Common use of STAGE FIGHTING / STUNTS Clause in Contracts

STAGE FIGHTING / STUNTS. The following regulations shall be followed whenever a production requires an Actor to engage in stage fighting/stunts, with or without weapons, and/or choreographed movements such as falls, throws, tumbling, catches, aerial work, silk performance, rappelling, bungee jumping, the use of or exposure to weapons, fire, or pyrotechnic devices, etc. (A) No Actor shall be required to participate in stage fighting unless the Actor has agreed to same by means of a signed rider. (1) A Stunt Coordinator (e.g., stunt person, aerialist instructor, professional flyperson, etc.) must be hired to teach stunts (unless the Actor performing the stunt is trained in that stunt specialty). (2) All stage fights will be staged with on-site consultation by a qualified professional (i.e., someone with expertise in stage combat and, where appropriate, weaponry and/or martial arts). (3) Equipment used in the performance of any stage fight and/or stunt shall be checked by the appropriate qualified personnel, including appropriately trained Theatre staff, prior to each performance. (B) If the Fight Director or Choreographer is not present during the run of the production, a Fight Captain must be selected within the first week of fight/stunt rehearsals and paid from the beginning of that week. The Fight Captain, if such duty is assigned to an Actor on Equity contract, shall be paid not less than $50.00 per week in addition to the Actor’s weekly contractual salary. (C) All Actors who participate in a fight shall run through the routine during the 15 minutes prior to half-hour. Any exception to this rule shall be at the express discretion of the Fight Captain. Such run-throughs are permitted to impinge upon the regular breaks and/or hours. (D) Understudies and replacements shall be rehearsed by the fight/stunt director or Fight Captain. Performing members of the Company shall rehearse stage fighting/stunts with understudies and replacements during regular rehearsal hours under the direction of the fight/stunt director or Fight Captain at least once prior to the understudy or replacement Actor’s performance in any role. Rule 63. STAGE FIGHTING/STUNTS Rule 64. STAGE MANAGERS AND ASSISTANT STAGE MANAGERS (E) First Aid. Proper first-aid information and equipment (including cold packs) shall be made available at any rehearsal or performance site where stage fighting/stunts occur.

STAGE FIGHTING / STUNTS. ‌ A. The following regulations provisions shall be followed whenever a production requires an Actor Employee to engage in stage fighting/stunts, with or without weapons, and/or choreographed movements movements, such as falls, throws, tumbling, catches, aerial work, silk performance, rappelling, bungee jumping, the use of or exposure to weapons, fire, or pyrotechnic devices, etc., that expose the Employee to “extraordinary risk.” (A) 1. No Actor Employee shall be required to participate in stage fighting unless the Actor Employee has agreed to same by means do so in the Individual Artist Agreement of a signed rider. (1) 2. A Stunt Coordinator (e.g., stunt person, aerialist instructor, professional flyperson, etc.) must be hired to teach stunts (unless the Actor Employee performing the stunt is trained in that stunt specialty). (2) 3. All stage fights will be staged with on-site consultation by a qualified professional (i.e., someone with expertise in stage combat and, where appropriate, weaponry and/or martial arts). (3) 4. Equipment used in the performance of any stage fight and/or stunt shall be checked by the appropriate qualified personnel, including appropriately trained Theatre PAC NYC staff, prior to each performanceuse. (B) 5. If the Fight Director or Choreographer is not present during the run of the production, a Fight Captain must be selected within the first week of fight/stunt rehearsals and paid from the beginning of that week. The Fight Captain, if such duty is assigned to an Actor Employee on Equity AGMA contract, shall be paid not less than $50.00 per week in addition to above the Actor’s weekly contractual salarycategory minimum rate. (C) 6. All Actors Employees who participate in a fight shall run through the routine during the 15 minutes prior to half-hour. Any exception to this rule shall be at the express discretion of the Fight Captain. Such run-throughs are permitted to impinge upon the regular breaks and/or hours. (D) 7. Understudies and replacements shall be rehearsed by the fight/stunt director or Fight Captain. Performing members of the Company shall rehearse stage fighting/stunts with understudies and replacements during regular rehearsal hours under the direction of the fight/stunt director or Fight Captain at least once prior to the understudy cover or replacement ActorEmployee’s performance in any role. Rule 63. STAGE FIGHTING/STUNTS Rule 64. STAGE MANAGERS AND ASSISTANT STAGE MANAGERS (E) First Aid. Proper first-aid information and equipment (including cold packs) shall be made available at any rehearsal or performance site where stage fighting/stunts occur.

