Rules for Copying Sample Clauses
The "Rules for Copying" clause defines the conditions and limitations under which materials, documents, or information may be duplicated or reproduced. Typically, this clause outlines who is permitted to make copies, what materials are covered, and any restrictions on the number or purpose of copies, such as allowing copies for internal use only or prohibiting distribution to third parties. Its core function is to protect intellectual property and confidential information by ensuring that copying is controlled and only occurs within agreed parameters, thereby reducing the risk of unauthorized dissemination.
Rules for Copying. (a) Copying services involving the complexities of unconventional score notation shall be paid at one-hundred and twenty-five percent (125%) of the A10 rate.
(b) The fee for special routine work (including editing), which shall include copying from a sketch score, when required by the Producer, where two (2) or more scores or orchestral parts must be used or referred to in extracting the parts, shall be one-hundred and fifty percent (150%) A10 rate for all time spent performing special routine work.
Rules for Copying. (1) Rates for copying or extracting do not include any proofreading services.
(2) Proofreading parts against the score shall be charged at the Hourly Library Rate.
(3) When music copying services are performed pursuant to this schedule, all parts must include the Copyist’s union number, local and year.
(4) All parts shall be written on ten (10) stave paper. Parts requiring three (3) or more staves may, if practical, be written on twelve (12) stave paper.
(5) Parts copied at Page Rates shall be computed by pages and half pages except that the first page shall be paid at the one-half page rate (1/2) unless the page extends beyond five (5) lines, in which case the full page rate shall be paid.
(6) An average of four (4) measures or more per stave shall prevail.
(7) Recopying of a full orchestra score, making a full score from individual instrumental parts or creating instrumental parts from a sketch score shall be charged for at the Copying Hourly Rate.
(8) Translating data of a digitally constructed score or sequencer file into midi tracks or notation files or parts, quantization of a sequencer file or midi tracks (i.e. correcting data translation errors), shall be paid for at the Copying Hourly Rate.
(9) Transferring files via modem, null-modem, or ISDN (or similar method), translation of files from one computer format or platform to another, and copying and/or compressing files for transfer to removable media shall be charged at the Hourly Library Rate.
Rules for Copying. Rates for copying or extracting do not include any proofreading services.