Background Recordings Sample Clauses
Background Recordings. The conditions of this Clause shall not apply if the Artist is recorded for the purpose of background only or if the Artist is not recognizably featured. Artiste Not Engaged for the Production Artists not engaged for the production but who are engaged solely for audio and/or visual recordings shall be paid one-sixth (1/6) of the applicable weekly minimum per day for recording sessions. The Artists so engaged shall be covered for insurance coverage as provided for in Clause 45. For the Theatre’s use of such a recording the Artist shall receive a weekly royalty to be negotiated at the time of the Artists engagement of no less than two-and-a-half (21/2%) percent of the appropriate minimum weekly contractual fee.
Background Recordings. The conditions of this Clause shall not apply if the Artist is recorded for the purpose of background only or if the Artist is not featured. Artists not engaged for the production but who are engaged solely for audio and/or visual recordings shall be paid one-sixth of the applicable weekly minimum per day for recording sessions. For the Theatre’s use of such a recording the Artist shall receive a weekly royalty to be negotiated at the time of the Artist’s engagement of no less than two-and-one-half percent of the appropriate minimum weekly fee. ANd This clause covers the recording (preservation) of the audio and/or visual aspects of a theatrical production in whole or in part through the use of any and all devices now in existence and yet to be developed. The resulting product shall hereafter be referred to as a recording. The Artist may not be required to take part in the recording or broadcast. Any recording or broadcast of a scene involving nudity or acts of a sexual nature shall not take place without the prior written permission of the Artist specifically agreeing to same, such permission not to be unreasonably withheld. This clause also covers the broadcast or transmission of a theatrical production whether by means of the reproduction of a recording or by means of “live” broadcast. This clause shall apply whether the recording is made at or the broadcast emanates from the theatre or elsewhere, and regardless of the use made of same at any time thereafter. For the purposes of this entire clause, whenever a recording or broadcast of a production in whole, or in part, is made, all Artists actually engaged in said recording or broadcast, with the exception of the Director, Choreographer and stage management personnel who are governed by the provisions of Clauses and respectively, shall be governed by, and paid according to, this Clause. The Artist shall be free to negotiate compensation in excess of the minimum rates expressed in this Clause.
Background Recordings. The Artist agrees to let the Manager make sound and video recordings of the Artist at the normal place of work to use within the Production and the recording time shall form part of working hours. If the Artist is individually identifiable on the recording, the Manager shall re-record the Artist’s contribution if they leave the Production. Working hours shall include travel time from normal place of work to recording venue.