Common use of POSTING OF REHEARSAL AND PERFORMANCE SCHEDULES Clause in Contracts

POSTING OF REHEARSAL AND PERFORMANCE SCHEDULES. 26.01 A call board shall be provided in each place where rehearsals and performances are regularly scheduled, and all notices concerning rehearsals, casting, and performance shall be posted thereon. While on tour, a copy of rehearsal schedules will be made available at hotel front desks, if the hotel so allows. 26.02 During rehearsal periods an itemized rehearsal schedule for the following week shall be posted in each place where rehearsals are scheduled to be given, by the end of the daily class on the last working day of the preceding week. Where a role or cast has sharers and/or understudies, the Artist’s name or cast must be specified on the schedule. Where a rehearsal call is marked “TBA” the specific ballet must be named. 26.03 Where unanticipated changes to previously posted rehearsal schedules occur, as the result of changing circumstances, the Engager shall notify the Artist personally of the correct rehearsal call at least twenty- four (24) hours in advance. The Artist must inform the Engager forty-eight (48) hours in advance of the schedule being posted of any appointment the Artist may have that could affect the organization of the schedule. 26.04 In the following circumstances the Engager shall be relieved of the provisions of Rules 26.02 and 26.03: (A) When an Artist is unable to rehearse or perform due to injury, sickness or some other circumstance which could not reasonably have been anticipated by the Engager. (B) When a Choreographer is creating a new work or a Choreographer or Coach is setting a work which is new to the company. (A) If the Engager does not abide by the foregoing Rules 26.01, 26.02, 26.03, 26.04, or any part thereof, the Artist shall be exonerated for any lateness or missing of rehearsals occasioned thereby. Where the Artist is not present when the rehearsal call is posted and the Engager has (B) In the event that the Artist does not inform the Engager that said Artist will be unable to attend rehearsal or performance or is late for rehearsal or performance, the person in charge of said rehearsal or performance shall advise the Engager who may reduce the Artist’s fee at Rate 1 of Rule 13.01(D) for each half-hour or portion thereof for the time missed, to a maximum of one hour for any one (1) infraction. The Artist may appeal through CAEA the Engager’s decision to reduce the Artist’s fee for the time missed. CAEA’s decision on any appealed case shall be final and binding. 26.06 The programme of a season or tour shall be posted on the bulletin board four (4) weeks in advance of opening night of said season or tour, and in any case before this information is released to the box office or the news media. 26.07 Cast changes for ballets during a performance season, other than emergency changes, must be posted two (2) days in advance.

POSTING OF REHEARSAL AND PERFORMANCE SCHEDULES. 26.01 (a) A call board shall be provided in each place where rehearsals and performances are regularly scheduled, and all notices concerning rehearsals, casting, and performance rehearsals shall be posted thereon. While on tour, a copy of rehearsal schedules will be made available at hotel front desks, if the hotel so allows. 26.02 During rehearsal periods an itemized (b) The EMPLOYER shall use its best efforts to post the next day‘s rehearsal schedule for the following week shall be posted in each place where rehearsals are scheduled to be given, by the end of the daily class rehearsal day. The schedule shall be available on a recorded “hot line” by 7:30 p.m. on each such day. Whenever necessary, the last working posting of the first hour in detail with specific ballets listed for the day will be acceptable. On tour, the rehearsal schedule will be posted not later than half hour of the preceding weekday. Where a role or cast has sharers and/or understudies, the Artist’s name or cast must be specified on the schedule. Where a rehearsal call is marked “TBA” the specific ballet must be named. 26.03 Where unanticipated changes to previously posted rehearsal schedules occur, as the result of changing circumstances, the Engager shall notify the Artist personally of the correct rehearsal call at least twenty- four (24) hours in advance. The Artist must inform the Engager forty-eight (48) hours in advance of the schedule being posted of any appointment the Artist may have that could affect the organization of the schedule. 