Backline. If applicable, the Institution shall provide and pay for the backline (i.e., keyboards, drum set, etc. or any instruments not normally carried from venue to venue by the band members).
Backline. If applicable, the Institution shall provide and pay for the backline (i.e., keyboards, drum set, etc. or any instruments not normally carried from venue to venue by the band members). The Contractor shall pay any and all royalties required to be paid on copyrighted material, provided that the Institution shall be responsible for all applicable performance licenses (i.e., ASCAP/BMI).
Backline. Purchaser shall provide backline to Artist as per the attached Technical Rider.
Backline. We realize that the exact gear specified may not be available at all locations; however, we have tried to be as generic as possible, requiring industry standard stage gear. Please do not make any substitutions without TRB's consent. DRUMS TO BE SET UP WITH SEAT ON AMP LINE, ON THE PLATFORM.
Backline. Sabemos que o material que mencionamos poderá não estar disponível em todos os locais; no entanto, tentámos ser o mais genéricos possível, com requisitos que são o standard de mercado. Favor não sugerir substituições sem o consentimento prévio dos TRB. BATERIA A SER MONTADA COM O BANCO ALINHADO COM OS AMPLIFICADORES, NA PLATAFORMA. 1- bateria de 6 peças (preferência Mapex) com os seguintes componentes: 1 – bombo de 20"; 1 – tarola de 6.5" x 14"; 1 – timbalão de rack de 10"; 1 – timbalão de rack de 12"; 1 – timbalão de chão de 14"; 1 – timbalão de chão de 16"; 1 – pratos de choque de 15" (2 pratos, suporte de 2 pernas e pedal pesados); 1 – dark crash de 16"; 1 – dark crash de 18"; 1 – dark crash de 18"; 1 – china de 18"; 1 – heavy ride de 22" (preferência Paiste Rude, mínimo Alphas ou similar); 1 – pedal duplo para o bombo de corrente, não são aceites direct drives; Timbalões de rack em stand, não apoiados no bombo; Banco com encosto para baterialow rider.
Backline. PURCHASER at PURCHASER'S sole cost and expense shall provide any required instrumental rentals for the performance. Bass Amplifier: Minimum 100W Bass Amplifier Acceptable Manufactures include: Ampeg, Crate, Eden, Fender, Xxxxxxx-Xxxxxxx, Xxxxxxxx, Xxxxxx, Yamaha, etc. pg. 6 Your Name, Company Name, or Group Name Address Phone(s), Fax, Email(s) Full Drum Kit with Hardware: Drums: Bass drum (Kick), (1) Snare drum, (2) mounted Toms, (2) Floor toms. Full set of Cymbals. Hardware: (4) Cymbal Stands with Boom arms, Hi-Hat stand assembly with clutch, all Xxx holders, snare drum stand, drum stool, and bass drum pedal. Equipment Specifications: Acceptable Manufacturers: Yamaha Maple Custom or DW Collectors. Drum Sizes: Snare 5 X 14 or 6.5 X 14 (copper preferable. Maple will work ok as well.) 2 Mounted Toms : 10" X 10" and 10” X 12”, (Depth X Diameter) 2 Floor Toms (on legs) : 14” X 14” and 16” X 16”, (Depth X Diameter) 1 Bass Drum (Kick): 16" x 20", (Depth X Diameter) Full set of Cymbals Drum Heads: Coated Snare drum Batter (TOP) head, Bass Drum Front Head “with hole”, BRANDS Aquarian - "New Vintage" if possible. THE DRUM AREA MUST BE COVERED BY A RUG OR CARPET Additional Drum Sound Information: Microphones & Placement/Sound (Depending upon availability) Monitor preferably with INDEPENDENT MIX 3 Microphone Setup: Kick, Snare/Hi-Nat, & Overhead 4 Microphone Setup: Kick, Snare, Hi-Hat, Left Overhead, & Right Overhead Full Microphone Setup: Kick, Snare, Hi-Hat, 3 Xxx Xxxxx (with Claws) Left and Right Overheads pg. 7 Your Name, Company Name, or Group Name Address Phone(s), Fax, Email(s) Technical Questions Please Contact: Your Technical Person name phone/fax Address line 1 Address line 2 Rider Agreed To: Your Name or Company Name (not both) Purchaser Name pg. 8 Your Name, Company Name, or Group Name Address
