Common use of Artistic Director Clause in Contracts

Artistic Director. Xxxxxx X. Xxxxxxx began her career as a member of the Dance Theatre of Harlem, under the direction of Xxxxxx Xxxxxxxx, dancing lead roles in Serenade, Four Temperaments, Agon, and Concerto Barocco, all by Xxxxxx Xxxxxxxxxx. She has also appeared as a guest artist with Complexions Contemporary Ballet. Her Broadway credits include Hot Feet, Memphis, Leap of Faith (Assistant Choreographer) and Motown: The Musical. Her regional theatre credits include Sophisticated Ladies, The Wiz, Xxx Xxxxxxx Live, Xxxxxx Xxx’s Cafe (Ovation Nominee, Xxxxx Xxxxxx Award nominee), Trip of Love, Chicago, and A Wonderful World. Film/TV credits include: Across the Universe, Walk Hard, The Princess and the Frog, Xxxxxx, She’s Gotta Have It (Netflix), Starz dramas Flesh and Bone (Yasmine) and Power, Glee, House, and The Academy Awards, to name a few. Xx. Xxxxxxx is the co-founder and Creative Director of Broadway Serves, a non-profit organization whose mission is to engage theater professionals in community service opportunities locally, nationally, and abroad. During the pandemic, she turned her focus to teaching full time for her home studio of Xxxxx-Xxxxxxx Dance School in Washington, DC. She also galvanized the theatre community in a series of conversations on Instagram called Pass the Mic Broadway, an initiative that sparked dialogue about social justice issues between Black and White female theatre makers. She is a proud member of AEA and SAG-AFTRA.

Artistic Director. Xxxxxx X. Xxxxxxx began her career as a member of the Dance Theatre of Harlem, under the direction of Xxxxxx Xxxxxxxx, dancing lead roles in Serenade, Four Temperaments, Agon, and Concerto Barocco, all by Xxxxxx Xxxxxxxxxx. She has also appeared as a guest artist with Complexions Contemporary Ballet. Her Broadway credits include Hot Feet, Memphis, Leap of Faith (Assistant Choreographer) and Motown: Motown The Musical. Her regional theatre credits include Sophisticated Ladies, The Wiz, Xxx Xxxxxxx Live, Xxxxxx Xxx’s Cafe (Ovation Nominee, Xxxxx Xxxxxx Award nomineenominee and winner for Outstanding Off-Broadway Ensemble), Trip of Love, Chicago, and A Wonderful World. Film/TV credits include: Across the Universe, Walk Hard, The Princess and the Frog, Xxxxxx, She’s Gotta Have It (Netflix), Starz dramas Flesh and Bone (Yasmine) and Power, Glee, House, and The Academy Awards, to name a few. Xx. Xxxxxxx is the co-founder and Creative Director of Broadway Serves, a non-profit organization whose mission is to engage theater professionals in community service opportunities locally, nationally, and abroad. During the pandemic, she turned her focus to teaching full time for her home studio of Xxxxx-Xxxxxxx Dance School in Washington, DC. She also galvanized the theatre community in a series of conversations on Instagram called Pass the Mic Broadway, an initiative that sparked dialogue about social justice issues between Black and White female theatre makers. She is a proud member of AEA and SAG-AFTRA.

Artistic Director. Xxxxxx X. Xxxxxxx began her career as a member of the Dance Theatre of Harlem, under the direction of Xxxxxx Xxxxxxxx, dancing lead roles in Serenade, Four Temperaments, Agon, and Concerto Barocco, all by Xxxxxx Xxxxxxxxxx. She has also appeared as a guest artist with Complexions Contemporary Ballet. Her Broadway credits include Hot Feet, Memphis, Leap of Faith (Assistant Choreographer) and Motown: The Musical. Her regional theatre credits include Sophisticated Ladies, The Wiz, Xxx Xxxxxxx Live, Xxxxxx XxxSmokey Joe’s Cafe (Ovation Nominee, Xxxxx Xxxxxx Award nominee), Trip of Love, Chicago, and A Wonderful World. Film/TV credits include: Across the Universe, Walk Hard, The Princess and the Frog, Xxxxxx, She’s Gotta Have It (Netflix), Starz dramas Flesh and Bone (Yasmine) and Power, Glee, House, and The Academy Awards, to name a few. Xx. Xxxxxxx is the co-founder and Creative Director of Broadway Serves, a non-profit organization whose mission is to engage theater professionals in community service opportunities locally, nationally, and abroad. During the pandemic, she turned her focus to teaching full time for her home studio of Xxxxx-Xxxxxxx Dance School in Washington, DC. She also galvanized the theatre community in a series of conversations on Instagram called Pass the Mic Broadway, an initiative that sparked dialogue about social justice issues between Black and White female theatre makers. She is a proud member of AEA and SAG-AFTRA.