Use of Recordings by the Artist Sample Clauses

Use of Recordings by the Artist. ‌ Where the Engager is empowered to do so, and at the request of the Artist, and with the consent of all Artists who appear or whose work appears in the recorded material, the Engager may provide up to ten (10) minutes of material recorded in accordance with Clause 38:02(A) and used in accordance with Clause 38:02(B), per production, to an Artist for his/her own individual use, including but not limited to self-promotion, social media, etc. 2016-2019 National Ballet of Canada Agreement | Page 58 The Artist shall confirm that the recording may not be modified or manipulated in any way, and may only be used as follows: (i) non-commercial, non-curated, generic content, open access video sharing websites; and/or (ii) the Artist’s zone of social media websites; and/or (iii) the Artist’s own website. provided that: (a) the Artist uses his/her best efforts to ensure that the material cannot be downloaded; and (b) no revenue is generated from the viewing of the material. Notwithstanding the ten (10) minute limitation noted above, the Engager will consider, upon request of the Artist, providing additional footage to the Artist for non-broadcast use (not for use on the internet) for the Artist’s self-promotion, including submissions to funding bodies, granting agencies, demo reels, etc. The Engager shall not be responsible for any subsequent misuse of the material, either by the Artist or stemming from the use of the material by the Artist whether such misuse arises from the use of the materials for the purposes set forth by the Artist in his/her request to the Engager, or for any other uses. For the purposes of this clause, “Artist” shall include other Artists (such as designers) whose artistic contribution to the production is represented in the recorded material. The Engager shall be responsible for securing the appropriate written permissions from all Artists.
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Use of Recordings by the Artist. BOTH Where the Theatre is empowered to do so, and at the request of the Artist, and with the consent of all Artists who appear or whose work appears in the recorded material, the Theatre may agree to provide a copy of the recorded material to an Artist for their own individual souvenir or promotional use. The Theatre may levy a nominal charge for a hardcopy of still images. If copies are available in digital format, such copies shall be provided upon request to the Artist at no charge.‌ The Artist shall declare in writing the nature of the limited purposes for which the recorded material may be used. The Theatre shall not be responsible for any subsequent misuse of the material, either by the Artist or stemming from the use of the material by the Artist whether such misuse arises from the use of the materials for the purposes set forth by the Artist in their request to the Theatre, or for any other uses. For the purposes of this clause, “Artist” shall include other artists (such as designers) whose artistic contribution to the production is represented in the recorded material. The Theatre shall be responsible for securing the appropriate written permissions from all Artists.
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Use of Recordings by the Artist. ‌ Where the Engager is empowered to do so, and at the request of the Artist, and with the consent of all Artists who appear or whose work appears in the recorded material, the Engager may provide up to ten (10) minutes of material recorded in accordance with Clause 38:02(A) and used in accordance with Clause 38:02(B), per production, to an Artist for their own individual use, including but not limited to self-promotion, social media, etc. The Artist shall confirm that the recording may not be modified or manipulated in any way, and may only be used as follows: (i) non-commercial, non-curated, generic content, open access video sharing websites; and/or (ii) the Artist’s zone of social media websites; and/or (iii) the Artist’s own website, provided that: (a) the Artist uses their best efforts to ensure that the material cannot be downloaded; and (b) no revenue is generated from the viewing of the material. Notwithstanding the ten (10) minute limitation noted above, the Engager will consider, upon request of the Artist, providing additional footage to the Artist for non-broadcast use (not for use on the internet) for the Artist’s self-promotion, including submissions to funding bodies, granting agencies, demo reels, etc. The Engager shall not be responsible for any subsequent misuse of the material, either by the Artist or stemming from the use of the material by the Artist whether such misuse arises from the use of the materials for the purposes set forth by the Artist in their request to the Engager, or for any other uses. The Artist shall fully indemnify, hold harmless and defend (collectively “indemnify” and “indemnification”) the Engager and its directors, officers, employees, representatives and independent contractors from and against all claims, demands, actions, suits, damages, liabilities, losses, settlements, judgments, costs and expenses (including but not limited to reasonable legal fees and costs), whether or not involving a third party claim, which arise out of or relate to: (i) Any breach of any representation or warranty of the Artist contained in this Clause, or (ii) Any breach or violation of any covenant or other obligation or duty of the Artist under this Clause.
