String Rotation. (a) The seating shall be on a periodically rotating basis throughout the year for all members of the string sections other than the first two stands of the first violin, second violin, xxxxx, and cello sections and the first stand of the double bass section. (b) Rotation shall occur in the following manner: the outside player moves up one stand, the inside player moves back one stand. This movement is circular: clockwise for the violas, xxxxx, and basses; and counter-clockwise for the violins. (c) This rotation revolving system shall be continued unless changes thereto are mutually agreed. Members of the string sections who rotate shall be listed in the programme in alphabetical order. (d) Notwithstanding anything else in Article 6.5.1, it is understood that seating is at all times the prerogative of the Music Director, which for certainty includes his right to require a section to rotate. (e) With regard to tours, string players shall remain in their positions for the duration of the tour, including rehearsals and concerts of the tour programme repertoire prior to departure. (f) For non-rotating players and/or non-rotating sections, individual string seating will be distributed with the personal contracts, but will not become a part of the personal contract. (g) Services off for string players as a result of reduced string section assignments will be implemented as fairly, equitably, and logically as possible; but it is recognized that artistic considerations may require alterations in the ordering of string rotation from time to time at the discretion of the Music Director.
Appears in 2 contracts
Samples: Master Agreement, Master Agreement
String Rotation. (a) The seating shall be on a periodically rotating basis throughout the year for all members of the string sections other than the first two stands of the first violin, second violin, xxxxx, and cello sections and the first stand of the double bass section.
(b) . Rotation shall occur in the following manner: the outside player moves up one stand, the inside player moves back one stand. This movement is circular: clockwise for the violas, xxxxx, and basses; and counter-clockwise for the violins.
(c) . This rotation revolving system shall be continued unless changes thereto are mutually agreed. Members of the string sections who rotate shall be listed in the programme in alphabetical order.
(d) . Notwithstanding anything else in Article 6.5.1, it is understood that seating is at all times the prerogative of the Music Director, which for certainty includes his right to require a section to rotate.
(e) . With regard to tours, string players shall remain in their positions for the duration of the tour, including rehearsals and concerts of the tour programme repertoire prior to departure.
(f) . For non-rotating players and/or rotatingplayers non-rotating sections, individual string seating will be distributed with the personal contracts, but will not become a part of the personal contract.
(g) . Services off for string players as a result of reduced string section assignments will be implemented as fairly, equitably, and logically as possible; but it is recognized that artistic considerations may require alterations in the ordering of string rotation from time to time at the discretion of the Music Director. In conjunction with the Music Director or visiting conductor, Principal string players will be responsible for the for their respective sections. must be in the parts for rehearsals and should not be changed after the final rehearsal before a concert.
Appears in 1 contract
Samples: Collective Agreement
String Rotation. β
(a) The seating shall be on a periodically rotating basis throughout the year for all members of the string sections other than the first two stands of the first violin, second violin, xxxxx, and cello sections and the first stand of the double bass section.
(b) Rotation shall occur in the following manner: the outside player moves up one stand, the inside player moves back one stand. This movement is circular: clockwise for the violas, xxxxx, and basses; and counter-clockwise for the violins.
(c) This rotation revolving system shall be continued unless changes thereto are mutually agreed. Members of the string sections who rotate shall be listed in the programme in alphabetical order.
(d) Notwithstanding anything else in Article 6.5.1, it is understood that seating is at all times the prerogative of the Music Director, which for certainty includes his their right to require a section to rotate.
(e) With regard to tours, string players shall remain in their positions for the duration of the tour, including rehearsals and concerts of the tour programme repertoire prior to departure.
(f) For non-rotating players and/or non-rotating sections, individual string seating will be distributed with the personal contracts, but will not become a part of the personal contract.
(g) Services off for string players as a result of reduced string section assignments will be implemented as fairly, equitably, and logically as possible; but it is recognized that artistic considerations may require alterations in the ordering of string rotation from time to time at the discretion of the Music Director.
Appears in 1 contract
Samples: Master Agreement