Specially Prepared Recordings. A specially prepared recording is defined as a recording when a production has been specially prepared and/or rehearsed specifically for said recording at the theatre or elsewhere.
Specially Prepared Recordings. The Engager shall pay the Artist engaged therein a minimum of two (2) weeks' contractual fee, giving the producer a maximum of two (2) days' work of eight (8) out of a span of nine (9) hours each day or eight (8) out of a span of twelve (12) in accordance with Rule 34.05(C) above. Should a third day be required, the Engager shall pay the Artist not less than seventy-five per cent (75%) of one (1) week's contractual fee for said day as defined in Rule 34.05(C) above. For each day thereafter, the ACTRA principal film rate or negotiated rate will apply, whichever is higher.
Specially Prepared Recordings. The Engager shall pay the Artist engaged therein a minimum of two (2) weeks’ contractual fee, giving the producer a maximum of two (2) days’ work of eight (8) out of a span of nine (9) hours each day or eight (8) out of a span of twelve (12) in accordance with Rule 37:04 above. Should a third day be required, the Engager shall pay the Artist not less than seventy-five percent (75%) of one (1) week’s contractual fee for said day as defined in Rule 37:04 above. Any days may be defined as CAEA days and the Artist shall invoice the Engager for additional services in excess of these hours at Rate 3 of Rule 13:01(D). For each day thereafter, the Alliance of Canadian Cinema, Television and Radio Artists (hereinafter called "ACTRA") principal film rate or negotiated rate will apply, whichever is the higher.
