. SHURE SM 57/ BETA 56 CLAMP 9 CONGA MID DIEGO M. SHURE SM 57/ BETA 56 CLAMP 10 BONGO 1 DIEGO M. SHURE SM 57/ BETA 56 BOOM 11 BAR CHIMES - SHAKER - CYMBALS (PERCUSSION FX) DIEGO M. SHURE SM 81 BOOM 12 SNARE UP DIEGO M. SHURE BETA 57 CLAMP/BOOM 13 OCTAPAD (MONO) DIEGO M. D.I ACTIVE RADIAL 14 WOOD BONGO 2 XXXXXX XXXXX BETA 57 BOOM 15 XXXXXXX 1 – COW XXXX XXXXXX AKG C - 414 BOOM 16 TENOR SAX 1 XXXXXX XXXXX BETA 98A - DPA 4099 CLIP 17 SOPRANO SAX 2 XXXXXX XXXXX BETA 57 BOOM 18 QUENA / TRAVERSE FLUTE / PAN FLUTE XXXXXX XXXXX BETA 57 BOOM 19 EWI – ELECTRONIC WIND INSTRUMENT XXXXXX D.I ACTIVE RADIAL 20 ELECTRIC XXXX XXXXXXXXX D.I ACTIVE RADIAL 21 DOUBLE XXXX XXXXXXXXX DPA 4099 O SIMILAR CLIP 22 ACOUSTIC XXX 0 XXXXXXXX XXX 4099 O SIMILAR CLIP 23 XXXXXXX 2 (PERCUSSION FX) AKG C – 414 BOOM 24 ACOUSTIC GTR 2 DIEGO C. DPA 4099 OR D.I. ACTIVE RADIAL 25 CHARANGO DIEGO C. D.I ACTIVE RADIAL 26 ELECTRIC GTR XXXXXXXX & DIEGO C. GUITAR AMP, WITH SHURE SM57 27 COW XXXX / CAJITA (PERUVIAN PERCUSSION) SHURE BETA 57 BOOM 28 RAIN STICK MARIKATIA AKG C-414 BOOM 29 LEAD VOICE MARIKATIA NEUMMAN KMS105 BOOM 30 CHORUS VOICE 1 XXXXXX XXXXX BETA 58A BOOM 31 CHORUS VOICE 2 XXXXXXXX XXXXX BETA 58A BOOM 32 CHORUS VOICE 3 DIEGO C. SHURE BETA 58A BOOM 33 AUDIENCE MIC FOR AUDIO MONITORING CONDENSADOR MIC OR SHOTGUN MIC SHORT 34 SPARE VOCAL SHURE KSM 9 WIRELESS STAGE PLOT FULL MAIN TABLE TABLE TABLE TABLE PERCUSSIONS GUITARS BASS & WINDS INPUT LIST REDUCED INSTRUMENT PLAYER MIC / D.I. STAND 1 CAJÓN (1) KANKO SHURE SM 57 SHORT 3 BAR CHIMES / SHAKER KANKO SHURE BETA 57 BOOM 4 CAJÓN (2) DIEGO M. SHURE SM 57 SHORT 5 CONGA HI DIEGO M. SHURE SM 57 / BETA 56 CLAMP 6 CONGA LO DIEGO M. SHURE SM 57/ BETA 56 CLAMP 7 BONGO / SHAKER / CYMBALS DIEGO M. SHURE SM 57 / BETA 56 CLAMP / BOOM 8 SNARE DIEGO M. SHURE BETA 57 CLAMP 9 OCTAPAD DIEGO M. D.I ACTIVE RADIAL OCTAPAD STAND 10 ACOUSTIC GUITAR (1) XXXXXXXX DPA 4099 OR SIMILAR CLIP 11 ACOUSTIC GUITAR (2) DIEGO C. DPA 4099 OR D.I ACTIVE RADIAL 12 ELECTRIC GUITAR XXXXXXXX & DIEGO C. GUITAR AMP, WITH SHURE SM57 SHORT/BOOM 13 CHARANGO DIEGO C. D.I ACTIVE RADIAL 14 ELECTRIC BASS XXXXXXXXX XXXX AMP, WITH D.I ACTIVE RADIAL SHORT/BOOM 15 CAJITA / XXXXXXX / JAMBLOCK XXXXXX XXXXX BETA 57 BOOM 16 SAX (1) XXXXXX XXXXX BETA 57 BOOM 17 SAX (2) XXXXXX XXXXX BETA 57 BOOM 18 QUENA / FLUTE / PAN FLUTE XXXXXX XXXXX BETA 57 BOOM 19 EWI – ELECTRONIC WIND INSTRUMENT XXXXXX D.I ACTIVE RADIAL 20 LEAD VOICE / RAIN STICK MARIKATIA NEUMMAN KMS105 BOOM 21 CHORUS VOICE 3 XXXXXX XXXXX BETA 58A BOOM 22 CHORUS VOICE 1 / JAMBLOCK DIEGO C. SHURE BETA 58A BOOM 23 CHORUS VOICE 2 XXXXXXXX XXXXX BETA 58A BOOM MONITOR LIST REDUCED DESCRIPTION MONITOR EQ 1 KANKO y DIEGO M. (PERCUSSION 1 & 2) IN EAR (IN EAR MONITOR AMP) OK 2 DIEGO C. Y XXXXXXXX (GUITARS 1 & 2) IN EAR (IN EAR MONITOR AMP) OK 3 XXXXXX X XXXXXXXXX (WINDS & BASS) IN EAR (IN EAR MONITOR AMP) OK STAGE PLOT REDUCED For this format, platforms are not required, but location of the musicians is the same. MAIN GUITAR PERCUSSION TABLE 20 - LEAD VOICE / RAIN STICK TABLE WIND TABLE TABLE BASS PERCUSSION 1 – CAJÓN 2 – ANDEAN KICK 3 – BAR CHIMES / SHAKER 4 – CAJÓN 5 – CONGA HI 6 – CONGA LO 7 – BONGO/SHAKER/CYMBALS 8 – SNARE 9 – OCTAPAD GUITARS 12 – ELECTRIC GTR 10 – ACOUSTIC GTR (1) 23 – CHORUS VOICE 11 – ACOUSTIC GTR (2) 13 – CHARANGO BASS & WINDS 14 – ELECTRIC BASS 15 – CAJITA/XXXXXXX/JAMBLOCK 16 – SAX 1 17 – SAX 2 18 – QUENA/FLUTE/PANFLUTE 19 – EWI 21 – CHORUS VOICE COMPANY TRAVELS WITH THE FOLLOWING: PERCUSSION - 01 Andean Kick - 00 Xxxxxxxx Xxxxx - 01 Bongos - 01 Wood Bongo - 02 Xxxxxxx de burro (Peruvian Percussion) - 02 Cymbals - 04 Shakers - 01 Rain stick - 02 Bar chimes - 01 Octapad - 02 Cajitas (Peruvian Little Percussion) - 03 Jamblock - 01 Güiro - 01 Chakchas (Andean percussion) WINDS - 01 Tenor Sax - 01 Soprano Sax - 01 Transverse Flute - 02 Quenas (Andean Flute) - 02 Harmonicas - 01 EWI (Electric Wind Instrument) GUITARS AND BASS - 02 Acoustic Guitars - 01 Electric Guitar - 01 Electric Bass - 01 Charango AUDIO AND FX PROCESSORS - 06 Guitar Pedal Effects - 01 Voice Pedal Effect - 07 In Ear Headphones for personal monitoring - 07 Wired Monitor Amps - 02 Audio Interfaces STANDS - 02 Guitar Stands - 02 Sax Stands

Console. The console must have 40 input channelsYAMAHA PM 5, MIDAS HERITAGE 3000-YAMAHA,M7 CL • PM 5000- SOUNDCRAFT Five • 2 EQ: 31 bands KLARK TEKNIK • INSERT: • 3 COMPRESSOR DBX 160 A (NOT NECESSARY WITH DIGITAL CONSOLE) • 1 LEXICON 70, or TC • FX: 1 SPX 990, 1 SPX 1000 or TC ELECTRONIC (NOT NECESSARY WITH DIGITAL CONSOLE) • CD PLAYER • SYSTEM RECORDER CD OR MINIDISK • INTERCOM MONITOR SYSTEM: - CONSOLE: M7CL, MIDAS, YAMAHA, SOUNDCRAFT min 8 sends. We advise the following brands- MONITOR: o DIGICO (SD SERIES) o AVID o YAMAHA CL SERIES – QL SERIES 8 UNITS XXXXX OR NEXO PS 15 OR XXXXXX LE 400.EAW,L ACUSTIC , - M7CL 2 SIDE FILL 1000W. - LS9 o SOUNDCRAFT (VI SERIES – SI SERIES) * o BEHRINGER X SERIES DIGITAL TABEL OK. NOT DIGITAL REQUIRES 6 EQ - WEDGE FOR FLOOR TECNICIAN. ALL WEDGES MUST BE THE SAME SIZE. SENDS 1 BUIKA CENTRAL 2 MONITORS 2 BUIKA LATERAL 2 MONITORS 3 GUITARRA 1 MONITOR If Presenter provides Monitor console with operator, the console should have 7+ mixes, dynamic processing and effects4 BASS 1 MONITOR 5 PERCUSION 1 MONITOR 6 SIDE FILL L 7 SIDE FILL R 4. All the members, except the lead voice, have their own headphones and wired in-ear monitor amplifiers. Each member requires an XLR/TRS cable. The lead voice travels with a wireless in-ear system. MONITOR LIST FULL DESCRIPTION MONITOR EQ 1 KANKO XXXXXXXX (PERCUSSION 1) IN EAR (IN EAR MONITOR AMP) OK 2 XXXXX XXXXXXXX (PERCUSSION 2) IN EAR (IN EAR MONITOR AMP) OK 3 XXXXXXXX XXXXXXX (GTR 01) IN EAR (IN EAR MONITOR AMP) OK 4 XXXXX XXXXXXXX (GTR 02) IN EAR (IN EAR MONITOR AMP) OK 5 XXXXXXXXX XXXX (BASS) IN EAR (IN EAR MONITOR AMP) OK 6 XXXXXX XXXXXXX (WIND INSTRUMENTS) IN EAR (IN EAR MONITOR AMP) OK 7 MARIKATIA XXXXXX (LEAD VOICE) IN EAR – SHURE PSM 900 or equivalent Company travels with one wireless in-ear system. OK INPUT LIST FULL MIX INSTRUMENT PLAYER MIC / D.I. STAND 1 BOMBO (ANDEAN KICK) KANKO SHURE BETA 57 BOOM 2 CAJON Backline Requirements One (1) IN KANKO SHURE BETA 91 SHORT 3 CAJON DJEMBE WITH STAND, 19” REMO PREFERED One (1) OUT KANKO SHURE SM 57 SHORT 4 BAR CHIMES - SHAKER KANKO SHURE BETA 57 BOOM 5 CAJON (2) IN DIEGO M. SHURE BETA 91 SHORT 6 CAJON (2) OUT DIEGO M. SHURE SM 57 SHORT 7 CONGA HI DIEGO M. SHURE SM 57 / BETA 56 CLAMP 8 CONGA LO