Electronic Instruments Clause Samples
The 'Electronic Instruments' clause defines the use and acceptance of electronic documents, signatures, and records in the context of the agreement. It typically specifies that contracts, notices, or other formal communications may be executed and exchanged electronically, such as via email or secure online platforms, and that these electronic forms are legally binding and equivalent to paper originals. This clause facilitates efficient and timely transactions by allowing parties to conduct business without the need for physical documents, thereby streamlining processes and reducing administrative burdens.
Electronic Instruments. Instruments and devices incorporating pre-recorded sounds or producing sounds by electronic means are not to be used to replace or reduce the employment of conventional instrumentalists on engagements carried out under these Terms and Conditions where conventional instrumentalists may be reasonably or traditionally expected to be used.
Electronic Instruments. Instruments and devices incorporating pre-recorded sounds or providing sounds by electronic means may be used provided that they do not replace or reduce the employment of conventional instrumentalists on engagements carried out under this Agreement where conventional instrumentalists may reasonably be expected to be used.
Electronic Instruments. Electronic instruments may not be used for the purpose of displacing sections of traditional musical instruments. However, electronic instruments may be used creatively for the unusual sound these instruments are capable of producing. Such instruments may also be used by a musician(s) in connection with an established performance.
Electronic Instruments. Pursuant to the provisions of the Central Bank of Uruguay, and taking into account that the Card is considered an “electronic instrument " in such provisions, Users bind themselves: (a) to use the Cards in accordance with the conditions set forth hereunder; (b) to request to the Bank or the person indicated thereby, all information deemed necessary about the use of the Cards in accessing for the first time to the service or upon any further doubts; (c) not to disclose the PIN (Personal Identification Code) or any other code associated to each Card, and not to write it down on the Cards or on any other piece of paper kept therewith; (d) to keep the Cards in a safe place and verify its existence periodically; (e) to destroy the Cards or return them to the Bank upon expiration; (f) not to type the PIN (Personal Identification Code) in the presence of other people, even if they intend to help you, and not to facilitate the Cards to third parties, as they are of personal use; (g) to inform the Bank immediately upon detecting the theft, loss or forgery of the Cards, all the foregoing in accordance with the provisions of the Agreement and the Primer, as well as any transactions that have not been effected correctly or the recording in your account of any transactions you have not effected; failures or anomalies detected in the use of the service (such as cards withheld, differences between the cash delivered or deposited and the amount printed on the receipt, no receipts issued, etc.); (h) not to use the system devices upon the appearance of abnormal messages or operation situations; (i) not to answer attempts of communication by means and ways not agreed with Bank.
Electronic Instruments. 1. At the Producer's election, a musician who is employed to play an electronic musical device(s) shall be paid:
(A) at the existing rates set forth in Paragraph 18 (hereinafter referred to as "real time rates") or
(B) at the following hourly rates (hereinafter referred to as "multi- tracking rates"):
i. $255 per hour if one (1) musician is employed under the multi- tracking rates;
ii. $235 per hour if two (2) or more musicians are employed under the multi-tracking rates. The foregoing rates include all electronic and acoustical doubles and all over-dubs. With respect to each session, Producer shall have the right to designate whether such musician is to be paid under the real time rates or at the foregoing multi-tracking rates. Producer shall make such election with respect to each such musician at the time such musician is initially engaged.
(C) In the event Producer chooses to pay the musician under the multi- tracking rates:
i. Producer shall notify the musician at the time of the call that the engagement will be pursuant to the multitracking provisions and shall specify the length of the call. The length of the call may be up to a maximum of ten (10) hours at straight time. However, when a musician accepts a guaranteed call of fewer than ten (10) hours, they cannot be required to work more than one (1) hour beyond such guaranteed call, as provided in Paragraph 15(b)(8)(i). If the musician does perform work beyond the one
(1) hour hold period, such work shall be compensated at one hundred fifty percent (150%) of the applicable electronic multi- tracking rate in fifteen (15) minute increments. In all other respects, the multi-tracking provisions of the Agreement shall remain in full force.
Electronic Instruments of Service shall meet State’s Guidelines in Exhibit A, Paragraph 3.0.6.