STAGE FIGHTING / STUNTS. The following regulations shall be followed whenever a production requires an Actor to engage in stage fighting/stunts, with or without weapons, and/or choreographed movements such as falls, throws, tumbling, catches, aerial work, silk performance, rappelling, bungee jumping, the use of or exposure to weapons, fire, or pyrotechnic devices, etc. (A) No Actor shall be required to participate in stage fighting unless the Actor he has agreed to same by means of a signed rider. (1) A Stunt Coordinator (e.g., stunt personman, aerialist instructor, professional flypersonflyman, etc.) must be hired to teach stunts (unless the Actor performing the stunt is trained in that stunt specialty). (2) All stage fights will be staged with on-site consultation by a qualified professional (i.e., someone with expertise in stage combat and, where appropriate, weaponry and/or martial arts). (3) Equipment used in the performance of any stage fight and/or stunt shall be checked by the appropriate qualified personnel, including appropriately trained Theatre staff, prior to each performance. (B) If the Fight Director or Choreographer is not present during the run of the production, a Fight Captain must be selected within the first week of fight/stunt rehearsals and paid from the beginning of that week. The Fight Captain, if such duty is assigned to an Actor on Equity contract, shall be paid not less than $50.00 35.00 per week in addition to the Actor’s his weekly contractual salary. (C) All Actors who participate in a fight shall run through the routine during the 15 minutes prior to half-hour. Any exception to this rule shall be at the express discretion of the Fight Captain. Such run-throughs are permitted to impinge upon the regular breaks and/or hours. (D) Understudies and replacements shall be rehearsed by the fight/stunt director or Fight Captain. Performing members of the Company shall rehearse stage fighting/stunts with understudies and replacements during regular rehearsal hours under the direction of the fight/stunt director or Fight Captain at least once prior to the understudy or replacement Actor’s performance in any role. Rule 63. STAGE FIGHTING/STUNTS Rule 64. STAGE MANAGERS AND ASSISTANT STAGE MANAGERS (E) First Aid. Proper first-aid information and equipment (including cold packs) shall be made available at any rehearsal or performance site where stage fighting/stunts occur.

STAGE FIGHTING / STUNTS. The following regulations shall be followed govern whenever a production requires an Actors to enact a fight and/or stunt: (A) Xxxxx to rehearsing or performing in said stage fighting/stunts, the Actor shall agree in a contract rider to engage participate in stage fighting/stunts, with or without weapons, and/or choreographed movements such as falls, throws, tumbling, catches, aerial work, silk performance, rappelling, bungee jumping, the use of or exposure to weapons, fire, or pyrotechnic devices, etc. (A) No Actor shall be required to participate in stage fighting unless the Actor has agreed to same by means of a signed rider. (1) A Stunt Coordinator (e.g., stunt person, aerialist instructor, professional flyperson, etc.) must be hired to teach stunts (unless the Actor performing the stunt is trained in that stunt specialty). (2B) All stage fights and/or stunts will be staged with on-site consultation by a qualified professional (i.e., someone with expertise one who has, through industry-recognized training and experience, proven ability to perform and supervise the maintenance of safe stage fighting and/or stunts). If all Actors (including Understudies) performing the stunts are trained in stage combat andthat stunt specialty, where appropriate, weaponry and/or martial arts)no qualified professional shall be required. (3C) Equipment If the production has three or more Actors who participate in stage fighting, a Fight Captain, designated by the Fight Director, shall be assigned no later than the second day of fight rehearsals. (D) The Fight Captain shall be paid not less than $20.00 per week beginning with the week of the first paid public performance. (E) At the express discretion of the Fight Captain and/or Stage Manager, all Actors who participate in a fight/stunt may be required to run through the routine or any 10 minute segment of it before half hour of each performance, except before the second performance on a twi-night performance night. The Fight Captain shall lead such run through. These rehearsals shall not come out of regular rehearsal hours and shall not be subject to overtime. (F) All equipment used in the performance of any stage fight and/or fight/stunt shall be checked by the appropriate qualified personnel, including appropriately trained Theatre staff, for safety purposes prior to each performance. (BG) If the Fight Director or Choreographer is not present during the run of the productionExcept in an emergency, a Fight Captain must be selected within the first week of fight/stunt rehearsals and paid from the beginning of that week. The Fight Captain, if such duty is assigned to an Actor on Equity contract, shall be paid not less than $50.00 per week in addition to the Actor’s weekly contractual salary. (C) All Actors who participate in a fight shall run through the routine during the 15 minutes prior to half-hour. Any exception to this rule shall be at the express discretion of the Fight Captain. Such run-throughs are permitted to impinge upon the regular breaks and/or hours. (D) Understudies and replacements shall be rehearsed by the fight/stunt director or Fight Captain. Performing performing members of the Company company shall rehearse stage