DIEGO M. SHURE SM 57/ BETA 56 CLAMP 9 CONGA MID DIEGO M. SHURE SM 57/ BETA 56 CLAMP 10 BONGO 1 DIEGO M. SHURE SM 57/ BETA 56 BOOM 11 BAR CHIMES - SHAKER - CYMBALS (PERCUSSION FX) DIEGO M. SHURE SM 81 BOOM 12 SNARE UP DIEGO M. SHURE BETA 57 CLAMP/BOOM 13 OCTAPAD (MONO) DIEGO M. D.I ACTIVE RADIAL 14 WOOD BONGO 2 XXXXXX XXXXX BETA 57 BOOM 15 XXXXXXX 1 – COW XXXX XXXXXX AKG C - 414 BOOM 16 TENOR SAX 1 XXXXXX XXXXX BETA 98A - DPA 4099 CLIP 17 SOPRANO SAX 2 XXXXXX XXXXX BETA 57 BOOM 18 QUENA / TRAVERSE FLUTE / PAN FLUTE XXXXXX XXXXX BETA 57 BOOM 19 EWI – ELECTRONIC WIND INSTRUMENT XXXXXX D.I ACTIVE RADIAL 20 ELECTRIC XXXX XXXXXXXXX D.I ACTIVE RADIAL 21 DOUBLE XXXX XXXXXXXXX DPA 4099 O SIMILAR CLIP 22 ACOUSTIC XXX 0 XXXXXXXX XXX 4099 O SIMILAR CLIP 23 XXXXXXX 2 (PERCUSSION FX) AKG C – 414 BOOM 24 ACOUSTIC GTR 2 DIEGO C. DPA 4099 OR D.I. ACTIVE RADIAL 25 CHARANGO DIEGO C. D.I ACTIVE RADIAL 26 ELECTRIC GTR XXXXXXXX & DIEGO C. GUITAR AMP12” CYMBAL WITH STAND, WITH SHURE SM57 27 COW XXXX / CAJITA (PERUVIAN PERCUSSION) SHURE BETA 57 BOOM 28 RAIN STICK MARIKATIA AKG C-414 BOOM 29 LEAD VOICE MARIKATIA NEUMMAN KMS105 BOOM 30 CHORUS VOICE 1 XXXXXX XXXXX BETA 58A BOOM 31 CHORUS VOICE 2 XXXXXXXX XXXXX BETA 58A BOOM 32 CHORUS VOICE 3 DIEGO C. SHURE BETA 58A BOOM 33 AUDIENCE MIC FOR AUDIO MONITORING CONDENSADOR MIC OR SHOTGUN MIC SHORT 34 SPARE VOCAL SHURE KSM 9 WIRELESS STAGE PLOT FULL MAIN TABLE TABLE TABLE TABLE PERCUSSIONS GUITARS BASS & WINDS INPUT LIST REDUCED INSTRUMENT PLAYER MIC / D.I. STAND 1 CAJÓN ZILDJIAN PREFERED ONE (1) KANKO SHURE SM 57 SHORT 3 BAR CHIMES / SHAKER KANKO SHURE BETA 57 BOOM 4 CAJÓN AMPLIFI BASS (2) DIEGO M. SHURE SM 57 SHORT 5 CONGA HI DIEGO M. SHURE SM 57 / BETA 56 CLAMP 6 CONGA LO DIEGO M. SHURE SM 57/ BETA 56 CLAMP 7 BONGO / SHAKER / CYMBALS DIEGO M. SHURE SM 57 / BETA 56 CLAMP / BOOM 8 SNARE DIEGO M. SHURE BETA 57 CLAMP 9 OCTAPAD DIEGO M. D.I ACTIVE RADIAL OCTAPAD STAND 10 ACOUSTIC GUITAR xxxx xxxx). Combo 2x10 One (1) XXXXXXXX DPA 4099 OR SIMILAR CLIP 11 ACOUSTIC GUITAR (2) DIEGO C. DPA 4099 OR D.I ACTIVE RADIAL 12 ELECTRIC GUITAR XXXXXXXX & DIEGO C. GUITAR AMP, WITH SHURE SM57 SHORT/BOOM 13 CHARANGO DIEGO C. D.I ACTIVE RADIAL 14 ELECTRIC BASS XXXXXXXXX XXXX AMP, WITH D.I ACTIVE RADIAL SHORT/BOOM 15 CAJITA / XXXXXXX / JAMBLOCK XXXXXX XXXXX BETA 57 BOOM 16 SAX MUSIC STAND Input list One (1) XXXXXX XXXXX BETA 57 BOOM 17 SAX POWER STRIP Nº CHANNELS MIC/DI INSERT MONITOR 01 GUITAR 1 KM 185 o 184 02 GUITAR 2 DPA 4099 o 4060 ó 4061 ó SHURE WL5 03 BASS DI 04 BASS MICRO 521 O 421 05 CAJON SM 58 06 DJEMBE UP SM 98 07 DJEMBE DOWN SM 98 08 OH KM184 09 VOCAL XXXX XX 58 10 VOCAL PERCUSION SM 58 11 VOCAL BUIKA SM 58 12 SPARE SM 58 BUIKA CONTACT SHEET MANAGEMENT, BOOKING & CONTRACTS All Parts Move LLC 000 000 0000 | phone Xxxxxxx Xxxxxx 000 000 0000 | mobile xxxxxxx@xxxxxxxxxxxx.xxx TOUR MANAGER; PRODUCTION, HOSPITALITY, MERCHANDISE & TRAVEL NOT APPLICABLE ON ALL DATES XXXXX’S PERSONAL ASSISTANT Xxxxx Xxxxxx Xxxxxx (2Xxxx) XXXXXX XXXXX BETA 57 BOOM 18 QUENA / FLUTE / PAN FLUTE XXXXXX XXXXX BETA 57 BOOM 19 EWI – ELECTRONIC WIND INSTRUMENT XXXXXX D.I ACTIVE RADIAL 20 LEAD VOICE / RAIN STICK MARIKATIA NEUMMAN KMS105 BOOM 21 CHORUS VOICE 3 XXXXXX XXXXX BETA 58A BOOM 22 CHORUS