Common use of Non-Broadcast Clause in Contracts

Non-Broadcast. Subject to the conditions listed herein, a Recording may be made for non-broadcast promotion, publicity, marketing, public relations, fund-raising, audience development, education, transfers to other not-for-profit Theatres, prize, award, and festival applications, and/or civic, state, and national promotion. Actors employed in a production under the terms of this Agreement may participate in the capture of material for use by the Theatre for the aforementioned purposes under the following terms and conditions: (1) All capture of performance and rehearsal must occur in accordance with Rule 35(C). Rule 35. MEDIA: RECORDING & BROADCAST (2) The Theatre shall receive no compensation for the exhibition of any material captured under the terms of this provision. (3) The Theatre will provide Equity with the opportunity to view the completed Recording. (4) The edited Recording, under the terms of this provision, may constitute up to 25% of the captured material but in no case more than a total of 15 minutes of performance and/or rehearsal. The edited Recording may depict an entire scene or musical number. (5) There is no time limit on the use of Additional Footage. (6) In the event the Theatre wishes to submit a Recording of an entire performance to private or public grant-making institutions to apply for prizes or awards, or fulfill festival application requirements, the Theatre may make a Recording of the production for this sole purpose(s) and shall notify Equity at the time of submission. Any such Recording made under this Rule shall be encoded with warnings at regular five-minute intervals that state the following: THIS FOOTAGE IS FOR GRANT, PRIZE, AWARD or FESTIVAL APPLICATION REQUEST PURPOSES ONLY AND MAY NOT BE SCREENED FOR ANY OTHER PURPOSE. UNDER NO CIRCUMSTANCES MAY THIS FOOTAGE BE DUPLICATED. Any Recording made under this Rule must also include the Equity logo and identify that Actors in the production include members of Actors' Equity Association. (7) The provisions of this section are not intended to allow Recording for the creation of television commercials and may not be used in such commercials. (8) The Theatre may retain and use Recordings made under this Rule for as long as the Theatre operates under the LORT Agreement, after which the Recordings shall be transmitted to Equity to be destroyed. (9) The Theatre will maintain control and ownership of all material Recorded and will ensure that it is used for no commercial purposes whatsoever.

Non-Broadcast. Subject to the conditions listed herein, a Recording may be made Captured material for non-broadcast promotion, ; publicity, ; marketing, ; public relations, fund-raising, ; fundraising; audience development, ; education, ; transfers to other not-for-profit Theatres, theatres; prize, award, and festival applications, ; and/or civic, state, and national promotion. Actors employed in Directors and/or Choreographers engaged on a production under the terms of this Agreement may participate participate, and their staging and choreography may be used, in the capture of material for use by the Theatre for the aforementioned purposes under the following terms and conditions: (1) . All capture of performance and rehearsal must occur in accordance with Rule 35(Cthe provisions of Article XVI(C). 2. Rule 35. MEDIA: RECORDING & BROADCAST (2) The Theatre shall receive no compensation for the exhibition of any material captured under the terms of this provision. (3) . The Theatre will provide Equity SDC and the Director and/or Choreographer with the opportunity to view the completed RecordingReproduction. (4) . The edited Recording, Reproduction under the terms of this provision, provision may constitute up to 25% of the captured material but in no case more than a total of 15 minutes of performance and/or rehearsal. The edited Recording Reproduction may depict an entire scene or musical number. The Director and/or Choreographer has the right to consult with the Theatre on content of material. (5) . There is no time limit on the use of Additional Footage. (6) . In the event the Theatre wishes to submit a Recording Reproduction of an entire