Audio Rights. The Author grants MoonHouse first world audio rights to create a sound recording of the Work and publish it on the internet (including but not limited to MoonHouse’s podcast, “Written By Kids” in English on or before the Target Publication Date. The rights granted under the terms of this paragraph shall be non-exclusive. Copyright and ownership of the sound recording on the Work shall belong to MoonHouse. MoonHouse shall have final creative control of the sound recording
Audio Rights. 9. The Author grants the Publisher worldwide English language nonexclusive non-dramatic audio performance rights to the Story solely for use in an Episode of the Podcast.
Audio Rights. The Author grants NAT 1 LLC exclusive worldwide rights to publish the Work as an audiobook so long as the Work has been electronically published within eighteen (18) months of acceptance.
Audio Rights. You must check one box. By agreeing to appear on this conference program, you have agreed to “perform” your work in public. ITI routinely tape records all presentations, or ITI hires a firm to master and distribute such recordings on its behalf. ITI or its representative routinely makes these tape recordings available for sale during and after the conference. If you agree that we may record you, we will provide a free copy of your recorded remarks. (To receive your copy, pick up your tape at the recording desk.) Place an X in the appropriate box. I agree that my presentation can be audio taped. I do not grant permission to record my presentation. Your agreement to permit your remarks to be recorded is independent of the medium of distribution (currently via magnetic tape). In the future such recordings might be distributed in a different way, including but not limited to streaming digital audio from the Web site of ITI or its representative. Computers in Libraries 2005 Speaker Agreement & Permission Slip Page 2 of 2 Conference: Author: Title of Talk: In signing this agreement, you certify that the Work is your own, it does not violate anyone else’s copyright, it is not, to the best of your knowledge, intentionally libelous, defamatory, or factually inaccurate, and you have the authority to sign the agreement. You also give us permission to include your name in promotional materials and programs associated with this event, and, if indicated above, to record your public remarks and sell recordings of your oral presentation. Signature (enter your legal name): Date: Print Your Name: Mailing Address: Telephone: E-mail: DID YOU GIVE US PERMISSION TO RECORD YOUR REMARKS? Check the appropriate box on Page 1. Attention Federal Employees: If you are an employee of the U.S. government and if your presentation was written and performed as part of your job duties, you do not need to sign this agreement, just fill out the contact information and put an X here: This Work is in the public domain. Caution Corporate Writers: If you are appearing on this program as part of your job duties, follow company policy. Your employer may need to sign. Return this form in time to arrive before, or at, the time of your submission. Mail it to: Information Today, Inc. Meetings Department Attn: Xxxxx Xxxxx 000 Xxx Xxxxxxx Xxxx Xxxxxxx, XX 00000 U.S.A. Faxed submissions will be accepted at: 1 (609) 654-4309 Attn: Xxxxx Xxxxx If this is the electronic version of the form and if you are a u...
Audio Rights. For a further payment of $ USD, the AUTHOR grants to the PUBLISHER worldwide non-exclusive audio rights to the Work, solely for use in the MAGAZINE's podcasting program, provided that those rights are exercised within six months of publication of the Work in the MAGAZINE. The grant of rights to the PUBLISHER in the previous sentence is subject, however, to the following limitation: after one (2) year from the date of initial publication, AUTHOR may terminate the grant of non-exclusive audio rights and ask the PUBLISHER to remove the Work from the MAGAZINE’s audio archives at xxxxx://xxxxxxxxxxxxxxxxx.xxx, and the PUBLISHER agrees that it will comply within 30 days of such request.
Audio Rights. To prepare and publish dramatic and non-dramatic sound recordings of readings of the Work in complete, condensed, or abridged versions in any medium, including compact discs, or digital download or streaming, including audio MP3. Publisher or licensee reserves the right to edit the Work to satisfy recording time constraints.
Audio Rights. The Author grants to the Publisher worldwide non-exclusive audio rights to the Work, solely for use in Speculative City’s podcasting program, provided that those rights are exercised within one (1) year of publication of the Work in Speculative City. The grant of rights to the Publisher in the previous sentence is subject, however, to the following limitation: after one (1) year from the date of initial publication, Author may terminate the grant of non-exclusive audio rights and ask the Publisher to remove the Work from the magazine’s audio archives at xxxxxxxxxxxxxxx.xxx, and the Publisher agrees that it will comply within 90 days of such request. The Author also grants to the Publisher for a period of three (3) years the additional, non-exclusive right to collect the audio edition of the Work in the future in an audiobook containing the entire issue of the magazine containing the work. The Author shall receive one free copy of every audio edition of the book or anthology.
Audio Rights. The Author grants Nat 1 Publishing either First World Audio Rights or Audio Republication Rights for the Work to be included in a Nat 1 multi-author anthology so long as the first printing is within eighteen (18) months of signing this Agreement.