VOICE 1 / JAMBLOCK DIEGO C. SHURE BETA 58A BOOM 23 CHORUS VOICE 2 XXXXXXXX XXXXX BETA 58A BOOM MONITOR LIST REDUCED DESCRIPTION MONITOR EQ 1 KANKO y DIEGO M. (PERCUSSION 1 & 2) +00 000 00 00 00 | mobile +1.305 000 0000 xxxxxxxxxx@xxxxx.xxx xxxxxxxxxx@xxxxxxx.xxx PR MARKETING SUPPORT USA Xxxxx Xxxxx 000-000-0000 | phone xxxxxxxxxxXX@xxx.xxx PR MARKETING SUPPORT REST OF THE WORLD All Parts Move LLC 000 000 0000 | phone Xxxxx Xxxxxxx xxxxx@xxxxxxxxxxxx.xxx WEA LATINA Xxxxxx Xxxxxxxx Xxxxxx.Xxxxxxxx@XxxxxxXxxxx.Xxx Xxxxx Xxxxxxx Xxxxx.Xxxxxxx@xxx.xxx ALL OF THE ABOVE PROVISIONS OF THIS CONTRACT AND RIDER ARE THE ESSENCE OF THIS AGREEMENT AND THE FAILURE OF PURCHASER TO COMPLY WITH ANY OF THEM SHALL CONSTITUTE A BREACH AND MAY RESULT IN EAR (IN EAR MONITOR AMP) OK 2 DIEGO C. Y XXXXXXXX (GUITARS 1 & 2) IN EAR (IN EAR MONITOR AMP) OK 3 XXXXXX X XXXXXXXXX (WINDS & BASS) IN EAR (IN EAR MONITOR AMP) OK STAGE PLOT REDUCED For this formatLEGAL ACTION. IF ARTIST IS UNABLE TO PERFORM DUE TO SICKNESS, platforms are not requiredACCIDENT, but location of the musicians is the same. MAIN GUITAR PERCUSSION TABLE 20 - LEAD VOICE / RAIN STICK TABLE WIND TABLE TABLE BASS PERCUSSION 1 – CAJÓN 2 – ANDEAN KICK 3 – BAR CHIMES / SHAKER 4 – CAJÓN 5 – CONGA HI 6 – CONGA LO 7 – BONGO/SHAKER/CYMBALS 8 – SNARE 9 – OCTAPAD GUITARS 12 – ELECTRIC GTR 10 – ACOUSTIC GTR (1) 23 – CHORUS VOICE 11 – ACOUSTIC GTR (2) 13 – CHARANGO BASS & WINDS 14 – ELECTRIC BASS 15 – CAJITA/XXXXXXX/JAMBLOCK 16 – SAX 1 17 – SAX 2 18 – QUENA/FLUTE/PANFLUTE 19 – EWI 21 – CHORUS VOICE COMPANY TRAVELS WITH THE FOLLOWING: PERCUSSION - 01 Andean Kick - 00 Xxxxxxxx Xxxxx - 01 Bongos - 01 Wood Bongo - 02 Xxxxxxx de burro (Peruvian Percussion) - 02 Cymbals - 04 Shakers - 01 Rain stick - 02 Bar chimes - 01 Octapad - 02 Cajitas (Peruvian Little Percussion) - 03 Jamblock - 01 Güiro - 01 Chakchas (Andean percussion) WINDS - 01 Tenor Sax - 01 Soprano Sax - 01 Transverse Flute - 02 Quenas (Andean Flute) - 02 Harmonicas - 01 EWI (Electric Wind Instrument) GUITARS AND BASS - 02 Acoustic Guitars - 01 Electric Guitar - 01 Electric Bass - 01 Charango AUDIO AND FX PROCESSORS - 06 Guitar Pedal Effects - 01 Voice Pedal Effect - 07 In Ear Headphones for personal monitoring - 07 Wired Monitor Amps - 02 Audio Interfaces STANDS - 02 Guitar Stands - 02 Sax StandsSTRIKES, LABOR DIFFICULTIES, OR ANY OTHER CAUSE BEYOND ARTIST'S CONTROL, ARTIST SHALL NOT BE HELD ACCOUNTABLE.

Console. The console must have 40 input channels. We advise YAMAHA PM 5, DIGICO, MIDAS HERITAGE 3000-YAMAHA, M7 CL, CL5, PM 5000 - SOUNDCRAFT Five, PM5 • 2 EQ: 31 bands KLARK TEKNIK • INSERT: • 3 COMPRESSOR DBX 160 A (NOT NECESSARY WITH DIGITAL CONSOLE) • 1 LEXICON 70, or TC • FX: 1 SPX 990, 1 SPX 1000 or TC ELECTRONIC (NOT NECESSARY WITH DIGITAL CONSOLE) • CD PLAYER • SYSTEM RECORDER CD OR MINIDISK • INTERCOM MONITOR SYSTEM: Monitor desk PM 5 / M7 CL / CL5 or similar ADDITIONAL MACKIE10 SYSTEM (8 INPUTS) FOR KEYS A minimum of 12 Sends 12 floor wedges for the following brands: o DIGICO musicians (SD SERIESLE 4OO XXXXXX, XXXXX, L-ACUSTIC, D&B) o AVID o YAMAHA CL SERIES 2 SIDE FILLS minimum 1000 W (XXXXX, PS15, D&B, L-ACUSTIC) MONITORS 2 SEND for FX Wedges for the technician’s monitors SENDS