performance to private or public grant-making institutions institutions, to apply for prizes or awards, or fulfill festival application requirements, the Theatre may make a Recording Reproduction of the production for this sole purpose(s) and shall notify Equity SDC at the time of submission. In the event the captured material is unusable, another capture of an entire performance may be made. Any such Recording Reproduction made under this Rule shall be encoded with warnings at regular five-minute intervals that state the following: THIS FOOTAGE IS FOR GRANTGRANT REQUEST, PRIZEPRIZE AWARD, AWARD or FESTIVAL APPLICATION REQUEST PURPOSES ONLY AND MAY NOT BE SCREENED FOR ANY OTHER PURPOSE. UNDER NO CIRCUMSTANCES MAY THIS FOOTAGE BE DUPLICATED. Any Recording Reproduction made under this Rule must also include the Equity Stage Directors and Choreographers Society logo and identify that Actors in the Directors and/or Choreographers of the production include members of Actors' Equity Associationare represented by SDC. (7) The provisions of this section are not intended to allow Recording for the creation of television commercials and may not be used in such commercials. (8) . The Theatre may retain and use Recordings Reproductions made under this Rule provision for as long as the Theatre operates under the LORT Agreement, after which the Recordings Reproductions shall be transmitted to Equity destroyed, and the Theatre shall so inform or cause the SDC to be destroyedso informed. (9) 8. The Theatre will maintain control and ownership of all material Recorded reproduced by the Theatre and will ensure that it is used for no commercial purposes whatsoever.

Non-Broadcast. Subject to the conditions listed herein, a Recording may be made for non-broadcast promotion, publicity, marketing, public relations, fund-raising, audience development, education, transfers to other not-for-profit Theatres, prize, award, and festival applications, and/or civic, state, and national promotion. Actors employed in a production under the terms of this Agreement may participate in the capture of material for use by the Theatre for the aforementioned purposes under the following terms and conditions: (1) All capture of performance and rehearsal must occur in accordance with Rule 35(C). Rule 35. MEDIA: RECORDING & BROADCAST. (2) The Theatre shall receive no compensation for the exhibition of any material captured under the terms of this provision. (3) The Theatre will provide Equity with the opportunity to view the completed Recording.. Rule 35. MEDIA: RECORDING & BROADCAST (4) The edited Recording, under the terms of this provision, may constitute up to 25% of the captured material but in no case more than a total of 15 minutes of performance and/or rehearsal. The edited Recording may depict an entire scene or musical number. (5) There is no time limit on the use of Additional Footage. (6) In the event the Theatre wishes to submit a Recording of an entire performance to private or public grant-making institutions to apply for prizes or awards, or fulfill festival application requirements, the Theatre may make a Recording of the production for this sole purpose(s) and shall notify Equity at the time of submission. Any such Recording made under this Rule shall be encoded with warnings at regular five-minute intervals that state the following: THIS FOOTAGE IS FOR GRANT, PRIZE, AWARD or FESTIVAL APPLICATION REQUEST PURPOSES ONLY AND MAY NOT BE SCREENED FOR ANY OTHER PURPOSE. UNDER NO CIRCUMSTANCES MAY THIS FOOTAGE BE DUPLICATED. Any Recording made under this Rule must also include the Equity logo and identify that Actors in the production include members of Actors' Equity Association. (7) The provisions of this section are not intended to allow Recording for the creation of television commercials and may not be used in such commercials. (8) The Theatre may retain and use Recordings made under this Rule for as long as the Theatre operates under the LORT Agreement, after which the Recordings shall be transmitted to Equity to be destroyed. (9) The Theatre will maintain control and ownership of all material Recorded and will ensure that it is used for no commercial purposes whatsoever.