fightingfights/stunts with understudies and replacements Understudies during regular rehearsal hours under the direction of the fight/stunt director or Fight Captain hours. However, in any event, at least once prior to the understudy or replacement ActorUnderstudy’s performance in any fight/stunt role. Rule 63. STAGE FIGHTING, the Fight Captain and/or Stage Manager will rehearse all Actors affected by the cast change in the fight/STUNTS Rule 64. STAGE MANAGERS AND ASSISTANT STAGE MANAGERSstunt using actual performance props and weapons. (EH) First AidAfter the official opening, the Fight Captain and Stage Manager must be consulted before any changes are made in a fight/stunt routine. (I) The Producer agrees to call the Fight Director and/or Stunt Director or his/her designee when requested to do so by the Fight Captain and/or Stage Manager. (J) All rehearsals shall utilize tumbling mats. The Producer shall provide any necessary protective clothing for rehearsal and/or performance. (See Rule 13(F).) (K) Proper first-aid information and equipment (including cold ice-packs) shall be made available at any rehearsal or performance site where stage fighting/violence/stunts occuroccurs. (See Rule 59(D)(12).)

STAGE FIGHTING / STUNTS. ‌ The following regulations shall be followed govern whenever a production requires an Actors to enact a fight and/or stunt: (A) Xxxxx to rehearsing or performing in said stage fighting/stunts, the Actor shall agree in a contract rider to engage participate in stage fighting/stunts, with or without weapons, and/or choreographed movements such as falls, throws, tumbling, catches, aerial work, silk performance, rappelling, bungee jumping, the use of or exposure to weapons, fire, or pyrotechnic devices, etc. (A) No Actor shall be required to participate in stage fighting unless the Actor has agreed to same by means of a signed rider. (1) A Stunt Coordinator (e.g., stunt person, aerialist instructor, professional flyperson, etc.) must be hired to teach stunts (unless the Actor performing the stunt is trained in that stunt specialty). (2B) All stage fights and/or stunts will be staged with on-site consultation by a qualified professional (i.e., someone with expertise one who has, through industry-recognized training and experience, proven ability to perform and supervise the maintenance of safe stage fighting and/or stunts). If all Actors (including Understudies) performing the stunts are trained in stage combat andthat stunt specialty, where appropriate, weaponry and/or martial arts)no qualified professional shall be required. (3C) Equipment If the production has three or more Actors who participate in stage fighting, a Fight Captain, designated by the Fight Director, shall be assigned no later than the second day of fight rehearsals. (D) The Fight Captain shall be paid not less than $20.00 per week beginning with the week of the first paid public performance. (E) At the express discretion of the Fight Captain and/or Stage Manager, all Actors who participate in a fight/stunt may be required to run through the routine or any 10 minute segment of it before half hour of each performance, except before the second performance on a twi-night performance night. The Fight Captain shall lead such run through. These rehearsals shall not come out of regular rehearsal hours and shall not be subject to overtime. (F) All equipment used in the performance of any stage fight and/or fight/stunt shall be checked by the appropriate qualified personnel, including appropriately trained Theatre staff, for safety purposes prior to each performance. (BG) If the Fight Director or Choreographer is not present during the run of the productionExcept in an emergency, a Fight Captain must be selected within the first week of fight/stunt rehearsals and paid from the beginning of that week. The Fight Captain, if such duty is assigned to an Actor on Equity contract, shall be paid not less than $50.00 per week in addition to the Actor’s weekly contractual salary. (C) All Actors who participate in a fight shall run through the routine during the 15 minutes prior to half-hour. Any exception to this rule shall be at the express discretion of the Fight Captain. Such run-throughs are permitted to impinge upon the regular breaks and/or hours. (D) Understudies and replacements shall be rehearsed by the fight/stunt director or Fight Captain. Performing performing members of the Company company shall rehearse stage fightingfights/stunts with understudies and replacements Understudies during regular rehearsal hours under the direction of the fight/stunt director or Fight Captain hours. However, in any event, at least once prior to the understudy or replacement ActorUnderstudy’s performance in any fight/stunt role. Rule 63. STAGE FIGHTING, the Fight Captain and/or Stage Manager will rehearse all Actors affected by the cast change in the fight/STUNTS Rule 64. STAGE MANAGERS AND ASSISTANT STAGE MANAGERSstunt using actual performance props and weapons. (EH) First AidAfter the official opening, the Fight Captain and Stage Manager must be consulted before any changes are made in a fight/stunt routine. (I) The Producer agrees to call the Fight Director and/or Stunt Director or his/her designee when requested to do so by the Fight Captain and/or Stage Manager. (J) All rehearsals shall utilize tumbling mats. The Producer shall provide any necessary protective clothing for rehearsal and/or performance. (See Rule 14(F).) (K) Proper first-aid information and equipment (including cold ice-packs) shall be made available at any rehearsal or performance site where stage fighting/violence/stunts occuroccurs. (See Rule 62(D)(12).)