BUIKA CENTRAL 2 MONITORS BUIKA LATERAL 2 MONITORS KEYS 2 MONITORS GUITAR 1 MONITOR PERCUSION 1 MONITOR 6 SIDE FILL L 7 SIDE FILL R INPUT LIST XXXXXXX MIC/DI INSERT MONITOR 01 KICK D 112 02 SNARE SM 57 03 H/H KM 184 04 XXX 1 SM98 05 XXX BASE SM 98 06 OH LEFT KM 184 07 OH RIGHT KM 184 08 BASS LINE DI BSS 09 ELECTRIC 521 O 421 10 A/C DI 11 Xxxxxx left SM57 12 Xxxxxx right SM57 13 Xxxxxx Xxxx D112 or similar 14 L DI BSS 15 R DI BSS 16 CAJON SM 58 17 DJEMBE SM 98 18 DJEMBE SM 98 19 VOX (XXXXX - PERCUSSION) SM 58 20 VOX (GUITAR – QL SERIES - M7CL - LS9 o SOUNDCRAFT XXXXX) SM 58 21 VOX (VI SERIES XXXX – SI SERIESDRUM) * o BEHRINGER X SERIES MONITOR If Presenter provides Monitor console with operator, the console should have 7+ mixes, dynamic processing and effects. All the members, except the lead voice, have their own headphones and wired in-ear monitor amplifiers. Each member requires an XLR/TRS cable. The lead voice travels with a wireless in-ear system. MONITOR LIST FULL DESCRIPTION MONITOR EQ 1 KANKO XXXXXXXX SM 58 22 VOX (PERCUSSION 1) IN EAR (IN EAR MONITOR AMP) OK 2 XXXXX XXXXXXXX (PERCUSSION 2) IN EAR (IN EAR MONITOR AMP) OK 3 XXXXXXXX XXXXXXX (GTR 01) IN EAR (IN EAR MONITOR AMP) OK 4 XXXXX XXXXXXXX (GTR 02) IN EAR (IN EAR MONITOR AMP) OK 5 XXXXXXXXX XXXX (– BASS) IN EAR SM 58 23 VOX (IN EAR MONITOR AMPXXXX – KEYS) OK 6 XXXXXX XXXXXXX (WIND INSTRUMENTS) IN EAR (IN EAR MONITOR AMP) OK 7 MARIKATIA XXXXXX (LEAD VOICE) IN EAR – SHURE PSM 900 or equivalent Company travels 2 x SM 58 with one wireless in-ear system. OK INPUT LIST FULL MIX INSTRUMENT PLAYER MIC / D.I. STAND 1 BOMBO (ANDEAN KICK) KANKO SHURE BETA 57 BOOM 2 CAJON (1) IN KANKO SHURE BETA 91 SHORT 3 CAJON (1) OUT KANKO SHURE V signal 24 VOX BUIKA SM 57 SHORT 4 BAR CHIMES - SHAKER KANKO SHURE BETA 57 BOOM 5 CAJON (2) IN DIEGO M. SHURE BETA 91 SHORT 6 CAJON (2) OUT DIEGO M. SHURE SM 57 SHORT 7 CONGA HI DIEGO M. SHURE SM 57 / BETA 56 CLAMP 8 CONGA LO DIEGO M. SHURE SM 57/ BETA 56 CLAMP 9 CONGA MID DIEGO M. SHURE SM 57/ BETA 56 CLAMP 10 BONGO 1 DIEGO M. SHURE SM 57/ BETA 56 BOOM 11 BAR CHIMES - SHAKER - CYMBALS (PERCUSSION FX) DIEGO M. SHURE SM 81 BOOM 12 SNARE UP DIEGO M. SHURE BETA 57 CLAMP58 25 A/BOOM 13 OCTAPAD (MONO) DIEGO M. D.I ACTIVE RADIAL 14 WOOD BONGO 2 XXXXXX XXXXX BETA 57 BOOM 15 XXXXXXX 1 – COW XXXX XXXXXX AKG C - 414 BOOM 16 TENOR SAX 1 XXXXXX XXXXX BETA 98A - DPA 4099 CLIP 17 SOPRANO SAX 2 XXXXXX XXXXX BETA 57 BOOM 18 QUENA / TRAVERSE FLUTE / PAN FLUTE XXXXXX XXXXX BETA 57 BOOM 19 EWI – ELECTRONIC WIND INSTRUMENT XXXXXX D.I ACTIVE RADIAL 20 ELECTRIC XXXX XXXXXXXXX D.I ACTIVE RADIAL 21 DOUBLE XXXX XXXXXXXXX DPA 4099 O SIMILAR CLIP 22 ACOUSTIC XXX 0 XXXXXXXX XXX 4099 O SIMILAR CLIP 23 XXXXXXX 2 (PERCUSSION FX) AKG C – 414 BOOM 24 ACOUSTIC GTR 2 DIEGO C. DPA 4099 OR D.I. ACTIVE RADIAL 25 CHARANGO DIEGO C. D.I ACTIVE RADIAL DI 26 ELECTRIC GTR XXXXXXXX & DIEGO C. GUITAR AMP, WITH SHURE SM57 27 COW XXXX / CAJITA (PERUVIAN PERCUSSION) SHURE BETA 57 BOOM 28 RAIN STICK MARIKATIA AKG C-414 BOOM 29 LEAD VOICE MARIKATIA NEUMMAN KMS105 BOOM 30 CHORUS VOICE 1 XXXXXX XXXXX BETA 58A BOOM 31 CHORUS VOICE 2 XXXXXXXX XXXXX BETA 58A BOOM 32 CHORUS VOICE 3 DIEGO C. SHURE BETA 58A BOOM 33 AUDIENCE MIC FOR AUDIO MONITORING