26.04 In the following circumstances the Engager Casting shall be relieved of the provisions of Rules 26.02 and 26.03: (A) When an Artist is unable to rehearse or perform due to injury, sickness or some other circumstance which could not reasonably have been anticipated by the Engager. (B) When a Choreographer is creating a new work or a Choreographer or Coach is setting a work which is new to the company. (A) If the Engager does not abide by the foregoing Rules 26.01, 26.02, 26.03, 26.04, or any part thereof, the Artist shall be exonerated for any lateness or missing of rehearsals occasioned thereby. Where the Artist is not present when the rehearsal call is posted and the Engager has (B) In the event that the Artist does not inform the Engager that said Artist will be unable to attend rehearsal or performance or is late for rehearsal or performance, the person in charge of said rehearsal or performance shall advise the Engager who may reduce the Artist’s fee at Rate 1 of Rule 13.01(D) for each half-hour or portion thereof for the time missed, to a maximum of one hour for any one (1) infraction. The Artist may appeal through CAEA the Engager’s decision week prior to reduce the Artist’s fee for the time missed. CAEA’s decision on any appealed case shall be final and bindingeach performance. 26.06 (c) The programme program of a season or tour dance pieces, including casts, to be performed in the following week shall be posted on the bulletin board one (1) week in advance. Any change in casts following such posting shall be made by the EMPLOYER upon personal notification to each ARTIST involved twenty-four (424) weeks hours in advance of opening night performance, except in the case of said season or tour, and emergency. (d) The EMPLOYER shall have listed in any case before this information is released the program distributed to the box office audience, or on a reader board in the news mediamain lobby, or have announced to the audience, the names of all ARTISTS who perform leading roles, as designated by the Artistic Director. 26.07 Cast (e) In the event changes for ballets during (other than corps dance roles) occur in the cast, a program insert or reader board, or announcement shall be made to the audience. If EMPLOYER fails to comply, ARTIST shall be compensated $50.00. (f) The EMPLOYER shall use best efforts to notify the ARTISTS by telephone or in person within one-half (1/2) hour after curtain down on a performance seasonday or Dress Rehearsal day and prior to 9:00 PM on a rehearsal day of any changes in the rehearsal schedule for the following day. (g) If the ARTIST is dismissed from a scheduled rehearsal in progress, other than emergency changes, must such actual time rehearsed shall be posted two counted in one-half (21/2) days in advancehour increments.

POSTING OF REHEARSAL AND PERFORMANCE SCHEDULES. 26.01 (a) A call board shall be provided in each place where rehearsals and performances are regularly scheduled, and all notices concerning rehearsals, casting, and performance rehearsals shall be posted thereon. While on tour, a copy of rehearsal schedules will be made available at hotel front desks, if the hotel so allows. 26.02 During rehearsal periods an itemized rehearsal schedule EMPLOYER also shall maintain for the following benefit of the ARTISTS a separate telephone line connected to an answering machine upon which EMPLOYER shall record messages listing all schedules. The receptionist shall also have available and provide ARTISTS with schedules. However, the official company schedule is the one which is posted upon the call boards. Notwithstanding any other provisions contained in this Agreement, EMPLOYER shall make best efforts to distribute to all ARTISTS a week-by-week shall be posted in each place where rehearsals are scheduled to be given, itinerary and schedule of work for the entire employment period covered by the end of the daily class on the last working day of the preceding week. Where a role or cast has sharers and/or understudies, the Standard Artist’s name or cast must be specified on the schedule. Where a rehearsal call is marked “TBA” the specific ballet must be named. 