STAGE AND BACKSTAGE AREA Sample Clauses

STAGE AND BACKSTAGE AREA. The Promoter will provide a reasonably size stage with an easy access, the front of the stage should have a black cloth and there must be a black backdrop. The stage will have steps on both sides; solid and well marked with lights on each side. Each step will be marked with white tape. The promoter will make sure that the stage will be clean at all times. The stage must be covered on outdoor shows, including monitor mix area and front of house. All the dressing rooms and toilet facilities will be in the backstage area. No one without a backstage pass will be admitted in this area, the promoter should make a list of local crew working on that day and give a copy to the Tour Manager upon his arrival. THE ARTIST BACKSTAGE PASSES WILL BE THE ONLY VALID PASS DURING THE WHOLE DAY. No audience will be allowed in this area at any time – before, sound check, during or after the show without the tour manager’s permission.
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STAGE AND BACKSTAGE AREA. The Promoter will provide a reasonably size stage with an easy access, the front of the stage should have a black cloth and there must be a black backdrop. The stage will have steps on both sides; solid and well-marked with lights on each side. Each step will be marked with white tape. The promoter will make sure that the stage will be clean at all times. The stage must be covered on outdoor shows, including monitor mix area and front of house. All the dressing rooms and toilet facilities will be in the backstage area. No one without a backstage pass will be admitted in this area, the promoter should make a list of local crew working on that day and give a copy to the Tour Manager upon his arrival. THE PERFORMANCE BACKSTAGE PASSES WILL BE THE ONLY VALID PASS DURING THE WHOLE DAY. No audience will be allowed in backstage area at any time – before, sound check, during or after the show without the tour manager’s permission. THE PROMOTER MUST PROVIDE THE FOLLOWING INFORMATION -Technical information sheet of the venue -Sound & Lighting specifications -Stage plot and backstage layout plot -Lighting plot -Hotel information -Local Production Manager phone, fax, email, address, and mobile phone -Itinerary of the day. X X PURCHASER ARTIST -1 Keyboard Nord Electro 6 HP73 version, heavy touch -1 Yamaha Montage 8 W/sustain pedal and MIDI volume pedal + 2 15ft 1/4" -1 M Audio oxygen 61 USB keyboard with MIDI Sustain pedal -2 15ft 1/4" audio cables for laptop computer interface -2 Mackie C200 monitors -1 Mackie pro FXV2 mixer -3 single ultimate support IQ2000 X stand -1 ultimate support Jam Stand piano bench -1 pearl 18 X 24 percussion trap table with double braced stand (for laptop computer -1Kickdrum 18”-1racktom 10” -1racktom 12” -1floortom 14” - 1 Maple snare drum 5 x 14 inch - 1 Maple snare drum 5,5”x 14 inch Yamaha hardware for Drums as follows: -1 xxx stand mounted for two toms – 1 set (3 in a set) of floor xxx legs - 2 single braced snare drum stand - 5 boom cymbal stands - 2 straight cymbal stands - 1 hi hat stand with clutch – 1 Bass drum pedal - 1 adjustable drum seat Preferable heads: Xxxxx Drumheads (UV1) All heads must be reasonably new and in good condition. Properly sized area rug or carpet to be placed underneath entire set, including hardware (stands). -Upright Acoustic Bass 3/4 with adjustable bridge, and xxxxxxx full circle pickup, with french bow -Ampli type Markbass xxxxxx xxxx 800 -2 Speakers Markbass New York 121 D2 -1 adjustable seat
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