Sample 1
Use of Recordings by the Artist. ‌ Where the Engager is empowered to do so, and at the request of the Artist, and with the consent of all Artists who appear or whose work appears in the recorded material, the Engager may provide up to up to five (5) minutes of edited rehearsal footage and five (5) minutes of edited performance footage recorded in accordance with Clause 38:02 to an Artist for his/her own individual use, including but not limited to self- promotion, social media, etc. The Artist shall confirm that the recording may not be modified or manipulated in any way, and may only be used as follows: (i) non-commercial, non-curated, generic content, open access video sharing websites; and/or (ii) the Artist’s zone of social media websites; and/or (iii) the Artist’s own website, provided that: (a) the Artist uses his/her best efforts to ensure that the material cannot be downloaded; and (b) no revenue is generated from the viewing of the material; and (c) The Artist warrants that he/she is responsible for any misuse of the material. Notwithstanding the ten (10) minute limitation noted above, the Engager will consider, upon request of the Artist, providing additional footage to the Artist for non-broadcast use (including use on the internet) for the Artist’s self-promotion, including submissions to funding bodies, granting agencies, demo reels, etc.
Sample 1
Use of Recordings by the Artist. ‌ Where the Engager is empowered to do so, and at the request of the Artist, and with the consent of all Artists who appear or whose work appears in the recorded material, the Engager may provide up to up to five (5) minutes of edited rehearsal footage and five (5) minutes of edited performance footage recorded in accordance with Clause 38:02 to an Artist for their own individual use, including but not limited to self- promotion, social media, etc. The Artist shall confirm that the recording may not be modified or manipulated in any way, and may only be used as follows: (i) non-commercial, non-curated, generic content, open access video sharing websites; and/or (ii) the Artist's zone of social media websites; and/or (iii) the Artist's own website, provided that:
Sample 1
Use of Recordings by the Artist. At the request of the Artist, the Engager shall provide up to maximum of five (5) minutes of recorded material made pursuant to this Agreement to an Artist for his/her own individual souvenir or promotional use. The Artist shall confirm that the recording may not be modified or manipulated in any way, and may only be used as follows: (i) non-commercial, non-curated, generic content, open access video sharing websites; (ii) the Artist’s zone of social networking websites; (iii) the Artist’s own website, provided that (a) the Artist uses his/her best efforts to ensure that the material cannot be downloaded; (b) no revenue is generated from the viewing of the material; and (c) the names of all Artists appear in the material or appear prominently in the description or framework of the material.
Sample 1
Use of Recordings by the Artist. ‌ At the request of the Artist, the Engager shall provide up to maximum of five (5) minutes of recorded material made pursuant to this Agreement to an Artist for his/her own individual souvenir or promotional use. The Artist shall confirm that the recording may not be modified or manipulated in any way, and may only be used as follows: (i) non-commercial, non-curated, generic content, open access video sharing websites; (ii) the Artist’s zone of social networking websites; (iii) the Artist’s own website, provided that (a) the Artist uses his/her best efforts to ensure that the material cannot be downloaded; (b) no revenue is generated from the viewing of the material; and (c) the names of all Artists appear in the material or appear prominently in the description or framework of the material. The Engager shall not be responsible for any subsequent misuse of the recording, either by the Artist or stemming from the use of the recording by the Artist. However, the Engager and/or Equity reserve the right to require the Artist to remove the material from any website referred to above if the Engager, or another Artist who appears in the material, determines that the material is misused, or is otherwise used inappropriately.
Sample 1
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Use of Recordings by the Artist. Where the Engager has the contractual clearances to do so, and at the request of the Artist, and with the contractual consent of all Artists who appear or whose work appears in the recorded material, the Engager may provide up to five (5) minutes of rehearsal material and five (5) minutes of performance material recorded in accordance with 47:02(B) without any additional editing to an Artist for his/her own individual use, including but not limited to self-promotion, social media, etc. The Artist shall confirm that the recording may not be modified or manipulated in any way, and may only be used as follows: (i) non-commercial, non-curated, generic content, open access video sharing websites; and/or (ii) the Artist’s zone of social media websites; and/or (iii) the Artist’s own website, provided that: (a) the Artist uses his/her best efforts to ensure that the material cannot be downloaded; and (b) no revenue is generated from the viewing of the material.
Sample 1