CONDENSADOR MIC OR SHOTGUN MIC SHORT 34 VOX SPARE VOCAL SHURE KSM 9 WIRELESS SM58 STAGE PLOT FULL MAIN TABLE TABLE TABLE TABLE PERCUSSIONS GUITARS BASS BUIKA CONTACT SHEET: TOUR MANAGER, HOSPITALITY, LOGISTICS & WINDS INPUT LIST REDUCED INSTRUMENT PLAYER MIC / D.I. STAND 1 CAJÓN TRAVEL COORDINATOR AND XXXXX’S ASSISTANT: Tel . +0 000 000 0000 Xxxxx Xxxxxx (1Xxxx) KANKO SHURE SM 57 SHORT 3 BAR CHIMES / SHAKER KANKO SHURE BETA 57 BOOM 4 CAJÓN (2) DIEGO M. SHURE SM 57 SHORT 5 CONGA HI DIEGO M. SHURE SM 57 / BETA 56 CLAMP 6 CONGA LO DIEGO M. SHURE SM 57/ BETA 56 CLAMP 7 BONGO / SHAKER / CYMBALS DIEGO M. SHURE SM 57 / BETA 56 CLAMP / BOOM 8 SNARE DIEGO M. SHURE BETA 57 CLAMP 9 OCTAPAD DIEGO M. D.I ACTIVE RADIAL OCTAPAD STAND 10 ACOUSTIC GUITAR (1) XXXXXXXX DPA 4099 OR SIMILAR CLIP 11 ACOUSTIC GUITAR (2) DIEGO C. DPA 4099 OR D.I ACTIVE RADIAL 12 ELECTRIC GUITAR XXXXXXXX Xxxxxx Xxxxxxx xxxxxxxxxx@xxxxx.xxx Tour Management USA/ Canada: Tel. +0 000 000-0000 Xxxxxx Xxxx xx@xxxxxxx.xxx PRODUCTION & DIEGO C. GUITAR AMP, WITH SHURE SM57 SHORT/BOOM 13 CHARANGO DIEGO C. D.I ACTIVE RADIAL 14 ELECTRIC BASS XXXXXXXXX XXXX AMP, WITH D.I ACTIVE RADIAL SHORT/BOOM 15 CAJITA / XXXXXXX / JAMBLOCK XXXXXX XXXXX BETA 57 BOOM 16 SAX (1) XXXXXX XXXXX BETA 57 BOOM 17 SAX (2) XXXXXX XXXXX BETA 57 BOOM 18 QUENA / FLUTE / PAN FLUTE XXXXXX XXXXX BETA 57 BOOM 19 EWI – ELECTRONIC WIND INSTRUMENT XXXXXX D.I ACTIVE RADIAL 20 LEAD VOICE / RAIN STICK MARIKATIA NEUMMAN KMS105 BOOM 21 CHORUS VOICE 3 XXXXXX XXXXX BETA 58A BOOM 22 CHORUS VOICE 1 / JAMBLOCK DIEGO C. SHURE BETA 58A BOOM 23 CHORUS VOICE 2 XXXXXXXX XXXXX BETA 58A BOOM MONITOR LIST REDUCED DESCRIPTION MONITOR EQ 1 KANKO y DIEGO M. (PERCUSSION 1 & 2) IN EAR (IN EAR MONITOR AMP) OK 2 DIEGO C. Y XXXXXXXX (GUITARS 1 & 2) IN EAR (IN EAR MONITOR AMP) OK 3 XXXXXX X XXXXXXXXX (WINDS & BASS) IN EAR (IN EAR MONITOR AMP) OK STAGE PLOT REDUCED For this format, platforms are not required, but location of the musicians is the sameTECHNICAL: Tel. MAIN GUITAR PERCUSSION TABLE 20 - LEAD VOICE / RAIN STICK TABLE WIND TABLE TABLE BASS PERCUSSION 1 – CAJÓN 2 – ANDEAN KICK 3 – BAR CHIMES / SHAKER 4 – CAJÓN 5 – CONGA HI 6 – CONGA LO 7 – BONGO/SHAKER/CYMBALS 8 – SNARE 9 – OCTAPAD GUITARS 12 – ELECTRIC GTR 10 – ACOUSTIC GTR (1) 23 – CHORUS VOICE 11 – ACOUSTIC GTR (2) 13 – CHARANGO BASS & WINDS 14 – ELECTRIC BASS 15 – CAJITA/XXXXXXX/JAMBLOCK 16 – SAX 1 17 – SAX 2 18 – QUENA/FLUTE/PANFLUTE 19 – EWI 21 – CHORUS VOICE COMPANY TRAVELS WITH THE FOLLOWING: PERCUSSION - 01 Andean Kick - + 00 000 000 000 Xxxxxxxx Xxxxx - 01 Bongos - 01 Wood Bongo - 02 Xxxxxxx de burro (Peruvian Percussion) - 02 Cymbals - 04 Shakers - 01 Rain stick - 02 Bar chimes - 01 Octapad - 02 Cajitas (Peruvian Little Percussion) - 03 Jamblock - 01 Güiro - 01 Chakchas (Andean percussion) WINDS - 01 Tenor Sax - 01 Soprano Sax - 01 Transverse Flute - 02 Quenas (Andean Flute) - 02 Harmonicas - 01 EWI (Electric Wind Instrument) GUITARS ‘Devo’ Cuesta xxxxxxx@xxxxxxx.xx MARKETING SUPPORT: +0 000 000 0000 B by B LLC xxxxx@xxxxxxxxxxxxxxxx.xxx ALL OF THE ABOVE PROVISIONS OF THIS CONTRACT AND BASS - 02 Acoustic Guitars - 01 Electric Guitar - 01 Electric Bass - 01 Charango AUDIO RIDER ARE THE ESSENCE OF THIS AGREEMENT AND FX PROCESSORS - 06 Guitar Pedal Effects - 01 Voice Pedal Effect - 07 In Ear Headphones for personal monitoring - 07 Wired Monitor Amps - 02 Audio Interfaces STANDS - 02 Guitar Stands - 02 Sax StandsTHE FAILURE OF PURCHASER TO COMPLY WITH ANY OF THEM SHALL CONSTITUTE A BREACH AND MAY RESULT IN LEGAL ACTION. IF ARTIST IS UNABLE TO PERFORM DUE TO SICKNESS, ACCIDENT, STRIKES, LABOR DIFFICULTIES, OR ANY OTHER CAUSE BEYOND ARTIST'S CONTROL, ARTIST SHALL NOT BE HELD ACCOUNTABLE.

