Examples of SESAC repertory in a sentence
CES does not have similar licenses with BMI or SESAC; therefore, exhibitors wishing to play music from the BMI or SESAC repertory for entertainment purposes are solely responsible for obtaining their own licensing.
As a result, endocrine disruptors may play a role in the disruption of sexual function, immune suppression, and neurobehavioral function.
Here, the plaintiffs contend that performance rights to all works in the SESAC repertory are all sold in the same market.
And if a particular work is not in the SESAC repertory, the performance rights to that work allegedly are not part of the proposed market.With respect to music in locally produced programming, the proposed market is too narrow.
Here, the plaintiffs all but concede that they need the rights to all works in the SESAC repertory, because they supposedly do not control (or even know the identity of) all of the music in third-party programming.
At his deposition, however, Dr. Jaffe testified that SESAC’s blanket license is not interchangeable with anything – including any other licenses to perform works in the SESAC repertory.
Consequently, Music Choice has been forced to accept continual rate increases, far in excess of any increase in the fair market value of the SESAC repertory, and with no equivalent decrease in the rates Music Choice must pay ASCAP and BMI.
As the Copyright Royalty Tribunal did in the 1987 rate adjustmentproceeding, and again in the 1992 rate adjustment proceeding, the Librarianrecognizes that the joint proposals donot reflect any assessment by any of the parties of the absolute or relative value of the right of performance of music inthe ASCAP, BMI, or SESAC repertory by college radio stations.
During this period, if the terms and conditions (such as licensing fees) of industry-wide through-to-the-viewer public performance licenses to the SESAC repertory cannot be agreed upon with the TMLC, the matter of reasonable license fees can be submitted for resolution in binding arbitration.
Judge Buchwald first determined the elements which, if proven, would establish the relevant product market in which SESAC’s licensing practices are to be analyzed.120 She concluded that three factual allegations “adequately alleged that performance rights to songs in the SESAC repertory are not interchangeable with performance rights to songs in the repertories of other PROs,” and that, if proven, they would establish that the relevant product market is composed of the works in the SESAC repertory.