COMBINING OF ROLES Sample Clauses

COMBINING OF ROLES. (1) When an ARTIST is engaged to perform two (2) roles in the same performance, other than two (2) solo bit roles, and that combination is not listed in Schedule C, then the combination of those two (2) roles should be considered to be equal to the next higher category of the higher of the two (2) roles if the roles are in separate categories, or the next higher category of the two (2) roles if the roles are in the same category, except when one of the roles is a Leading or Featured role in which case, each role shall be compensated separately. This does not apply to those multiple roles which traditionally have been performed by one (1) ARTIST. (2) When an ARTIST is engaged to perform two (2) or more solo bit roles in the same performance, ARTIST will be paid at the applicable rate for each solo bit role performed. (3) For any combination of roles not provided for herein, the minimum compensation of the ARTIST must be discussed with and approved by AGMA.
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COMBINING OF ROLES. (1) When an ARTIST is engaged to perform two (2) roles in the same performance, other than two (2) solo bit roles, and that combination is not listed in Schedule C, then the combination of those two (2) roles should be considered to be equal to the next higher category of the higher of the two (2) roles if the roles are in separate categories, or the next higher category of the two (2) roles if the roles or in the same category, except when one of the roles is a Leading or Featured role in which case, each role shall be compensated separately. This does not apply to those multiple roles which traditionally have been performed by one (1) ARTIST.
Sample 1
COMBINING OF ROLES. 1. When an ARTIST is engaged to perform two (2) roles in the same performance other than two solo bit roles, and that combination is not listed in Schedule C then the combination of those two (2) roles should be considered to be equal to the next higher category of the higher of the two (2) roles if the roles are in separate category, or the next higher category of the two (2) roles if the roles are in the same category, except when one of the roles is a leading or featured role in which case each role shall be compensated separately. This does not apply to those multiple roles which traditionally have been performed by one (1) ARTIST. 2. When an ARTIST is engaged to perform two (2) or more solo bit roles in the same performance ARTIST will be paid at the applicable rate for each solo bit role performed. 3. When a CHORISTER is engaged to perform two (2) or more chorus bit roles in the same performance, CHORISTER will be paid at the applicable rate for each chorus bit role performed. Chorus bit roles will normally be assigned to CHORISTERS performing in the opera. If a chorus bit role is not assigned to a member of the chorus performing in the opera, said chorus bit role(s) shall be paid at the solo bit rate. 4. For any combination of roles not provided for herein, the minimum compensation of the ARTIST must be discussed with and approved by AGMA.
Sample 1
COMBINING OF ROLES. (1) When an ARTIST is engaged to perform two (2) roles in the same performance, other than two (2) solo bit roles, and that combination is not listed in Schedule C, then the combination of those two (2) roles should be considered to be equal to the next higher category of the highest of the two (2) roles, except when one (1) of the roles is a Leading or Featured role in which case each role shall be compensated separately. This does not apply to those multiple roles that traditionally have been performed by one (1) ARTIST. (2) When an ARTIST is engaged to perform two (2) or more solo bit roles in the same performance, ARTIST will be paid at a rate of one and a half (1.5) times the prevailing Solo Bit rate. (3) For any combination of roles not provided for herein, the minimum compensation of the ARTIST must be discussed and mutually approved by AGMA and EMPLOYER.
Sample 1
COMBINING OF ROLES. When a Chorister is engaged to perform two (2) or more chorus bit roles in the same performance, Chorister will be paid at the applicable rate for each chorus bit role performed. Chorus bit roles will normally be assigned to Choristers performing in the opera. If a chorus bit role is not assigned to a member of the Chorus performing in the opera said chorus bit(s) shall be paid at the solo bit rate. For any combination of roles not provided for herein the minimum compensation of the Chorister must be discussed with and approved by AGMA (4) ADDITIONAL PERFORMANCES FOLLOWING THE PERFORMANCE WEEK: If a CHORISTER or a DANCER shall be required to take part in any additional performances following a performance week, he shall receive an additional compensation of one-sixth (1/6) of his individual contractual salary up to three (3) additional performances. For four (4) performances or four (4) days or more, the CHORISTER or DANCER must receive his contractual compensation for one (1) full week. (b) REHEARSAL WEEKS
Sample 1

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