Audio Specifications. For the avoidance of doubt, any costs related to the adjustment of audio as made available by Licensor (including, without limitation, creating/laydown of Dolby Digital or encoding AC3 tracks), will be incurred by Licensee at its sole cost and expense. If available, Licensor shall provide access to 5.1 English audio, LAS tracks, and Pro-tools sessions upon Licensee’s request.
Audio Specifications. Due to the dynamic nature of this show, the Presenter must provide a professional quality Sound System capable of providing the venue with a clear, undistorted, evenly distributed sound. This includes the capability to EQ the sound. The mixing console should be able to accommodate a minimum of 24 channels of inputs for instruments and vocals as detailed below. INPUT ASSIGNMENT (please refer to stage plot for more details): Xxxxx Xxxxxxx Keyboard: 1 stereo direct box Acoustic Guitar: 1 direct box Percussion: 1 microphone with solid, adjustable boom stand (Shure SM57/Beta 57 or equivalent) Vocal microphone: 1 microphone with solid, adjustable boom Xxxx Xxxxxxx Xxxxxx: 1 direct box Vocal microphone: 1 microphone with solid, adjustable boom stand Xxxxxxxxx Xxxxxxxxxxxx Violin: 1 direct box Vocal microphone: 1 microphone with solid, adjustable boom stand Xxxx Xxxxxx Acoustic 12‐string Guitar: 1 direct box and 1 microphone with solid, adjustable boom stand (high quality condenser suitable for live acoustic use) Mandocello/Prim: 1 direct box 12‐String Guitar: 1 direct box Tamboura: 1 direct box Vocal microphone: 1 microphone with solid, adjustable boom stand Xxx Xxxxxx Bass: 1 direct box Mandolin: 1 direct box Violin: 1 direct box Xxxx Xxxxxx Accordion: 1 microphone with solid, adjustable boom stand (Shure SM57/Beta 57 or equivalent) Acoustic Guitar: 1 direct box Vocal microphone: 1 microphone with solid, adjustable boom stand All vocal microphones to be high quality dynamic or condenser such as Shure SM58, Shure Beta 58., suitable condenser, etc. MONITORS: Six (6) wedge monitors with a minimum of (4) separate monitor mixes as per the attached stage diagram. If a dedicated off‐stage monitor mix engineer is not provided, a means for communication to the house engineer must be provided.
