Common use of Fight Captain Clause in Contracts

Fight Captain. ‌ A Fight Captain is an Artist designated by the Engager to provide or be responsible for the following services and duties: (i) to observe all fight rehearsals; (ii) to consult with the Fight Director or Fight Coach on all aspects of the fight(s); (iii) to conduct and monitor all run-throughs of the fight(s) prior to performance; (iv) to make blocking changes relevant to the fight(s) while on tour or in emergencies; (v) to call fight rehearsals as necessary in consultation with the Stage Manager and/or Artistic Staff.

Appears in 2 contracts

Samples: Royal Winnipeg Ballet Agreement, Royal Winnipeg Ballet Agreement

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Fight Captain. A Fight Captain is an Artist Artist, designated by the Engager to provide or be responsible for the following services and duties: (i) to observe all fight rehearsals; (ii) to consult with the Fight Director or Fight Coach on all aspects of the fight(s); (iii) to conduct and monitor all run-throughs of the fight(s) prior to performance; (iv) to make blocking changes relevant to the fight(s) while on tour or in emergencies; (v) to call fight rehearsals as necessary in consultation with the Stage Manager and/or Artistic Staff.

Appears in 1 contract

Samples: Ballet Agreement

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Fight Captain. ‌ A The term “Fight Captain” shall refer to an individual assigned as Fight Captain is an Artist designated by under Rule 63(B) whose duties include supervising fight calls, taking notes on stage fighting/stunts during the Engager show and communicating those notes as needed to provide or be responsible for Actors, the following services and duties: (i) to observe all fight rehearsals; (ii) to consult with Stage Manager, and/or the Fight Director or Fight Coach on all aspects Theatre, maintaining stage fighting/stunts during the run of the fight(s); production, rehearsing stage fighting/stunts with understudies and replacements, and informing the Theatre of any safety concerns that could affect stage fighting/stunts (iii) to conduct and monitor all run-throughs e.g., the condition of the fight(s) prior to performance; (iv) to make blocking changes relevant to the fight(s) while on tour stage or in emergencies; (v) to call fight rehearsals as necessary in consultation with the Stage Manager and/or Artistic Staffa prop).

Appears in 1 contract

Samples: Agreement and Rules Governing Employment in Resident Theatres

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