STAGE FIGHTING / STUNTS. The following regulations shall be followed govern whenever a production requires an Actor Actors to engage in a fight and/or stunt to be determined by Equity: (A) Xxxxx to rehearsing or performing in said stage fighting/stunts, the Actor shall agree in a contract rider to participate in stage fighting/stunts, with or without weapons, and/or choreographed movements such as falls, throws, tumbling, catches, aerial work, silk performance, rappelling, bungee jumping, the use of or exposure to weapons, fire, or pyrotechnic devices, etc. (A) No Actor shall be required to participate in stage fighting unless the Actor has agreed to same by means of a signed rider. (1) A Stunt Coordinator (e.g., stunt person, aerialist instructor, professional flyperson, etc.) must be hired to teach stunts (unless the Actor performing the stunt is trained in that stunt specialty). (2B) All stage fights and/or stunts will be staged with on-site consultation by a qualified professional (i.e., someone with expertise one who has, through industry-recognized training and experience, proven ability to perform and supervise the maintenance of safe stage fighting and/or stunts). If all Actors (including Understudies) performing the stunts are trained in stage combat andthat stunt specialty, where appropriate, weaponry and/or martial arts)no qualified professional shall be required. (3C) Equipment used in A Fight Captain, designated by the performance of any stage fight and/or stunt Fight Director, shall be checked by assigned no later than the appropriate qualified personnel, including appropriately trained Theatre staff, prior to each performancesecond day of fight rehearsals. (BD) If the Fight Director or Choreographer is not present during the run of the production, a The Fight Captain must be selected within the first week of fight/stunt rehearsals and paid from the beginning of that week. The Fight Captain, if such duty is assigned to an Actor on Equity contract, shall be paid not less than $50.00 20.00 per week in addition to or 5% of Actor minimum whichever is greater beginning with the Actor’s weekly contractual salaryfirst day of assignment. (CE) All At the express discretion of the Fight Captain and/or Stage Manager, all Actors who participate in a fight shall fight/stunt may be required to run through the routine during the 15 minutes prior to halfhalf hour of each performance, except before the second performance on a Twi-hournight performance night. Any exception The Fight Captain shall lead such run through. These rehearsals shall not come out of regular rehearsal hours and shall not be subject to this rule shall be at the express discretion of the Fight Captain. Such run-throughs are permitted to impinge upon the regular breaks and/or hoursovertime. (DF) Understudies and replacements The Fight Director or Choreographer and/or Fight Captain shall consult with all other artistic personnel to achieve the optimum degree of safety. Any item used in a fight sequence must be rehearsed by properly maintained. (G) All equipment used in the performance of any stage fight/stunt director or Fight Captain. Performing shall be checked for safety purposes prior to each performance. (K) Except in an emergency, performing members of the Company company shall rehearse stage fightingfights/stunts with understudies and replacements Understudies during regular rehearsal hours under the direction of the fight/stunt director or Fight Captain hours. However, in any event, at least once prior to the understudy or replacement ActorUnderstudy’s performance in any fight/stunt role, the Fight Captain and/or Stage Manager will rehearse all Actors affected by the cast change in the fight/stunt using actual performance props and weapons. After the official opening, the Fight Captain and Stage Manager must be consulted before any changes are made in a fight/stunt routine. The Producer agrees to call the Fight Director and/or Stunt Director or his/her designee when requested to do so by the Fight Captain and/or Stage Manager. All rehearsals shall utilize tumbling mats. The Producer shall provide any necessary protective clothing for rehearsal and/or performance. (See Rule 63. STAGE FIGHTING/STUNTS Rule 64. STAGE MANAGERS AND ASSISTANT STAGE MANAGERS13(F).). (EL) First Aid. Proper first-aid information and equipment (including cold ice-packs) shall be made available at any rehearsal or performance site where stage fighting/violence/stunts occuroccurs. (See Rule 58(D)(12).).