Console. The console must have 40 input channels. We advise the following brands: o DIGICO (SD SERIES) o AVID o YAMAHA CL SERIES – QL SERIES - M7CL - LS9 o SOUNDCRAFT (VI SERIES – SI SERIES) * o BEHRINGER X SERIES MONITOR If Presenter provides Monitor console with operator, the console should have 7+ mixes, dynamic processing and effects. All the members, except the lead voice, have their own headphones and wired in-ear monitor amplifiers. Each member requires an XLR/TRS cable. The lead voice travels with a wireless in-ear system. MONITOR LIST FULL DESCRIPTION MONITOR EQ 1 KANKO XXXXX XXXXXXXX (PERCUSSION 1) IN EAR (IN EAR MONITOR AMP) OK 2 XXXXX XXXXXXXX (PERCUSSION 2) IN EAR (IN EAR MONITOR AMP) OK 3 XXXXXXXX XXXXXXX (GTR 01) IN EAR (IN EAR MONITOR AMP) OK 4 XXXXX XXXXXXXX (GTR 02) IN EAR (IN EAR MONITOR AMP) OK 5 XXXXXXXXX XXXX (BASS) IN EAR (IN EAR MONITOR AMP) OK 6 XXXXXX XXXXXXX (WIND INSTRUMENTS) IN EAR (IN EAR MONITOR AMP) OK 7 MARIKATIA XXXXXXXXX XXXXXX (LEAD VOICE) IN EAR – SHURE PSM 900 or equivalent Company travels with one wireless in-ear system. OK INPUT LIST FULL MIX INSTRUMENT PLAYER MIC / D.I. STAND 1 BOMBO (ANDEAN KICK) KANKO SHURE BETA 57 BOOM 2 CAJON (1) IN KANKO SHURE BETA 91 SHORT 3 CAJON (1) OUT KANKO SHURE SM XXXXX XXXXX XX 57 SHORT 4 BAR CHIMES - SHAKER KANKO SHURE BETA 57 BOOM 5 CAJON (2) IN DIEGO M. XXXXX X. SHURE BETA 91 SHORT 6 CAJON (2) OUT DIEGO M. XXXXX X. SHURE SM 57 SHORT 7 CONGA HI DIEGO M. XXXXX X. SHURE SM 57 / BETA 56 CLAMP 8 CONGA LO DIEGO M. XXXXX X. SHURE SM 57/ BETA 56 CLAMP 9 CONGA MID DIEGO M. XXXXX X. SHURE SM 57/ BETA 56 CLAMP 10 BONGO 1 DIEGO M. XXXXX X. SHURE SM 57/ BETA 56 BOOM 11 BAR CHIMES - SHAKER - CYMBALS (PERCUSSION FX) DIEGO M. XXXXX X. SHURE SM 81 BOOM 12 SNARE UP DIEGO M. XXXXX X. SHURE BETA 57 CLAMP/BOOM 13 OCTAPAD (MONO) DIEGO M. D.I XXXXX X. X.X ACTIVE RADIAL 14 WOOD BONGO 2 XXXXXX XXXXX BETA 57 BOOM 15 XXXXXXX 1 – COW XXXX XXXXXX AKG XXX C - 414 BOOM 16 TENOR SAX 1 XXXXXX XXXXX BETA 98A - DPA 4099 CLIP 17 SOPRANO SAX 2 XXXXXX XXXXX BETA 57 BOOM 18 QUENA / TRAVERSE FLUTE / PAN FLUTE XXXXXX XXXXX BETA 57 BOOM 19 EWI – ELECTRONIC WIND INSTRUMENT XXXXXX D.I X.X ACTIVE RADIAL 20 ELECTRIC XXXX XXXXXXXXX D.I ACTIVE RADIAL 21 DOUBLE XXXX XXXXXXXXX DPA 4099 O SIMILAR CLIP 22 ACOUSTIC XXX 0 GTR 1 XXXXXXXX XXX DPA 4099 O SIMILAR CLIP 23 XXXXXXX 2 (PERCUSSION FX) AKG C – 414 BOOM 24 ACOUSTIC GTR 2 DIEGO C. XXXXX X. DPA 4099 OR D.I. ACTIVE RADIAL 25 CHARANGO DIEGO C. D.I ACTIVE RADIAL 26 ELECTRIC GTR XXXXXXXX & DIEGO C. XXXXX X. GUITAR AMP, WITH SHURE SM57 27 COW XXXX BELL / CAJITA (PERUVIAN PERCUSSION) SHURE BETA 57 BOOM 28 RAIN STICK MARIKATIA AKG C-414 BOOM 29 LEAD VOICE MARIKATIA NEUMMAN KMS105 BOOM 30 CHORUS VOICE 1 XXXXXX XXXXX BETA 58A BOOM 31 CHORUS