Ensemble and School Tours. Notwithstanding the above, an Artist engaged as Assistant Stage Manager for a full-scale production may be concurrently engaged as Stage Manager for an ensemble production or school touring production for preparation and/or rehearsal prior to the first public performance of the full-scale production provided that: (a) the Artist’s fee meets or exceeds the applicable minimum fee for a Stage Manager as of the first day of preparation for the ensemble or school touring production; and (b) regular overtime shall apply to any rehearsal or performance for the first production during the preparation and/or rehearsal period for the ensemble or school touring production, unless Equity and the Engager agree that such time is not required for preparation; and (c) rehearsal and/or performance of the ensemble or touring production is scheduled around rehearsal and/or performance of the full-scale production, such that the Artist is always primarily available to the full- scale production, including in the event of an emergency.
Appears in 3 contracts
Samples: Canadian Opera Agreement, Canadian Opera Agreement, Canadian Opera Agreement
Ensemble and School Tours. Notwithstanding the above, an Artist engaged as Assistant Stage Manager for a full-scale production may be concurrently engaged as Stage Manager for an ensemble production or school touring production for preparation and/or rehearsal prior to the first public performance of the full-scale production provided that:
(a) the Artist’s fee meets or exceeds the applicable minimum fee for a Stage Manager as of the first day of preparation for the ensemble or school touring production; and
(b) regular overtime shall apply to any rehearsal or performance for the first production during the preparation and/or rehearsal period for the ensemble or school touring production, unless Equity and the Engager agree that such time is not required for preparation; and
(c) rehearsal and/or performance of the ensemble or touring production is scheduled around rehearsal and/or performance of the full-scale production, such that the Artist is always primarily available to the full- full-scale production, including in the event of an emergency.
Appears in 1 contract
Samples: Canadian Opera Agreement