Backline. Purchaser shall provide the following to Artist (if applicable): Drums: 22” (circumference) x 14” (depth) Kick Drum 13” (circumference) x 9” (depth) Rack 16” (circumference) x 16” (depth) Floor HiHat Stand 2 Straight Cymbal Stands Snare Stand Drum Throne Bass: Upright bass - 3/4 scale upright bass Ampeg SVT VR-Tube Head or Ampeg SVT Classic Tube Head Ampeg SVT 8x10” Speaker Cabinet
Backline. Purchaser shall provide a baby grand or grand piano for artist performance. The piano needs to be tuned prior to sound check on the day of show. Stage Stage should be a minimum of 20’ wide x 16’ deep x 3’ high. Stage should have adequate stairs on stage left side. Sound Requirements Front of house Mixing Console, minimum 40 functional mono inputs, high pass filter, phase reverse, Phantom power, with 4 bands of parametric eq including Sweepable LF, High Pass Filters, and 12 aux sends. 8 VCA’s and Sub groups Preferred consoles; Digidesign DShow Venue, Profile, Soundcraft, Yamaha (excluding GA series), Xxxxx + Xxxxx. Digital Yamaha M7CL, PM5D, Digi design SD 48, Soundcraft Vi6, etc. System must be at least stereo 3 way with enough power to run at an average of 115db C weighted, undistorted, at mix position, for the duration of the show. Center, Delay and In fills must be provided if the venue does not have adequate coverage in these areas. Amplification must be professional touring quality equipment ie; Crown Macro-Tech series, Lab Gruppen FP series, QSC power-light series, Camco, Crest 10001, 9001, 8001 etc. FOH Processing (Dedicated to Xxxxxxx Xxxx Excluding Support) 8 channels of noise gates 10 channels of compression 2 Reverb units, TC electronics M2000, M3000, SPX 990 1 Multi Effects, TC electronics Please if possible NO Behringer or Alesis. Monitors ARTIST RIDER revised 7/6/15 Page 3 Monitor console, minimum 40 functional mono inputs, high pass filter, phase reverse, with 4 bands of parametric eq and 8 aux sends. Preferred consoles; ; Digidesign DShow Venue, Profile, Soundcraft, Yamaha (excluding GA series), Xxxxx + Xxxxx. Digital Yamaha M7CL, PM5D, Digi design SD 48, Soundcraft Vi6, etc. Xxxxxxx Xxxx will need at least 3 dedicated monitor channels. Levels set at soundcheck are not to be changed until Xxxxxxx Xxxx’x Performance. Monitor system should consist of at least 4 mixes (2) across the front (2) sidefills. Downstage mixes (4 wedges jumped in pairs of 2) should be biamped and able to produce sound levels averaging 120db, undistorted, for the duration of the show. Sidefills should be triamped and be able to produce sound levels averaging 120 db, undistorted, for the duration of the show. Input List and Microphones Please see attached input list, this is the most current and will be the one used for this show. Please disregard any previously sent input lists as they are probably old and outdated. On it we also have the microphones that we will need ...
Backline. Xxxx will be bringing synths (and their stands), cymbals and a bass. PURCHASER shall provide the following equipment: DRUM SET Xxxx Xxxx is a Gretsch Drums and DW hardware artist, rentals should be at no cost. 1st Choice: Gretsch USA Custom/Broadkaster/Brooklyn/Renown. 2nd: Choice: Xxxxx, Xxxxxx, Yamaha in that order - 5x14” snare (preferably Brass but Wood is great too). Remo Coated Ambassador head on top - 12” Xxx and 16” Floor Xxx, both with Coated Ambassador heads on top. - 20” kick, Clear Xxxx Xxxxxxxxxxx batter side and Coated ambassador front side. NO HOLE and no muffling inside. If no 20” is available then 18” is second choice. - DW 9000 or similar bass drum pedal (5000 is fine too), three (3) cymbal stands (at least 1 boom stand), hi hat stand, two (2) snare stands total, drum throne. GUITAR STAND For bass on stage
Backline. PURCHASER shall provide the following: Backline equipment should be set up and on stage a minimum of two (2) hours before ARTIST'S sound check. PIANO 9' YAMAHA , STEINWAY MODEL D or FAZIOLI TUNED A440-442 (Black only)