Non-Broadcast. Subject to the conditions listed herein, a Recording may be made for non-non- broadcast promotion, publicity, marketing, public relations, fund-raising, audience development, education, transfers to other not-for-profit Theatres, prize, award, and festival applications, and/or civic, state, and national promotion. Actors employed in a production under the terms of this Agreement may participate in the capture Recording of material for use by the Theatre for the aforementioned purposes under the following terms and conditions: (1) All capture Recording of performance and rehearsal must occur in accordance with Rule 35(CSection (28(B). Rule 35. MEDIA: RECORDING & BROADCAST) above. (2) The Theatre shall receive no compensation for the exhibition of any material captured Recorded under the terms of this provision. (3) The Theatre will provide Equity with the opportunity to view the completed Recordingrecording. (4) The edited Recordingrecording, under the terms of this provision, may constitute up to 25% of the captured Recorded material but in no case more than a total of 15 minutes of performance and/or rehearsal. The edited Recording recording may depict an entire scene or musical number. (5) There is no time limit on the use of Additional Footage. (6) In the event the Theatre wishes to submit a Recording recording of an entire performance to private or public grant-making institutions institution to apply for prizes or awards, or fulfill festival application requirements, the Theatre may make a Recording of the production for this sole purpose(s) and shall notify Equity at the time of submission. Any such Recording recording made under this Rule shall be encoded with warnings at regular five-minute intervals that state the following: THIS FOOTAGE IS FOR GRANT, PRIZE, AWARD or FESTIVAL APPLICATION REQUEST PURPOSES ONLY AND MAY NOT BE SCREENED FOR ANY OTHER PURPOSE. UNDER NO CIRCUMSTANCES MAY THIS FOOTAGE BE DUPLICATED. Any Recording recording made under this Rule must also include the Equity logo and identify that Actors in the production include members of Actors' Equity Association. (7) The provisions of this section are not intended to allow Recording for the creation of television commercials and may not be used in such commercials. (8) The Theatre may retain and use Recordings recordings made under this Rule for as long as the Theatre operates under the LORT TYA Agreement, after which the Recordings recordings shall be transmitted to Equity to be destroyed. (9) The Theatre will maintain control and ownership of all material Recorded recorded and will ensure that it is used for no commercial purposes whatsoever.

Non-Broadcast. Subject to the conditions listed herein, a Recording may be made Captured material for non-broadcast promotion, ; publicity, ; marketing, ; public relations, fund-raising, ; fundraising; audience development, ; education, ; transfers to other not-for-profit Theatres, theatres; prize, award, and festival applications, ; and/or civic, state, and national promotion. Actors employed in Directors and/or Choreographers engaged on a production under the terms of this Agreement may participate participate, and their staging and choreography may be used, in the capture of material for use by the Theatre for the aforementioned purposes under the following terms and conditions: (1) . All capture of performance and rehearsal must occur in accordance with Rule 35(Cthe provisions of Article XVI(C). 2. Rule 35. MEDIA: RECORDING & BROADCAST (2) The Theatre shall receive no compensation for the exhibition of any material captured under the terms of this provision. (3) . The Theatre will provide Equity SDC and the Director and/or Choreographer with the opportunity to view the completed RecordingReproduction. (4) . The edited Recording, Reproduction under the terms of this provision, provision may constitute up to 25% of the captured material but in no case more than a total of 15 minutes of performance and/or rehearsal. The edited Recording Reproduction may depict an entire scene or musical number. The Director and/or Choreographer has the right to consult with the Theatre on content of material. (5) . There is no time limit on the use of Additional Footage. (6) . In the event the Theatre wishes to submit a Recording Reproduction of an entire performance to private or public grant-making institutions institutions, to apply for prizes or awards, or fulfill festival application requirements, the Theatre may make a Recording Reproduction of the production for this sole purpose(s) and shall notify Equity SDC at the time of submission. In the event the captured material is unusable, another capture of an entire performance may be made. Any such Recording Reproduction made under this Rule shall be encoded with warnings at regular five-five- minute intervals that state the following: THIS FOOTAGE IS FOR GRANTGRANT REQUEST, PRIZEPRIZE AWARD, AWARD or FESTIVAL APPLICATION REQUEST PURPOSES ONLY AND MAY NOT BE SCREENED FOR ANY OTHER PURPOSE. UNDER NO CIRCUMSTANCES MAY THIS FOOTAGE BE DUPLICATED. Any Recording Reproduction made under this Rule must also include the Equity Stage Directors and Choreographers Society logo and identify that Actors in the Directors and/or Choreographers of the production include members of Actors' Equity Associationare represented by SDC. (7) The provisions of this section are not intended to allow Recording for the creation of television commercials and may not be used in such commercials. (8) . The Theatre may retain and use Recordings Reproductions made under this Rule provision for as long as the Theatre operates under the LORT Agreement, after which the Recordings Reproductions shall be transmitted to Equity destroyed, and the Theatre shall so inform or cause the SDC to be destroyedso informed. (9) 8. The Theatre will maintain control and ownership of all material Recorded reproduced by the Theatre and will ensure that it is used for no commercial purposes whatsoever.