26.03 Where unanticipated changes to previously posted rehearsal schedules occur, as the result of changing circumstances, the Engager shall notify the Artist personally of the correct rehearsal call at least twenty- four (24) hours in advance. The Artist must inform the Engager forty-eight (48) hours 's Contract for Employment three months in advance of the entries upon such schedule being posted and, at a minimum, shall distribute such itinerary and schedule no less than six weeks in advance of any appointment the Artist may have that could affect the organization of the schedule. 26.04 In the following circumstances the Engager shall be relieved of the provisions of Rules 26.02 and 26.03: (A) When an Artist is unable to rehearse or perform due to injury, sickness or some other circumstance which could not reasonably have been anticipated by the Engagersuch items. (Bb) When a Choreographer is creating a new work During all rehearsal and performance weeks, the complete and detailed individual ARTIST’s schedule, including costume fittings, notification of dress/technical rehearsal make-up, hair, costume, and shoe requirements shall be posted by 12 noon, two (2) ARTIST’s working days in advance of the costume fitting, rehearsal and/or performance. During Rehearsal Weeks, changes in the ARTIST’s schedule may be made prior to 12 noon one (1) ARTIST’s working day in advance. During Performance Weeks, changes in the ARTIST’s schedule may be made prior to conclusion of the last service of the day or a Choreographer or Coach is setting a work which is new 4:30 pm, one ARTIST’s working day in advance. For each subsequent revision in the schedule, the EMPLOYER will contribute $100 to the companyHouston Ballet Artist’s Reserve Fund. (Ac) If the Engager EMPLOYER does not abide by the foregoing Rules 26.01, 26.02, 26.03, 26.04(a) and (b) above, or any part thereof, the Artist ARTIST shall be exonerated for any lateness or missing of rehearsals occasioned thereby. Where the Artist is not present when the rehearsal call is posted and the Engager has. (Bd) In the event that the Artist does not inform the Engager that said Artist will be unable to attend rehearsal or performance or is late for rehearsal or performanceComplete casting including dates, the person in charge of said rehearsal or performance shall advise the Engager who may reduce the Artist’s fee at Rate 1 of Rule 13.01(D) for each half-hour or portion thereof for the time missedcurtain time, to a maximum of one hour for any one (1) infraction. The Artist may appeal through CAEA the Engager’s decision to reduce the Artist’s fee for the time missed. CAEA’s decision on any appealed case shall be final and binding. 26.06 The programme of a season or tour program order shall be posted on the bulletin company call board by twelve (12) noon fourteen (14) ARTIST working days prior to each performance. Any change in casts following such posting shall be made by the EMPLOYER upon personal notification to each ARTIST involved twenty-four (424) weeks hours in advance of opening night performance, except in the case of said season emergency. For each day a violation occurs, the EMPLOYER will contribute $100 to the Houston Ballet Artists' Reserve Fund. (e) The EMPLOYER shall have listed in the program distributed to the audience, or touron a reader board in the main lobby, or have announced to the audience, the names of all ARTISTS who perform leading roles, as designated by the Artistic Director. (f) In the event changes occur in the cast, the EMPLOYER shall display at the time of the performance reader boards, located upon every floor to which the audience has regular access, listing all role changes for soloists, principals, and in any case before this information is released to leading roles, including identification of the box office or roles affected and the news medianames of the ARTISTS who will be performing those roles. 26.07 Cast (g) The EMPLOYER shall use best efforts to notify the ARTISTS by telephone or in person of any changes in rehearsal schedule. ARTISTS shall be exonerated for ballets during any lateness or missing rehearsals unless such notification shall occur. (h) If the ARTIST is dismissed from a performance seasonscheduled rehearsal in progress, other than emergency changes, must such actual time rehearsed shall be posted two counted in one-half (21/2) days in advancehour increments.

