Caveats. 1 Any further recordings on audio and audio-visual media and any use of record- ings in accordance with Art. 35-39 CLA outside the definition of the theatre’s own use is subject to the approval of Stage Members. The Stage Management negoti- ates respectively with the SBKV and, if necessary, the SIG [Schweizerische Inter- pretengenossenschaft].
Appears in 3 contracts
Samples: Collective Labour Agreement, Collective Labour Agreement, Collective Labour Agreement
Caveats. 1 Any further recordings on audio and audio-visual media and any use of record- ings in accordance with Art. 35-39 CLA outside the definition of the theatre’s own use is subject to the approval of Stage Members. The Stage Management negoti- ates respectively with the SBKV SzeneSchweiz and, if necessary, the SIG [Schweizerische Inter- pretengenossenschaftXxxxxxxxx- xxxxx Interpretengenossenschaft].
Appears in 1 contract
Samples: Collective Labour Agreement
Caveats. 1 Any further recordings on audio and audio-visual media and any use of record- ings in accordance with Art. 35-39 CLA outside the definition of the theatre’s own use is subject to the approval of Stage Members. The Stage Management negoti- ates respectively with the SBKV SzeneSchweiz and, if necessary, the SIG [Schweizerische Inter- pretengenossenschaftXxxxxxxxx- xxxxx Interpretengenossenschaft].
Appears in 1 contract
Samples: Collective Labour Agreement
Caveats. 1 Any further recordings on audio and audio-visual media and any use of record- ings in accordance with Art. 35-39 CLA outside the definition of the theatre’s own use is subject to the approval of Stage Members. The Stage Management negoti- ates respectively with the SBKV SzeneSchweiz and, if necessary, the SIG [Schweizerische Inter- pretengenossenschaftInterpretengenossenschaft].
Appears in 1 contract
Samples: Collective Labour Agreement