Non-Broadcast. Subject to the conditions listed herein, a Recording may be made for non-broadcast promotion, publicity, marketing, public relations, fund-raising, audience development, education, transfers to other not-for-profit Theatres, prize, award, and festival applications, and/or civic, state, and national promotion. Actors and Stage Managers employed in a production under the terms of this Agreement may participate in the capture of material for use by the Theatre for the aforementioned purposes under the following terms and conditions: (1) All capture of performance and rehearsal must occur in accordance with Rule 35(C). Rule 35. MEDIA: RECORDING & BROADCAST. (2) The Theatre shall receive no compensation for the exhibition of any material captured under the terms of this provision. (3) The Theatre will provide Equity with the opportunity to view the completed Recording. (4) The edited Recording, under the terms of this provision, may constitute up to 25% of the captured material but in no case more than a total of 15 minutes of performance and/or rehearsal. The edited Recording may depict an entire scene or musical number. (5) There is no time limit on the use of Additional Footage. (6) In the event the Theatre wishes to submit a Recording of an entire performance to private or public grant-making institutions to apply for prizes or awards, or fulfill festival application requirements, the Theatre may make a Recording of the production for this sole purpose(s) and shall notify Equity at the time of submission. Any such Recording made under this Rule shall be encoded with warnings at regular five-minute intervals that state the following: THIS FOOTAGE IS FOR GRANT, PRIZE, AWARD or FESTIVAL APPLICATION REQUEST PURPOSES ONLY AND MAY NOT BE SCREENED FOR ANY OTHER PURPOSE. UNDER NO CIRCUMSTANCES MAY THIS FOOTAGE BE DUPLICATED. Any Recording made under this Rule must also include the Equity logo and identify that Actors and Stage Managers in the production include members of Actors' ’ Equity Association. (7) The provisions of this section are not intended to allow Recording for the creation of television commercials and may not be used in such commercials. (8) The Theatre may retain and use Recordings made under this Rule for as long as the Theatre operates under the LORT Agreement, after which the Recordings shall be transmitted to Equity to be destroyed. (9) The Theatre will maintain control and ownership of all material Recorded and will ensure that it is used for no commercial purposes whatsoever.