Related to Use of Recordings by the Artist

  • Use of Attachment Facilities by Third Parties Purpose of Attachment Facilities.‌‌ Except as may be required by Applicable Laws and Regulations, or as otherwise agreed to among the Parties, the Attachment Facilities shall be constructed for the sole purpose of interconnecting the Large Generating Facility to the New York State Transmission System and shall be used for no other purpose.

  • ADMISSIBILITY OF REPRODUCTION OF CONTRACT Notwithstanding the best evidence rule or any other legal principle or rule of evidence to the contrary, the Contractor acknowledges and agrees that it waives any and all objections to the admissibility into evidence at any court proceeding or to the use at any examination before trial of an electronic reproduction of this contract, regardless of whether the original of said contract is in existence.

  • Deliveries by the Buyer At the Closing, the Buyer shall deliver or cause to be delivered to the Seller or Escrow Agent, as applicable, the following items (unless the delivery of any of the following items is waived by the Seller): (a) the Initial Purchase Price less the General Escrow Amount and the Warranty Escrow Amount; (b) the General Escrow Amount and the Warranty Escrow Amount (each of which the Buyer shall deliver or cause to be delivered to the Escrow Agent to be held in the General Escrow and the Warranty Escrow, as the case may be, pursuant to the terms of the Escrow Agreement); (c) the Xxxx of Sale and Assignment and Assumption Agreement, duly executed by the Buyer; (d) the Intellectual Property Assignments, duly executed by the Buyer; (e) the Assignment and Assumption of Lease, duly executed by the Buyer; (f) the Non-Competition and Non-Solicitation Agreement, duly executed by the Buyer; (g) a copy of the certificate of incorporation of the Buyer and all amendments thereto, certified as of the most recent practicable date by the Delaware Secretary of State; (h) a certificate of the Delaware Secretary of State as to the good standing of the Buyer in the State of Delaware as of the most recent practicable date; (i) a certificate of an officer of the Buyer, certifying the by-laws or equivalent document, including all amendments thereto, of the Buyer; (j) a certificate of an officer of the Buyer certifying the resolutions of the Board of Directors of the Buyer authorizing the execution, delivery and performance of this Agreement by the Buyer and the transactions contemplated hereby and that such resolutions have not been modified, rescinded or otherwise changed since the date of the original resolutions; (k) a certificate of an officer of the Buyer to the effect that the conditions set forth in Sections 7.2(a) and 7.2(b) have been satisfied; (l) the Escrow Agreement, duly executed by the Buyer and the Escrow Agent; and (m) any additional certificates, receipts, documents and instruments as the Seller may reasonably request.

  • No Manipulation of Market for Securities The Fund will not (a) take, directly or indirectly, any action designed to cause or to result in, or that might reasonably be expected to constitute, the stabilization or manipulation of the price of any security of the Fund to facilitate the sale or resale of the Securities in violation of federal or state securities laws, and (b) except for share repurchases permitted in accordance with applicable laws and purchases of common shares in the open market pursuant to the Fund’s dividend reinvestment plan, until the Closing Time, or the Date of Delivery, if any, (i) sell, bid for or purchase the Securities or pay any person any compensation for soliciting purchases of the Securities or (ii) pay or agree to pay to any person any compensation for soliciting another to purchase any other securities of the Fund.

  • Maintenance of Office and Transfer Books by the Depositary Until termination of this Deposit Agreement in accordance with its terms, the Depositary shall maintain in the Borough of Manhattan, The City of New York, facilities for the execution and delivery, registration, registration of transfers, combinations and split-ups and surrender of Receipts in accordance with the provisions of this Deposit Agreement. The Depositary shall keep books for the registration of Receipts and transfers of Receipts which at all reasonable times shall be open for inspection by the Owners, provided that such inspection shall not be for the purpose of communicating with Owners for an object other than the business of the Company, including without limitation a matter related to this Deposit Agreement or the Receipts. The Depositary may close the transfer books after consultation with the Company to the extent practicable, at any time or from time to time, when deemed expedient by it in connection with the performance of its duties hereunder or at the request of the Company, provided that any such closing of the transfer books shall be subject to the provisions of Section 2.06 which limit the suspension of withdrawals of Shares. If any Receipts or the American Depositary Shares evidenced thereby are listed on one or more stock exchanges in the United States, the Depositary shall act as Registrar or, with the written approval of the Company, appoint a Registrar or one or more co-registrars for registry of such Receipts in accordance with any requirements of such exchange or exchanges. The Company shall have the right, upon reasonable request, to inspect the transfer and registration records of the Depositary relating to the Receipts, to take copies thereof and to require the Depositary and any co-registrars to supply copies of such portions of such records as the Company may request.

