Mainstage MAIN. Should Equity claim punitive damages for a Mainstage Artist, Equity will use the standards of the ESCA and penalty payments for similar infractions in determining the amount of punitive damages. In no case may the damages exceed two (2) weeks' contractual fees.
Mainstage MAIN. A Deputy shall be elected for each revue on the first day of process. The Deputy shall have the duty and obligation to report non-compliance with the ESCA.
Mainstage MAIN. Whenever a breach is claimed of a billing clause contained in an Artist's individual ESCA Engagement Contract, Equity shall notify the Theatre in writing of said breach. Where it has been established that said breach has occurred as claimed, the Theatre shall pay to the Artist a sum equal to one- eighth (1/8) of the Artist's contractual fee for each week or part thereof that the breach continues following notification.
Mainstage MAIN. The names of all Performers and Stage Management shall be listed alphabetically on a houseboard either in front of the venue or prominently displayed inside the lobby. Should there be errors or omissions in this listing, provided such errors or omissions are not corrected within two business days after the day on which written notice is given to the Theatre, the Artist shall be paid one sixteenth (1/16) of the Artist’s contractual fee for each day the error goes uncorrected.
Mainstage MAIN. All clothing worn by the Artist in the Mainstage Company for use in the production, whether furnished by the Theatre or not, shall be cleaned or laundered at the Theatre’s expense, whenever necessary, but at least once every week. Costumes shall be aired, repaired, or replaced whenever necessary.
Mainstage MAIN. If the Theatre provides facilities for the safekeeping of the Artist’s personal valuables, jewelry, and/or cash not used in the production, while said articles are in any theatre, the Theatre shall be liable for loss and/or damage only if said personal valuables, jewelry, and/or cash are given to the Theatre or the Theatre’s agent for safekeeping. In this regard, the Theatre agrees to provide facilities for safekeeping of said articles, and to inform all Artists of it and of the necessity for using such facilities (under the provisions of this clause) by a written notice posted on the callboard. The Artist’s signature on this notice shall be deemed proper notice to the Artist of the existence of these facilities.
Mainstage MAIN. The Theatre will advise the Artist, to the best of its knowledge, the anticipated performance schedule at the time of negotiation of the Artist’s contract. The Artist will be notified at least forty-eight (48) hours in advance of any change in the performance schedule. However, the cancelation of a performance with less than forty-eight (48) hours’ notice shall not constitute a breach of this clause.
Mainstage MAIN. When an understudy takes the place of an Artist in a Mainstage production, or any Artist is replaced by another Artist, except in an emergency which occurs within one and one-half-hours (1 1/2) before curtain (in which case an announcement shall be made from the stage), the audience shall be informed in two (2) of the following three (3) ways:
(i) By means of a sign conspicuously and prominently posted in the lobby next to the Artists’ photographs, which shall say, “Appearing in tonight’s performance.” This sign shall be at least eight (8) by ten
Mainstage MAIN. If a Mainstage Artist leaves the cast after making a visual or sound recording the Theatre may, in lieu of making a new recording, pay the Artist a royalty for the continued use of the recording. Such royalty shall not be less than two-and-a-half (2-1/2%) percent of the Artist's contractual fee for each week of use.
Mainstage MAIN. By the Mainstage Artist giving written notice to the Theatre prior to the first day of engagement specified in the ESCA Engagement Contract, and paying the Theatre no less than two (2) weeks' contractual fee. Termination payments must be paid to the Theatre within two (2) weeks of the notice being given or by a schedule mutually agreed upon between the Artist and Theatre.