Non-Broadcast. Subject to the conditions listed herein, a Recording recording may be made for non-broadcast promotion, publicity, marketing, solicitation for a separate and future Equity production, public relations, fund-raising, audience development, education, transfers to other not-for-profit Theatres, prize, award, and festival applications, and/or civic, state, and national promotion. Actors employed in a production under the terms of this Agreement may participate in the capture Recording of material for use by the Theatre Producer for the aforementioned purposes under the following terms and conditions: (1) All capture Recording of performance and rehearsal must occur in accordance with Rule 35(C40(A). Rule 35. MEDIA: RECORDING & BROADCAST. (2) The Theatre Producer shall receive no compensation for the exhibition of any material captured Recorded under the terms of this provision. (3) The Theatre Producer will provide Equity with the opportunity to view the completed Recordingrecording. (4) The edited Recording, recording under the terms of this provision, provision may constitute up to 25% of the captured Recorded material but in no case more than a total of 15 minutes of performance and/or rehearsal. The edited Recording recording may depict an entire scene or musical number. (5) There is no time limit on the use of Additional Footage. (6) In the event the Theatre Producer wishes to submit a Recording recording of an entire performance to private or public grant-making institutions institutions, to apply for prizes or awards, or fulfill festival application requirements, the Theatre Producer may make a Recording of the production for this sole purpose(s) and shall notify Equity at the time of submission. Any such Recording recording made under this Rule shall be encoded with warnings at regular five-minute intervals that state the following: THIS FOOTAGE IS FOR GRANT, PRIZE, AWARD or OR FESTIVAL APPLICATION REQUEST PURPOSES ONLY AND MAY NOT BE SCREENED FOR ANY OTHER PURPOSE. UNDER NO CIRCUMSTANCES MAY THIS FOOTAGE BE DUPLICATED. Any Recording recording made under this Rule must also include the Equity logo and identify that Actors in the production include are members of Actors' ’ Equity Association. (7) The provisions of this section are not intended to allow Recording for the creation of television commercials and may not be used in such commercials. (8) The Theatre Producer may retain and use Recordings recordings made under this Rule for as long as the Theatre Producer operates under the LORT Off-Broadway Agreement, after which the Recordings recordings shall be transmitted to Equity to be destroyedEquity. (9) The Theatre Producer will maintain control and ownership of all material Recorded and will ensure that it is used for no commercial purposes whatsoever.

Non-Broadcast. Subject to the conditions listed herein, a Recording recording may be made for non-broadcast promotion, publicity, marketing, solicitation for a separate and future Equity production, public relations, fund-raising, audience development, education, transfers to other not-for-profit Theatres, prize, award, and festival applications, and/or civic, state, and national promotion. Actors and Stage Manager employed in a production under the terms of this Agreement may participate in the capture Recording of material for use by the Theatre Producer for the aforementioned purposes under the following terms and conditions: (1) All capture Recording of performance and rehearsal must occur in accordance with Rule 35(C40(A). Rule 35. MEDIA: RECORDING & BROADCAST. (2) The Theatre Producer shall receive no compensation for the exhibition of any material captured Recorded under the terms of this provision. (3) The Theatre Producer will provide Equity with the opportunity to view the completed Recordingrecording. (4) The edited Recording, recording under the terms of this provision, provision may constitute up to 25% of the captured Recorded material but in no case more than a total of 15 minutes of performance and/or rehearsal. The edited Recording recording may depict an entire scene or musical number. (5) There is no time limit on the use of Additional Footage. (6) In the event the Theatre Producer wishes to submit a Recording recording of an entire performance to private or public grant-making institutions institutions, to apply for prizes or awards, or fulfill festival application requirements, the Theatre Producer may make a Recording of the production for this sole purpose(s) and shall notify Equity at the time of submission. Any such Recording recording made under this Rule shall be encoded with warnings at regular five-minute intervals that state the following: THIS FOOTAGE IS FOR GRANT, PRIZE, AWARD or OR FESTIVAL APPLICATION REQUEST PURPOSES ONLY AND MAY NOT BE SCREENED FOR ANY OTHER PURPOSE. UNDER NO CIRCUMSTANCES MAY THIS FOOTAGE BE DUPLICATED. Any Recording recording made under this Rule must also include the Equity logo and identify that Actors and Stage Managers in the production include are members of Actors' ’ Equity Association. (7) The provisions of this section are not intended to allow Recording for the creation of television commercials and may not be used in such commercials. (8) The Theatre Producer may retain and use Recordings recordings made under this Rule for as long as the Theatre Producer operates under the LORT Off-Broadway Agreement, after which the Recordings recordings shall be transmitted to Equity to be destroyedEquity. (9) The Theatre Producer will maintain control and ownership of all material Recorded and will ensure that it is used for no commercial purposes whatsoever.

