Musical Works definition

Musical Works. Defined. The phrase “musical works” ▇▇▇▇▇▇▇ construed to mean musical compositions and dramati-

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Musical Works means such works as songs and symphonic works, with or without accompanying words, which can be sung or performed;

Musical Works means any work consisting of music and/or any lyrics or words written to be used with music. It includes any part of such work.

Examples of Musical Works in a sentence

• Unless defined herein or otherwise agreed by the parties, the definition(s) of excluded Musical Works with respect to each of the repertoires listed below is as published on the CISAC website f rom time to time.

• The score or set of parts may be handwritten or entered into a music notation software programme (such as Sibelius or Finale) or a Digital Audio Workstation (such as Logic or Cubase) Choral Leaflet Published editions containing one or more Musical Works composed for choral vocal parts, with or without accompaniment.

• The Sub-lessee acknowledges that should he hereunder engage in public music performance pursuant to Act No. 121/2000 Sb. on Copyright and Rights Related to Copyright and on Amendment to Certain Acts (the Copyright Act), he is obliged to inform the pertinent collective administrator (Copyright Protection Association for Musical Works – OSA) about the programme of this event pursuant to relevant provisions of the Copyright Act.

• Any Musical Works owned, controlled or administered by an entity that has no affiliation with any collecting society are also excluded f rom Repertoire Works.

• If the Licensee has secured a multi-territorial licence for Musical Works, the scope of which includes territories which include any of the Home Territories, such repertoire will, subject to the approval of the relevant Rights Holder, be excluded f rom the scope of this Agreement in respect of that Home Territory as at the date of such approval.

More Definitions of Musical Works

Musical Works means any musical work or other protected subject matter;

Musical Works. An Essay in the Philosophy of Music. Oxford: Oxford University Press, 2007. ▇▇▇▇, ▇▇▇▇▇. Giraffes, Black Dragons, and Other Pianos: A Technological History from Cristofori to the Modern Concert Grand, Second Edition. Stanford: Stanford University Press, 2001. ▇▇▇▇▇▇, ▇▇▇▇▇▇▇ ▇. "Introduction". ▇▇▇▇▇▇▇▇▇ ▇▇▇▇▇▇ ▇▇▇▇’▇ Path to the Telephone. 1994. ▇▇▇▇.▇▇▇▇.▇▇▇▇▇▇▇▇.▇▇▇/▇▇▇▇▇▇/. ———. Transforming Nature -­ Ethics, Invention and Discovery. Norwell, Massachusetts: Kluwer Academic Publishers, 1998. Graaff, Huba de. "▇▇▇▇ ▇▇ ▇▇▇▇▇▇ Bio". ▇▇▇▇ ▇▇ ▇▇▇▇▇▇. 2013. ▇▇▇.▇▇▇▇▇▇▇▇.▇▇/▇▇▇▇▇▇▇.▇▇▇▇. ▇▇▇▇▇▇, ▇▇▇▇▇▇▇▇. "Listening to Music: Performances and Recordings". The Journal of Aesthetics and Art Criticism 55 (2) (1997): 139–150. ▇▇▇▇▇▇▇▇▇, ▇▇▇▇. "Distanzierte Verhältnisse? Zur Musikinstrumentalisierung der Reproduktionsmedien". In Klang (ohne) Körper: Spuren und Potenziale des Körpers in der elektronischen Musik, edited by ▇▇▇▇▇▇▇ ▇▇▇▇▇▇▇▇▇ and ▇▇▇▇▇▇ ▇▇▇▇▇▇▇▇▇, 183–200. Bielefeld: transcript Verlag, 2010. ▇▇▇▇▇, ▇▇▇▇▇▇▇▇. "Busonis "ErAindung" -­‐ ▇▇▇▇▇▇▇▇ Cahills Telefon-­‐Telharmonium Von 1906". In Klangmaschinen zwischen Experiment und Medientechnik, edited by ▇▇▇▇▇▇ ▇▇▇▇▇▇▇▇, 53–72. Bielefeld: transcript Verlag, 2010.

Musical Works. An Essay in the Philosophy of Music. Rev. ed. Oxford: Oxford University Press. ▇▇▇▇▇▇-▇▇▇▇▇▇▇, ▇▇▇▇▇▇▇▇▇ ▇▇▇▇▇▇▇▇▇. 2011. Music and the Language of Love: Seventeenth-Century French Airs. Music and the Early Modern Imagination. Bloomington: Indiana University Press. ▇▇▇▇▇▇▇▇, ▇▇▇▇▇▇▇ ▇. 2014. “Reconstructing the Improvised Keyboard Prelude of the French Baroque.” PhD Dissertation, Indiana University. ▇▇▇▇▇▇▇▇, ▇▇▇▇▇. 2017. “▇▇▇▇▇▇’▇ Theory of Supposition and French Baroque Harmonic Practice.” ▇▇▇▇▇▇▇▇▇▇, ▇▇▇▇▇▇▇. 1980. Renaissance Self-Fashioning: From More to Shakespeare. Chicago: University of Chicago Press. ▇▇▇▇▇, ▇▇▇▇▇▇▇▇▇▇▇▇. 2012. “Counterpoint in the Fingers. A Practical Approach to ▇▇▇▇▇▇▇▇ ▇▇▇▇▇▇’▇ Breve & ▇▇▇▇▇▇ ▇▇▇▇▇▇ Di Contrappunto.” Philomusica On-Line 11 (2): 63–76. ▇▇▇▇://▇▇.▇▇▇.▇▇▇/10.6092/1826-9001.11.1452.

Musical Works. Means a work consisting of music exclusive of any words or action intended to be sung, spoken or performed with the music.

Musical Works means all musical works and any associated lyrics whether in whole or part, and if in part only, to the extent of such part, which rights are or may be at any time during the Licence Term be owned, controlled, or administered in Singapore, by the COMPASS, its affiliated societies and/or their members.

Musical Works means any musical work and any lyrics or words written to be used with such musical work (if applicable) or any part thereof (all as defined by copyright law in Singapore).

Musical Works means any work consisting of music and any lyrics or words written to be used with music. The expression shall extend to any dramatico-musical work (subject however to the provisions of clause 2.2) and to any part of any Musical Work (subject to clause 9).