MIXING CONSOLE Sample Clauses

MIXING CONSOLE. Xxxx brings a digital mixer and will send front of house a stereo balanced 1/4” (Line Level, no DI Boxes) output mix of Bass, Synths and Vocals (same as his in ear mix) and a separate stereo Balanced 1/4” output for the Vocals (in case more vocals are required in the house. Start with this output zeroed and bring up as needed). House will mix the drums (mix like a rock/electro project).
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MIXING CONSOLE. (Must be located mid house and not in a booth or under balcony) 32 Input, 8 Sub-master professional console with channel and sub-master inserts. 4 band FULLY parametric EQ (with Q) for each channel, 48 volt phantom power and a minimum of 6 aux sends. Preferences: Midas XL4, Yamaha PM 5000, PMD1, DigiCo Live 5, Innovasion
MIXING CONSOLE. One 24 channel mix console with 4 band fully parametric (with Q), capable of (7) seven discreet monitor mixes. Preferences: Midas, Soundcraft Front of House mixing console with a minimum of 32 inputs and 8 subgroups. With 6 pre fader auxiliary sends, four band FULLY parametric EQ (with Q) on each input channel, also, insert points on all channels and subgroups is required. Both consoles must be capable of 48 v. Preferences: Midas Pro, Soundcraft Vi6 Speaker systems must be high quality for ex: D&B, L-ACOUSTICS, Xxxxx High quality bi-amped monitor wedges with 1-2 x 12"speakers Xxxxxx Xxxxx, D&B,,,Xxxxxx, Xxxxxx Xxxx
MIXING CONSOLE. DIGITAL PREFERRED. A minimum of 52 mic inputs, 8 sub-­‐groups, 8 VCA’s. Each channel should have minimum four-­‐band EQ with four-­‐ band parametric, 48-­‐volt phantom powering, phase reverse and six-­‐post fader/post eq aux. sends (Soundcraft, Yamaha PM Series, Midas or equivalent). Channels will not be shared with other artists. EFFECTS: 2 digital reverbs, 1 digital delay, 3 multi-­‐effects units (Lexicon, Yamaha, TC Electronics etc.). INSERTS: 16 channels of insertable compression (BSS, DBX, Drawmer, etc.), 8 channels of insertable noise gates. LIGHTING: SEE ATTACHED LIGHTING PLOT FOR FIXTURES AND DESIGN. Risers are also required as follows: DRUMS: 8’x8’x24” BASS GUITAR: 4’x8’x6” ELECTRIC GUITAR: 4’X’8’X6” KEYBOARDS: 4’X8’X24” THE CANADIAN TENORS BAND RIDER JANUARY 2011 Below is a GENERIC lighting and stage plot. The performance space for the Canadian Tenors themselves downstage of the touring musicians MUST BE A MINIMUM OF 20’ (TWENTY FEET) WIDE, AND 12 (TWELVE) FEET DEEP. Management Contact: Xxx Xxxxxx 000.000.0000 xxx@xxxxxxxxxxxxxxx.xx Tour Manager: Xxxxxxx Xxxxxxx 908.418.1202 xxxxxxx.xxxxxxx@xxxxx.xxx THE CANADIAN TENORS BAND RIDER JANUARY 2011 PRESENTER INFORMATION FORM Presenter name Presenter phone and email address Venue name and office phone number Venue physical address (where packages are delivered) Address, location or GPS coordinates of loading dock Box office phone number (not a recording) and capacity of venue CONTACTS Please provide the name, email, office phone number and cell phone number for the contacts below: Person responsible for production advance Person responsible for hotels/hospitality/travel Person responsible for artists’ merchandise inventory and sales Management Contact: Xxx Xxxxxx 000.000.0000 xxx@xxxxxxxxxxxxxxx.xx Tour Manager: Xxxxxxx Xxxxxxx 908.418.1202 xxxxxxx.xxxxxxx@xxxxx.xxx !"# %&'&()&' !#'*+, -&'( +)(#+ .&'/&+0 1233 -7N8T DU 5 V#'#+)% ND6P=D;6 5;W U=567 SN8=H !P7 S7O98O<5;>7 US5>7 98O =P7 %5;5WD5; !7;8OU =P7<U7NX7U W8T;U=567 89 =P7 =8BOD;6 <BUD>D5;U :/,! -# & :)'):/: *Y 12Z [!\#'!0 Y##!] \)(#^ &'( 31 [!\#_`#] Y##! (##4H 4567 !" 89 !# :5;567<7;= %8;=5>=? :5@ ABCD5E F3GHIJ3HKI11 <5@LMN7;=7O=5D;<7;=H>5
MIXING CONSOLE. An active system with 24 channels and Parametric EQ (not placed or resting on the stage). Yamaha M7CL , YAMAHA LS9, or YAMAHA PM5D are preferred (may be substituted by one of the following types: D&B, C-Hell ARC, EAW KF850, EV MT2/4, Xxxxxx W8, Xxxxx MSL3/4, Nexo Alpha.) Additional (side rack): 8 comp+xx xxxxx 2 gate 1 Delay d2 3 Spx CdR

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