Non-Broadcast. Subject to the conditions listed herein, a Recording may be made Captured material for non-broadcast promotion, ; publicity, ; marketing, ; public relations, fund-raising, ; fundraising; audience development, ; education, ; transfers to other not-for-profit Theatres, theatres; prize, award, and festival applications, ; and/or civic, state, and national promotion. Actors employed in Designers engaged on a production under the terms of this Agreement may participate in participate, and their designs may be used in, the capture of material for use by the Theatre for the aforementioned purposes under the following terms and conditions: (1) . All capture of performance and rehearsal must occur in accordance with Rule 35(C)this provision. 2. Rule 35. MEDIA: RECORDING & BROADCAST (2) The Theatre shall receive no compensation for the exhibition of any material captured under the terms of this provision. (3) . The Theatre will provide Equity United Scenic Artists with the opportunity to view the completed RecordingReproduction. (4) . The edited Recording, Reproduction under the terms of this provision, provision may constitute up to 25% of the captured material but in no case more than a total of 15 minutes of performance and/or rehearsal. The edited Recording Reproduction may depict an entire scene or musical number. (5) . There is no time limit on the use of Additional Footage. (6) . In the event the Theatre wishes to submit a Recording Reproduction of an entire performance to private or public grant-making institutions institutions, to apply for prizes or awards, or fulfill festival application requirements, the Theatre may make a Recording Reproduction of the production for this sole purpose(s) and shall notify Equity United Scenic Artists at the time of submission. In the event the captured material is unusable, another capture of an entire performance may be made. Any such Recording Reproduction made under this Rule shall be encoded with warnings at regular five-minute intervals that state the following: THIS FOOTAGE IS FOR GRANTGRANT REQUEST, PRIZEPRIZE AWARD, AWARD or FESTIVAL APPLICATION REQUEST PURPOSES ONLY AND MAY NOT BE SCREENED FOR ANY OTHER PURPOSE. UNDER NO CIRCUMSTANCES MAY THIS FOOTAGE BE DUPLICATED. Any Recording Reproduction made under this Rule must also include the Equity United Scenic Artists logo and identify that Actors in Designers of the production include members of Actors' Equity Associationare represented by United Scenic Artists. (7) The provisions of this section are not intended to allow Recording for the creation of television commercials and may not be used in such commercials. (8) . The Theatre may retain and use Recordings Reproductions made under this Rule provision for as long as the Theatre operates under the LORT Agreement, after which the Recordings Reproductions shall be transmitted to Equity to be destroyed, and the Theatre shall so inform or cause the UNION to be so informed. (9) 8. The Theatre will maintain control and ownership of all material Recorded reproduced by the Theatre and will ensure that it is used for no commercial purposes whatsoever.

Non-Broadcast. Subject to the conditions listed herein, a Recording may be made Captured material for non-broadcast promotion, ; publicity, marketing, ; marking; public relations, fund-raising, ; fundraising; audience development, ; education, ; transfers to other not-not- for-profit Theatres, theatres; prize, award, and festival applications, ; and/or civic, state, and national promotion. Actors employed in Designers engaged on a production under the terms of this Agreement may participate in participate, and their designs may be used in, the capture of material for use by the Theatre for the aforementioned purposes under the following terms and conditions: (1) . All capture of performance and rehearsal must occur in accordance with Rule 35(C)this provision. 