POSTING OF REHEARSAL AND PERFORMANCE SCHEDULES. 26.01 (a) A call board callboard shall be provided in each place where rehearsals and performances are regularly scheduled, and all notices concerning rehearsals, casting, and performance rehearsals shall be posted thereon. While on tour, a copy of . (b) During all rehearsal schedules and performance weeks the complete individual Dancer's schedule will be made available at hotel front desks, if the hotel so allows. 26.02 During rehearsal periods an itemized rehearsal schedule for the following week shall be posted in each place where rehearsals are scheduled to be given, by the end of the daily class on the last 12 noon two (2) working day of the preceding week. Where a role or cast has sharers and/or understudies, the Artist’s name or cast must be specified on the schedule. Where a rehearsal call is marked “TBA” the specific ballet must be named. 26.03 Where unanticipated changes to previously posted rehearsal schedules occur, as the result of changing circumstances, the Engager shall notify the Artist personally of the correct rehearsal call at least twenty- four (24) hours in advance. The Artist must inform the Engager forty-eight (48) hours days in advance of the schedule being posted of any appointment the Artist may have that could affect the organization of the schedule. 26.04 In the following circumstances the Engager shall be relieved of the provisions of Rules 26.02 and 26.03: (A) When an Artist is unable to rehearse or perform due to injury, sickness or some other circumstance which could not reasonably have been anticipated by the Engagerrehearsal. (Bc) When During the first rehearsal week of a Choreographer is creating company premiere and the first two rehearsal weeks of a new work world premiere, said schedule may be changed and posted prior to 12 noon, one (1) working day in advance of the rehearsal. Except as noted above, no posted schedule may be changed without the agreement of the AGMA delegates, which agreement will not be unreasonably withheld for emergency or a Choreographer or Coach is setting a work which is new to the companyother unforeseen circumstances. (Ad) During rehearsal weeks in which only ballets that are on the "active repertory list" are rehearsed, best efforts will be made to post the schedule by 12 noon three (3) working days in advance of the rehearsal. (e) If the Engager EMPLOYER does not abide by the foregoing Rules 26.01, 26.02, 26.03, 26.04, or any part thereof, the Artist ARTIST shall be exonerated for any lateness or missing of rehearsals occasioned thereby. Where the Artist is not present when the rehearsal call is posted and the Engager has. (Bf) In the event Casting for each performance shall be posted ten (10) days prior to that the Artist does not inform the Engager that said Artist will performance. Such casting shall be unable subject to attend rehearsal or performance or is late for rehearsal or performancechange. For each day a violation occurs, the person EMPLOYER will contribute $100.00 to local Dancers' Fund if in charge existence or to the AGMA Emergency Relief Fund. (g) The program of said rehearsal or performance shall advise the Engager who may reduce the Artist’s fee at Rate 1 of Rule 13.01(D) for each half-hour or portion thereof for the time misseddance pieces, including casts, to a maximum of one hour for any one (1) infraction. The Artist may appeal through CAEA be performed in the Engager’s decision to reduce the Artist’s fee for the time missed. CAEA’s decision on any appealed case shall be final and binding. 26.06 The programme of a season or tour following week shall be posted on the bulletin board one (1) week in advance. Any change in casts following such posting shall be made by the EMPLOYER upon personal notification to each ARTIST involved twenty-four (424) weeks hours in advance of opening night performance, except in the case of said season or touremergency. For each day a violation occurs, and in any case before this information is released the EMPLOYER will contribute $100 to the box office local Dancer's Fund if in existence or to the news mediaAGMA Emergency Relief Fund. 26.07 Cast (h) The EMPLOYER shall have listed in the program distributed to the audience, or on a reader board in the main lobby, or have announced to the audience, the names of all ARTISTS who perform leading roles, as designated by the Artistic Director in accordance with Paragraph 21 (c ). (i) In the event changes occur in the cast, EMPLOYER shall display at the time of the performance, reader boards or similar device, located upon every floor to which the audience has regular access, listing all role changes for ballets during soloists, principals and leading roles, including identification of the roles affected and the names of the ARTISTS who will be performing those roles. If the EMPLOYER fails to comply, the ARTIST shall be compensated $50.00. (j) The EMPLOYER shall use best efforts to notify the ARTISTS by telephone or in person within one-half hour after curtain down on a performance seasonday or dress rehearsal day and prior to 9:00 p.m. on a rehearsal day of any changes in rehearsal schedule for the following day. ARTISTS shall be exonerated for any lateness or missing rehearsals unless such notification shall occur. (k) If the ARTIST is dismissed from a scheduled rehearsal in progress, other than such actual time rehearsed shall be counted in one-half (1/2) hour increments. (l) All ARTISTS scheduled for a particular performance shall arrive at the theater and sign-in on the official call board by one half hour prior to the scheduled start time of the performance (“half-hour call”). Except in the case of illness, or emergency changes(in which case the ARTIST will inform the stage manager), must be posted two (2) days in advanceonce an ARTIST has arrived and signed for half hour call, he/she shall not leave the theater until released by the Artistic Director or Ballet Master or until finished with the performance, including confirming with the stage manager that he/she is not needed for any roles for which he/she is an understudy for that performance.

