PERFORMANCE ROYALTIES. Licensee has the right to register the final sound recording with any performing rights organization (Ascap, BMI, SESAC etc..) LICENSEE and LICENSOR agree that all performance royalties earned from the final sound recording received from ASCAP, BMI, SESAC or any (PRO) will be split in the following way: LICENSEE shall own: 50% of the publishing share LICENSOR shall own: 50% of the publishing share LICENSEE shall own: 50% of the writers share LICENSOR shall own: 50% of the writers share The Licensee agrees to register the final sound recording that uses Licensors musical composition with his or her Performing Rights Organization (PRO) and provides the (PRO) information and writer information that the Licensee is affiliated with to the Licensor so that the Licensor can collect performance royalties (ex ASCAP, BMI, SESAC etc.). Licensee must provide the Licensor with the correct song title and all artist's names that will be used on the final sound recording. The Licensee must provide the publishing company's name IPI# and writer's IPI# to the Licensor that will be used to collect and distribute performance royalties. The Licensee agrees to use Licensor's (PRO) publisher and composer information to register the final sound recording so that the Licensor can collect the performance royalties from licensee's final sound recording: Original Publisher: Fourth Density Music (ASCAP) IPI# 628422548 Writer: ILLNIQUE (ASCAP) IPI# 628550929
PERFORMANCE ROYALTIES. So long as Operator installs and operates each Jukebox in accordance with the terms and conditions of this Agreement and otherwise complies with its obligations hereunder, TouchTunes shall be solely responsible for the payment of all royalties and other amounts payable to performers or artists or their representatives in respect of the play of Titles on such Jukebox. Such obligation applies only to Jukeboxes that are operated by the insertion of coins, bills or other monetary equivalents and operable (e.g. the Titles are chosen) by patrons of the Establishment that are located in an Establishment that does not charge direct or indirect admission, cover, minimum or similar fees or utilize the Jukeboxes as an accompaniment to live entertainment.
PERFORMANCE ROYALTIES. 4.1 Composer shall be entitled to one hundred percent (100%) of the Writer's share of performance royalties generated by the public performance of the Music, which shall be collected directly by the Composer from the relevant PROs.
4.2 Production Company shall not be entitled to any share of the performance royalties generated by the public performance of the Music.
PERFORMANCE ROYALTIES. 4.1 Licensor shall be entitled to one hundred percent (100%) of both the Writer's and Publisher's shares of performance royalties generated by the public performance of the Licensed Music, which shall be collected directly by the Licensor from the relevant performance rights organizations (PROs).
4.2 Music Library shall not be entitled to any share of the performance royalties generated by the public performance of the Licensed Music.
PERFORMANCE ROYALTIES. Licensee shall be solely responsible for the payment of any public performance music licenses or royalty payments which may be required to be paid to any party, such as BMI, ASCAP, SESAC, or any other like organization on account of the broadcaster of any music contained in the Program.
PERFORMANCE ROYALTIES. PUBLISHER acknowledges that royalties for the public performance of PUBLISHER Compositions on the Pandora Services are paid by Pandora to the applicable U.S. performing rights organization(s) – ASCAP, BMI, SESAC and/or GMR (each, a “PRO”) – with whom PUBLISHER is affiliated for the PUBLISHER Compositions. Amounts paid to any PRO(s) for the public performance of PUBLISHER Compositions on the Limited Interactive Service and the On-Demand Service will be deducted in the calculation of Royalties hereunder as provided in 37 CFR Part 385 Subparts C and B, respectively.