2. Rule 35. MEDIA: RECORDING & BROADCAST (2) The Theatre shall receive no compensation for the exhibition of any material captured under the terms of this provision. (3) . The Theatre will provide Equity United Scenic Artists with the opportunity to view the completed RecordingReproduction. (4) . The edited Recording, Reproduction under the terms of this provision, provision may constitute up to 25% of the captured material but in no case more than a total of 15 minutes of performance and/or rehearsal. The edited Recording Reproduction may depict an entire scene or musical number. (5) . There is no time limit on the use of Additional Footage. (6) . In the event the Theatre wishes to submit a Recording Reproduction of an entire performance to private or public grant-making institutions institutions, to apply for prizes or awards, or fulfill festival application requirements, the Theatre may make a Recording Reproduction of the production for this sole purpose(s) and shall notify Equity United Scenic Artists at the time of submission. In the event the captured material is unusable, another capture of an entire performance may be made. Any such Recording Reproduction made under this Rule shall be encoded with warnings at regular five-minute intervals that state the following: THIS FOOTAGE FOOTAE IS FOR GRANTGRANT REQUEST, PRIZEPRIZE AWARD, AWARD or FESTIVAL APPLICATION REQUEST PURPOSES ONLY AND MAY NOT BE SCREENED FOR ANY OTHER PURPOSE. UNDER NO CIRCUMSTANCES MAY THIS FOOTAGE BE DUPLICATED. Any Recording Reproduction made under this Rule must also include the Equity United Scenic Artists logo and identify that Actors in Designers of the production include members of Actors' Equity Associationare represented by United Scenic Artists. (7) The provisions of this section are not intended to allow Recording for the creation of television commercials and may not be used in such commercials. (8) . The Theatre may retain and use Recordings Reproductions made under this Rule provision for as long as the Theatre operates under the LORT Court Agreement, after which the Recordings Reproductions shall be transmitted to Equity to be destroyed, and the Theatre shall so inform or cause the UNION to be so informed. (9) 8. The Theatre will maintain control and ownership of all material Recorded reproduced by the Theatre and will ensure that it is used for no commercial purposes whatsoever.

Non-Broadcast. Subject to the conditions listed herein, a Recording recording may be made for non-broadcast promotion, publicity, marketing, solicitation for a separate and future Equity production, public relations, fund-raising, audience development, education, transfers to other not-for-profit Theatres, prize, award, and festival applications, and/or civic, state, and national promotion. Actors employed in a production under the terms of this Agreement may participate in the capture Recording of material for use by the Theatre Producer for the aforementioned purposes under the following terms and conditions: (1) All capture Recording of performance and rehearsal must occur in accordance with Rule 35(C38(A). Rule 35. MEDIA: RECORDING & BROADCAST. (2) The Theatre Producer shall receive no compensation for the exhibition of any material captured Recorded under the terms of this provision. (3) The Theatre Producer will provide Equity with the opportunity to view the completed Recordingrecording. (4) The edited Recording, recording under the terms of this provision, provision may constitute up to 25% of the captured Recorded material but in no case more than a total of 15 minutes of performance and/or rehearsal. The edited Recording recording may depict an entire scene or musical number. (5) There is no time limit on the use of Additional Footage. (6) In the event the Theatre Producer wishes to submit a Recording recording of an entire performance to private or public grant-making institutions institutions, to apply for prizes or awards, or fulfill festival application requirements, the Theatre Producer may make a Recording recording of the production for this sole purpose(s) and shall notify Equity at the time of submission. Any such Recording recording made under this Rule shall be encoded with warnings at regular five-minute intervals that state the following: THIS FOOTAGE IS FOR GRANT, PRIZE, AWARD or OR FESTIVAL APPLICATION REQUEST PURPOSES ONLY AND MAY NOT BE SCREENED FOR ANY OTHER PURPOSE. UNDER NO CIRCUMSTANCES MAY THIS FOOTAGE BE DUPLICATED. Any Recording recording made under this Rule must also include the Equity logo and identify that Actors in the production include are members of Actors' ’ Equity Association. (7) The provisions of this section are not intended to allow Recording for the creation of television commercials and may not be used in such commercials. (8) The Theatre Producer may retain and use Recordings recordings made under this Rule for as long as the Theatre Producer operates under the LORT Off-Broadway Agreement, after which the Recordings recordings shall be transmitted to Equity to be destroyedEquity. (9) The Theatre Producer will maintain control and ownership of all material Recorded and will ensure that it is used for no commercial purposes whatsoever.