Common use of TRAVEL TIME; WORK TIME Clause in Contracts

TRAVEL TIME; WORK TIME. A. When Employer provides transportation: ● all time between call time at the pick-up point and arrival at the shooting site shall be travel time; ● all time between the commencement of return travel and arrival at the original pick-up point shall be travel time; and ● any time spent waiting for commencement of travel at the end of the work day is travel time. When the Performer provides transportation: ● all time spent in actual travel shall be travel time; ● any time intervening between the Performer’s arrival and the time of their call is not travel time; and ● at the end of the work day, return travel time begins when the Performer is dismissed. A Performer may be asked to report to any site or to Employer’s studio within a Studio Zone without the Employer providing transportation or reimbursement for Travel Time thereto. When a Performer is asked to report to a site other than within the Studio Zone, work time shall begin as though the Performer has reported to the Employer’s studio or offices within the Studio Zone and end as though the Performer had returned to the same, and the driver only shall be paid at the maximum rate per mile which the Internal Revenue Code and Regulations provide. Travel Time for Performers shall be computed on straight time in hourly units, with no compounding of payment for travel and work, based on the following hourly rates, as appropriate, not to exceed eight (8) hours in any day: ● 1/4 of the 4 hour rate for Off-Camera Performers; ● 1/8 of the Day Performer rate for On-Camera Performers; ● 1/24 of the Three-Day Performer rate; or ● 1/40 of the Weekly Performer rate A Performer shall be dismissed at the place at which they reported to work, nor at a subsequent location (unless this would make no sense under the circumstances). Nothing in this section shall be deemed to break the consecutive employment of the Performer.

TRAVEL TIME; WORK TIME. A. When Employer provides transportation: SAMPLE ● all time between call time at the pick-up point and arrival at the shooting site shall be travel time; ● all time between the commencement of return travel and arrival at the original pick-up point shall be travel time; and ● any time spent waiting for commencement of travel at the end of the work day is travel time. When the Performer provides transportation: ● all time spent in actual travel shall be travel time; ● any time intervening between the Performer’s arrival and the time of their call is not travel time; and ● at the end of the work day, return travel time begins when the Performer is dismissed. A Performer may be asked to report to any site or to Employer’s studio within a Studio Zone without the Employer providing transportation or reimbursement for Travel Time thereto. When a Performer is asked to report to a site other than within the Studio Zone, work time shall begin as though the Performer has reported to the Employer’s studio or offices within the Studio Zone and end as though the Performer had returned to the same, and the driver only shall be paid at the maximum rate per mile which the Internal Revenue Code and Regulations provide. Travel Time for Performers shall be computed on straight time in hourly units, with no compounding of payment for travel and work, based on the following hourly rates, as appropriate, not to exceed eight (8) hours in any day: ● 1/4 of the 4 hour rate for Off-Camera Performers; ● 1/8 of the Day Performer rate for On-Camera Performers; ● 1/24 of the Three-Day Performer rate; or ● 1/40 of the Weekly Performer rate A Performer shall be dismissed at the place at which they reported to work, nor at a subsequent location (unless this would make no sense under the circumstances). Nothing in this section shall be deemed to break the consecutive employment of the Performer.