VOICE 2 XXXXXXXX XXXXX BETA 58A BOOM 32 CHORUS VOICE 3 DIEGO C. XXXXX X. SHURE BETA 58A BOOM 33 AUDIENCE MIC FOR AUDIO MONITORING CONDENSADOR MIC OR SHOTGUN MIC SHORT 34 SPARE VOCAL SHURE KSM 9 WIRELESS STAGE PLOT FULL MAIN TABLE TABLE TABLE TABLE PERCUSSIONS GUITARS BASS & WINDS INPUT LIST REDUCED INSTRUMENT PLAYER MIC / D.I. STAND 1 CAJÓN (1) KANKO SHURE SM 57 SHORT 3 BAR CHIMES / SHAKER KANKO SHURE BETA 57 BOOM 4 CAJÓN (2) DIEGO M. XXXXX X. SHURE SM 57 SHORT 5 CONGA HI DIEGO M. XXXXX X. SHURE SM 57 / BETA 56 CLAMP 6 CONGA LO DIEGO M. XXXXX X. SHURE SM 57/ BETA 56 CLAMP 7 BONGO / SHAKER / CYMBALS DIEGO M. XXXXX X. SHURE SM 57 / BETA 56 CLAMP / BOOM 8 SNARE DIEGO M. XXXXX X. SHURE BETA 57 CLAMP 9 OCTAPAD DIEGO M. D.I XXXXX X. X.X ACTIVE RADIAL OCTAPAD STAND 10 ACOUSTIC GUITAR (1) XXXXXXXX DPA 4099 OR SIMILAR CLIP 11 ACOUSTIC GUITAR (2) DIEGO C. XXXXX X. DPA 4099 OR D.I ACTIVE RADIAL 12 ELECTRIC GUITAR XXXXXXXX & DIEGO C. XXXXX X. GUITAR AMP, WITH SHURE SM57 SHORT/BOOM 13 CHARANGO DIEGO C. D.I ACTIVE RADIAL 14 ELECTRIC BASS XXXXXXXXX XXXX AMP, WITH D.I ACTIVE RADIAL SHORT/BOOM 15 CAJITA / XXXXXXX / JAMBLOCK XXXXXX XXXXX BETA 57 BOOM 16 SAX (1) XXXXXX XXXXX BETA 57 BOOM 17 SAX (2) XXXXXX XXXXX BETA 57 BOOM 18 QUENA / FLUTE / PAN FLUTE XXXXXX XXXXX BETA 57 BOOM 19 EWI – ELECTRONIC WIND INSTRUMENT XXXXXX D.I X.X ACTIVE RADIAL 20 LEAD VOICE / RAIN STICK MARIKATIA NEUMMAN KMS105 BOOM 21 CHORUS VOICE 3 XXXXXX XXXXX BETA 58A BOOM 22 CHORUS VOICE 1 / JAMBLOCK DIEGO C. XXXXX X. SHURE BETA 58A BOOM 23 CHORUS VOICE 2 XXXXXXXX XXXXX BETA 58A BOOM MONITOR LIST REDUCED DESCRIPTION MONITOR EQ 1 KANKO XXXXX y DIEGO M. XXXXX X. (PERCUSSION 1 & 2) IN EAR (IN EAR MONITOR AMP) OK 2 DIEGO C. XXXXX X. Y XXXXXXXX (GUITARS 1 & 2) IN EAR (IN EAR MONITOR AMP) OK 3 XXXXXX X XXXXXXXXX (WINDS & BASS) IN EAR (IN EAR MONITOR AMP) OK STAGE PLOT REDUCED For this format, platforms are not required, but location of the musicians is the same. MAIN GUITAR PERCUSSION TABLE 20 - LEAD VOICE / RAIN STICK TABLE WIND TABLE TABLE BASS PERCUSSION 1 – CAJÓN 2 – ANDEAN KICK 3 – BAR CHIMES / SHAKER 4 – CAJÓN 5 – CONGA HI 6 – CONGA LO 7 – BONGO/SHAKER/CYMBALS 8 – SNARE 9 – OCTAPAD GUITARS 12 – ELECTRIC GTR 10 – ACOUSTIC GTR (1) 23 – CHORUS VOICE 11 – ACOUSTIC GTR (2) 13 – CHARANGO 12 – ELECTRIC GTR BASS & WINDS 14 – ELECTRIC BASS 15 – CAJITA/XXXXXXX/JAMBLOCK 16 – SAX 1 17 – SAX 2 18 – QUENA/FLUTE/PANFLUTE 19 – EWI 21 – CHORUS VOICE 14 – ELECTRIC BASS COMPANY TRAVELS WITH THE FOLLOWING: PERCUSSION - 01 Andean Kick - 00 Xxxxxxxx Xxxxx 02 Peruvian Cajón - 01 Bongos - 01 Wood Bongo - 02 Xxxxxxx de burro (Peruvian Percussion) - 02 Cymbals - 04 Shakers - 01 Rain stick - 02 Bar chimes - 01 Octapad - 02 Cajitas (Peruvian Little Percussion) - 03 Jamblock - 01 Güiro - 01 Chakchas (Andean percussion) WINDS - 01 Tenor Sax - 01 Soprano Sax - 01 Transverse Flute - 02 Quenas (Andean Flute) - 02 Harmonicas - 01 EWI (Electric Wind Instrument) GUITARS AND BASS - 02 Acoustic Guitars - 01 Electric Guitar - 01 Electric Bass - 01 Charango AUDIO AND FX PROCESSORS - 06 Guitar Pedal Effects - 01 Voice Pedal Effect - 07 In Ear Headphones for personal monitoring - 07 Wired Monitor Amps - 02 Audio Interfaces STANDS - 02 Guitar Stands - 02 Sax Stands