Common use of Pre-Production Meeting Clause in Contracts

Pre-Production Meeting. ‌ The hours of work for a Fight Director shall include the Artist’s participation in at least one production meeting with the Director of the production and the Technical Director if possible. The purpose of the production meeting shall be to convey necessary and sufficient information on the production in regard to set design, costume design, lighting design, props, weapons, and any other elements of the production which may affect the choreography and safe execution of the stage fight(s). The Fight Director shall be advised if rehearsal has started prior to his/her engagement as Fight Director.

Pre-Production Meeting. ‌ The hours of work for a Fight Director shall include the Artist’s participation in at least one production meeting with the Director of the production and the Technical Director if possible. The purpose of the production meeting shall be to convey necessary and sufficient information on the production in regard to set design, costume design, lighting design, props, weapons, and any other elements of the production which may affect the choreography and safe execution of the stage fight(s). The Fight Director shall be advised if rehearsal has started prior to his/her engagement as Fight Director.

Pre-Production Meeting. ‌ The hours of work for a Fight Director shall include the Artist’s participation in at least one (1) production meeting with the Director of the production and the Technical Director if possible. The purpose of the production meeting shall be to convey necessary and sufficient information on the production in regard to set design, costume design, lighting design, props, weapons, and any other elements of the production which may affect the choreography and safe execution of the stage fight(s). The Fight Director shall be advised if rehearsal has started prior to his/her engagement as Fight Director.

Pre-Production Meeting. ‌ The hours of work for a Fight Director shall include the Artist’s participation in at least one production meeting with the Director of the production and the Technical Director if possible. The purpose of the production meeting shall be to convey necessary and sufficient information on the production in regard to set design, costume design, lighting design, props, weapons, and any other elements of the production which may affect the choreography and safe execution of the stage fight(s). The Fight Director shall be advised if rehearsal has started prior to his/her their engagement as Fight Director.

Pre-Production Meeting. ‌ The hours of work for a Fight Director shall include the Artist’s participation in at least one production meeting with the Director of the production and the Technical Director if possible. The purpose of the production meeting shall be to convey necessary and sufficient information on the production in regard to set design, costume design, lighting design, props, weapons, and any other elements of the production which may affect the choreography and safe execution of the stage fight(s). The Fight Director shall be advised if rehearsal has started prior to his/her engagement as Fight Director.Director.‌

Pre-Production Meeting. ‌ The hours of work for a Fight Director shall include the Artist’s participation in at least one (1) production meeting with the Director of the production and the Technical Director if possible. The purpose of the production meeting shall be to convey necessary and sufficient information on the production in regard to set design, costume design, lighting design, props, weapons, and any other elements of the production which may affect the choreography and safe execution of the stage fight(s). The Fight Director shall be advised if rehearsal has started prior to his/her their engagement as Fight Director.