POSTING OF REHEARSAL AND PERFORMANCE SCHEDULES. 26.01 27.01 A call board shall be provided in each place where rehearsals and performances are regularly scheduled, and all notices concerning rehearsals, casting, and performance performances shall be posted thereon. While on tour, a copy of rehearsal schedules will be made available at hotel front desks, if the hotel so allows(See Rule 25.01.) 26.02 27.02 During rehearsal periods an itemized weekly rehearsal schedule for the following week shall be posted in each place building where rehearsals are scheduled to be given. The rehearsal schedule shall be posted on every Thursday, by two (2) hours prior to the end of the daily class on rehearsal day, and shall specify the last working day of schedule for the preceding following week. Where a role or cast has sharers and/or understudies, the Artist’s 's name or and cast must be specified on the schedule. Where a The schedule must specify all Artists called for the rehearsal call is marked “TBA” the specific ballet must be namedexcept as outlined in Rule 27.04. 26.03 27.03 Where unanticipated changes are to previously posted take place in rehearsal schedules occur, as the result of changing circumstancesalready posted, the Engager shall notify the Artist personally of the correct rehearsal call at least twenty- four (24) hours in advanceno later than the Artist's last call of the rehearsal day, or the half-hour call for a performance, on the day prior to the scheduled rehearsal. The Artist must inform the Engager forty-eight at least two (482) hours in advance of in case said Artist is unable to attend rehearsal due to illness or for personal leave (see Rule 35.02). Changes to the posted rehearsal schedule being posted of any appointment necessitated by an Artist's absence due to illness, injury, unexcused absence, or severe weather may be made at least two (2) hours prior to the Artist may have rehearsal call provided that could affect the organization of Engager notifies the scheduleArtists in person. 26.04 In 27.04 Any rehearsal may be marked "TBA" under the following circumstances the Engager shall be relieved of the provisions of Rules 26.02 and 26.03conditions: (A) When an Artist A choreographer or his/her assistant, not residing in the city of origin, is unable to rehearse present creating and/or setting a new work. Only the ballet of the Choreographer or perform due to injury, sickness or some other circumstance which could not reasonably have been anticipated by the Engager.his/her assistant shall be marked "TBA"; (B) When a Choreographer is creating a new work or a Choreographer or Coach is setting a work which is new All "TBA" rehearsals on the schedule must designate the name of the ballet to be rehearsed; (C) The names of those Artists called to the companyrehearsal shall be added to the schedule no later than the Artist's last call of the rehearsal day, or the half-hour call for a performance, on the day prior to the scheduled "TBA" rehearsal. (A) 27.05 If the Engager does not abide by the foregoing Rules 26.0127.01, 26.0227.02, 26.0327.03, 26.0427.04, or any part thereof, the Artist shall be exonerated for any lateness or missing of rehearsals occasioned thereby. Where the Artist is not present when the rehearsal call is posted and the Engager has (B) In has abided by the event that foregoing, it is the Artist's responsibility to find out when the Artist's next call will be. If the Artist does not inform the Engager that said Artist will requests to be unable to attend excused from a rehearsal or performance or is late for said Artist must complete a permission to be absent form and obtain the signature of the Engager's designated representative prior to the Artist being absent from the rehearsal or performance, the person in charge of said rehearsal or performance shall advise the Engager who may reduce the Artist’s fee at Rate 1 of Rule 13.01(D) for each half-hour or portion thereof for the time missed, to a maximum of one hour for any one (1) infraction. The Artist may appeal through CAEA the Engager’s decision to reduce the Artist’s fee for the time missed. CAEA’s decision on any appealed case shall be final and binding. 26.06 27.06 The programme program of a season or tour ballets shall be posted on the bulletin board four (4) weeks in advance advance. Artists must be informed of opening night of said season or tourcasting two (2) weeks before a performance, and in any case before this information is released to the box office or the news media. 26.07 27.07 Cast changes for ballets during a performance season, other than emergency changes, must be posted two (2) days in advance.two