Recording on a Single Performance Day. On a day on which the Artist has no more than one (1) performance, the Artist may be called for the purpose of a specially prepared recording to a maximum of five (5) out of a span of seven (7) hours with a one (1) hour break after no more than four (4) hours. The recording call shall be completed no later than ninety (90) minutes prior to the Artist’s half-hour call.
Appears in 3 contracts
Samples: National Ballet of Canada Agreement, National Ballet of Canada Agreement, National Ballet of Canada Agreement
Recording on a Single Performance Day. On a day on which the Artist has no more than one (1) performance, the Artist may be called for the purpose of a specially prepared recording to a maximum of five eight (5) 8) out of a span of seven nine (79) hours with a one (1) hour break after no more than four five (45) hours. The recording call shall be completed no later than no later than ninety (90) minutes prior to the Artist’s 's half-hour call.
Appears in 2 contracts
Samples: Opera Agreement, Opera Agreement
Recording on a Single Performance Day. On a day on which the Artist has no more than one (1) performance, the Artist may be called for the purpose of a specially prepared recording to a maximum of five (5) out of a span of seven (7) hours with a one (1) hour break after no more than four (4) hours. The recording call shall be completed no later than ninety (90) minutes prior to the Artist’s half-hour call.. There shall not be any other regular rehearsal scheduled on the same day. 2017-2020 Royal Winnipeg Ballet Agreement | page 67
Appears in 1 contract
Samples: Royal Winnipeg Ballet Agreement
Recording on a Single Performance Day. On a day on which the Artist has no more than one (1) performance, the Artist may be called for the purpose of a specially prepared recording to a maximum of five eight (5) 8) out of a span of seven nine (79) hours with a one (1) hour break after no more than four five (45) hours. The recording call shall be completed no later than no later than ninety (90) minutes prior to the Artist’s half-hour call.
Appears in 1 contract
Samples: Opera Agreement
Recording on a Single Performance Day. On a day on which the Artist has no more than one (1) performance, the Artist may be called for the purpose of a specially prepared recording to a maximum of five eight (5) 8) out of a span of seven nine (79) hours with a one (1) hour break after no more than four five (45) hours. The recording call shall be completed no later than no later than ninety (90) minutes prior to the Artist’s half-hour call.
Appears in 1 contract
Samples: Canadian Opera Agreement
Recording on a Single Performance Day. On a day on which the Artist has no more than one (1) performance, the Artist may be called for the purpose of a specially prepared recording to a maximum of five (5) out of a span of seven (7) hours with a one (1) hour break after no more than four (4) hours. The recording call shall be completed no later than ninety (90) minutes prior to the Artist’s half-hour call. There shall not be any other regular rehearsal scheduled on the same day.
Appears in 1 contract
Samples: Royal Winnipeg Ballet Agreement