  • Restrictions on Public Sale by the Company The Company agrees not to effect any public sale or distribution of any of its securities, or any securities convertible into or exchangeable or exercisable for such securities (except pursuant to registrations on Form S-4 or S-8 or any successor thereto), during the period beginning on the effective date of any Registration Statement in which the Designated Holders of Registrable Securities are participating and ending on the earlier of (i) the date on which all Registrable Securities registered on such Registration Statement are sold and (ii) 120 days after the effective date of such Registration Statement (except as part of such registration).

  • Incorporation of Recitals The recitals hereto are incorporated herein as part of this Agreement.

  • Deliveries by the Company (a) At the Closing, the Company shall deliver or cause to be delivered to Purchaser Sub: (i) a certificate, dated as of the Closing Date, executed by the Company confirming the satisfaction of the conditions specified in Section 7.2(a) and Section 7.2(b); (ii) a certification of non-foreign status reasonably acceptable to Parent, for purposes of Section 897 and 1445 of the Code; (iii) duly executed counterparts by the Company or any Affiliate of the Company to each of the Ancillary Agreements applicable to the Closing; and (iv) an Operational Duplicate IT System Certificate, executed by the Company, dated as of the Closing Date. (b) At each Subsequent Closing and at the Distribution Center Closing, as applicable, the Company shall deliver or cause to be delivered to Purchaser Sub: (i) the certificate described in Section 2.1(b)(i), dated as of each Subsequent Closing Date or Distribution Center Closing Date, as applicable, executed by the Company, each reference therein to “Closing Date” shall be deemed to be such Subsequent Closing Date or Distribution Center Closing Date, as applicable, solely with respect to the Acquired Stores or Distribution Centers (and Purchased Assets related thereto) to be transferred at such Subsequent Closing and the Distribution Center Closing (as applicable); (ii) a certificate dated as of each Subsequent Closing Date or Distribution Center Closing Date, as applicable, executed by the Company regarding the accuracy of the matters set forth in Section 7.2(b) and, solely with respect to the first Subsequent Closing, Section 7.2(d) and where, for purposes of this Section 2.3(b)(ii), each reference therein to “Closing Date” in Section 7.2(b) and, solely with respect to the first Subsequent Closing, Section 7.2(d), as applicable, shall be deemed to be such Subsequent Closing Date or Distribution Center Closing Date, as applicable, solely with respect to the Acquired Stores or Distribution Centers (and Purchased Assets therein) to be transferred at such Subsequent Closing and the Distribution Center Closing (as applicable); (iii) solely with respect to the first Subsequent Closing, the Operational Duplicate IT System Certificate, executed by the Company, dated as of the first Subsequent Closing Date; (iv) a certification of non-foreign status reasonably acceptable to Parent, for purposes of Section 897 and 1445 of the Code; and (v) duly executed counterparts by the Company or any Affiliate of the Company to each of the Ancillary Agreements applicable to such Subsequent Closing and the Distribution Center Closing.

  • Maintenance of Records by the Administrative Agent The Administrative Agent shall maintain records in which it shall record (i) the amount and Currency of each Loan made hereunder, the Class and Type thereof and each Interest Period therefor, (ii) the amount and Currency of any principal or interest due and payable or to become due and payable from the Borrower to each Lender of such Class hereunder and (iii) the amount and Currency of any sum received by the Administrative Agent hereunder for account of the Lenders and each Lender’s share thereof.

  • Acquisition of Shares by Third Party Other than an affiliate of EVe Mobility Acquisition Sponsor I LLC, any Person (as defined below) is or becomes the Beneficial Owner, directly or indirectly, of securities of the Company representing fifteen percent (15%) or more of the combined voting power of the Company’s then outstanding securities entitled to vote generally in the election of directors, unless (1) the change in the relative Beneficial Ownership of the Company’s securities by any Person results solely from a reduction in the aggregate number of outstanding shares entitled to vote generally in the election of directors, or (2) such acquisition was approved in advance by the Continuing Directors (as defined below) and such acquisition would not constitute a Change in Control under part (c) of this definition;

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