Musical Works definition

Musical Works means any work consisting of music and/or any lyrics or words written to be used with music. It includes any part of such work.
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Musical Works means such works as songs and symphonic works, with or without accompanying words, which can be sung or performed;
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Musical Works. Defined. The phrase “musical works” xxxxxxx construed to mean musical compositions and dramati-
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Examples of Musical Works in a sentence

  • Unless defined herein or otherwise agreed by the parties, the definition(s) of excluded Musical Works with respect to each of the repertoires listed below is as published on the CISAC website from time to time.

  • The Sub-lessee acknowledges that should he hereunder engage in public music performance pursuant to Act No. 121/2000 Sb. on Copyright and Rights Related to Copyright and on Amendment to Certain Acts (the Copyright Act), he is obliged to inform the pertinent collective administrator (Copyright Protection Association for Musical Works – OSA) about the programme of this event pursuant to relevant provisions of the Copyright Act.

  • The Licensed Rights are limited to non-dramatic performances of the Musical Works in the ASCAP Repertory.

  • Nothing in this License Agreement shall be construed to grant to Licensee, or any third party, any right to reproduce, copy or distribute by any means, method or process whatsoever, any Musical Works (or any part thereof) that are included in the ASCAP Repertory licensed under this License Agreement.

  • The third part is then dedicated to revealing relationships between two or more variables in space.


More Definitions of Musical Works

Musical Works means any musical work or other protected subject matter;
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Musical Works. Defined. The phrase “musical works” shall be construed to mean musical compositions and dramatico-musical compositions, the words and music thereof, and the respective arrangements thereof, and the selections therefrom.
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Musical Works means any combination of melody or harmony, either printed, reduced to writing or otherwise graphically produced or reproduced, and includes records and perforated rolls.
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Musical Works. An Essay in the Philosophy of Music. Oxford: Oxford University Press, 2007. Xxxx, Xxxxx. Giraffes, Black Dragons, and Other Pianos: A Technological History from Cristofori to the Modern Concert Grand, Second Edition. Stanford: Stanford University Press, 2001. Xxxxxx, Xxxxxxx X. "Introduction". Xxxxxxxxx Xxxxxx Xxxx’x Path to the Telephone. 1994. xxx0.xxxx.xxxxxxxx.xxx/xxxxxx/. ———. Transforming Nature -­ Ethics, Invention and Discovery. Norwell, Massachusetts: Kluwer Academic Publishers, 1998. Graaff, Huba de. "Xxxx Xx Xxxxxx Bio". Xxxx Xx Xxxxxx. 2013. xxx.xxxxxxxx.xx/Xxxxxxx.xxxx. Xxxxxx, Xxxxxxxx. "Listening to Music: Performances and Recordings". The Journal of Aesthetics and Art Criticism 55 (2) (1997): 139–150. Xxxxxxxxx, Xxxx. "Distanzierte Verhältnisse? Zur Musikinstrumentalisierung der Reproduktionsmedien". In Klang (ohne) Körper: Spuren und Potenziale des Körpers in der elektronischen Musik, edited by Xxxxxxx Xxxxxxxxx and Xxxxxx Xxxxxxxxx, 183–200. Bielefeld: transcript Verlag, 2010. Xxxxx, Xxxxxxxx. "Busonis "ErAindung" -­‐ Xxxxxxxx Cahills Telefon-­‐Telharmonium Von 1906". In Klangmaschinen zwischen Experiment und Medientechnik, edited by Xxxxxx Xxxxxxxx, 53–72. Bielefeld: transcript Verlag, 2010.
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Musical Works. An Essay in the Philosophy of Music. Rev. ed. Oxford: Oxford University Press. Xxxxxx-Xxxxxxx, Xxxxxxxxx Xxxxxxxxx. 2011. Music and the Language of Love: Seventeenth-Century French Airs. Music and the Early Modern Imagination. Bloomington: Indiana University Press. Xxxxxxxx, Xxxxxxx X. 2014. “Reconstructing the Improvised Keyboard Prelude of the French Baroque.” PhD Dissertation, Indiana University. Xxxxxxxx, Xxxxx. 2017. “Xxxxxx’x Theory of Supposition and French Baroque Harmonic Practice.” Xxxxxxxxxx, Xxxxxxx. 1980. Renaissance Self-Fashioning: From More to Shakespeare. Chicago: University of Chicago Press. Xxxxx, Xxxxxxxxxxxx. 2012. “Counterpoint in the Fingers. A Practical Approach to Xxxxxxxx Xxxxxx’x Breve & Xxxxxx Xxxxxx Di Contrappunto.” Philomusica On-Line 11 (2): 63–76. xxxx://xx.xxx.xxx/10.6092/1826-9001.11.1452.
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Musical Works. Means a work consisting of music exclusive of any words or action intended to be sung, spoken or performed with the music.
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Musical Works means any musical work (as defined by copyright law in any country in the Licensed Territory) and any lyrics or words written to be used with such musical work (if applicable). It includes any part of such a work. “Repertoire / Repertoire Works” means a Musical Work as far as it is part of the Licensed Repertoire according to Schedule 2.
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