STAGE FIGHTING / STUNTS. The following regulations shall be followed govern whenever a production requires an Actors to enact a fight and/or stunt: (A) Xxxxx to rehearsing or performing in said stage fighting/stunts, the Actor shall agree in a contract rider to engage participate in stage fighting/stunts, with or without weapons, and/or choreographed movements such as falls, throws, tumbling, catches, aerial work, silk performance, rappelling, bungee jumping, the use of or exposure to weapons, fire, or pyrotechnic devices, etc. (A) No Actor shall be required to participate in stage fighting unless the Actor has agreed to same by means of a signed rider. (1) A Stunt Coordinator (e.g., stunt person, aerialist instructor, professional flyperson, etc.) must be hired to teach stunts (unless the Actor performing the stunt is trained in that stunt specialty). (2B) All stage fights and/or stunts will be staged with on-site consultation by a qualified professional (i.e., someone with expertise one who has, through industry-recognized training and experience, proven ability to perform and supervise the maintenance of safe stage fighting and/or stunts). If all Actors (including Understudies) performing the stunts are trained in stage combat andthat stunt specialty, where appropriate, weaponry and/or martial arts)no qualified professional shall be required. (3C) Equipment If the production has three or more Actors who participate in stage fighting, a Fight Captain, designated by the Fight Director, shall be assigned no later than the second day of fight rehearsals. (D) The Fight Captain shall be paid not less than $20.00 per week beginning with the week of the first paid public performance. (E) At the express discretion of the Fight Captain and/or Stage Manager, all Actors who participate in a fight/stunt may be required to run through the routine or any 10 minute segment of it before half hour of each performance, except before the second performance on a twi-night performance night. The Fight Captain shall lead such run through. These rehearsals shall not come out of regular rehearsal hours and shall not be subject to overtime. (F) All equipment used in the performance of any stage fight and/or fight/stunt shall be checked by the appropriate qualified personnel, including appropriately trained Theatre staff, for safety purposes prior to each performance. (BG) If the Fight Director or Choreographer is not present during the run of the productionExcept in an emergency, a Fight Captain must be selected within the first week of fight/stunt rehearsals and paid from the beginning of that week. The Fight Captain, if such duty is assigned to an Actor on Equity contract, shall be paid not less than $50.00 per week in addition to the Actor’s weekly contractual salary. (C) All Actors who participate in a fight shall run through the routine during the 15 minutes prior to half-hour. Any exception to this rule shall be at the express discretion of the Fight Captain. Such run-throughs are permitted to impinge upon the regular breaks and/or hours. (D) Understudies and replacements shall be rehearsed by the fight/stunt director or Fight Captain. Performing performing members of the Company company shall rehearse stage fightingfights/stunts with understudies and replacements Understudies during regular rehearsal hours under the direction of the fight/stunt director or Fight Captain hours. However, in any event, at least once prior to the understudy or replacement ActorUnderstudy’s performance in any fight/stunt role. Rule 63. STAGE FIGHTING, the Fight Captain and/or Stage Manager will rehearse all Actors affected by the cast change in the fight/STUNTS Rule 64. STAGE MANAGERS AND ASSISTANT STAGE MANAGERSstunt using actual performance props and weapons. (EH) First AidAfter the official opening, the Fight Captain and Stage Manager must be consulted before any changes are made in a fight/stunt routine. (I) The Producer agrees to call the Fight Director and/or Stunt Director or his/her (J) All rehearsals shall utilize tumbling mats. The Producer shall provide any necessary protective clothing for rehearsal and/or performance. (See Rule 14(F).) (K) Proper first-aid information and equipment (including cold ice-packs) shall be made available at any rehearsal or performance site where stage fighting/violence/stunts occuroccurs. (See Rule 62(D)(12).)