Casting. A new Paragraph C. is added to CBA, Section 47 as follows:
Casting. Casting decisions are made by Philadelphia Ballet’s Artistic Team on the basis of height, musicality, presence, behavior, work ethic and technique. Casting decisions are final and non-negotiable.
Casting. The Artistic Director makes all casting decisions after consulting with the NMBC artistic staff, and is responsible for all production matters. All casting decisions are final and non-negotiable. Dancers must fulfill their obligation to do ALL of the roles assigned to them, including understudy assignments. Conflicts and unexcused absences will affect casting at the Artistic Director’s discretion. All dancers must complete the conflict section for review and approval or disapproval. Simply stating a conflict exists does not guarantee an excused absence. If a dancer has a legitimate conflict with the rehearsal or performance schedule, the dancer must request a meeting with the Artistic Director, preferably during the audition weekend or at casting.
Casting. Casting is the responsibility of the School Director who must consider the specific needs of an entire production. Dancers are required to accept the roles for which they are cast and are encouraged to think in terms of dancing as part of a complete production rather than dancing an isolated piece of the production that may or may not fit what they had in mind for themselves. Every member of the Company or Apprentice Company may not be cast in every performance, but are still expected to serve as understudies. Casting as an understudy should be considered as an opportunity to learn and dance a role, not as an unnecessary or unimportant task. Understudies are essential in every production and are often required to perform a role. Dancers not cast in a production are still expected to be present at all rehearsals and performances as understudies and in support of their fellow dancers.
Casting. The cast, director, artistic staff and design elements, including all replacements thereof and understudies therefore, shall be subject to the exclusive approval of the Essential Theatre.
Casting. In the case where class is to be observed for the purposes of casting, the Dancers will be notified of such no less than forty-eight (48) hours in advance, so that they may prepare accordingly.
Casting. On completion of 3rd Floor Slab Casting 10% of Total Consideration + GST as applicable On completion of Brick Work of Floor 10% of Total Consideration + GST as applicable On completion of POP 10% of Total Consideration + GST as applicable On completion of Flooring 5% of Total Consideration + GST as applicable On or before Possession 5% of Total Consideration + GST as applicable
Casting. (a) Unless specified otherwise in writing at the time of signing the contract, the Casting of the production shall be the Manager’s exclusive right and responsibility, subject to consultation with the Director (if available) and consideration being given to his/her view.
(b) Where the Director is delegated the responsibility for casting (see(a) above) then the Manager shall inform the Director of the relevant ITC/Equity conditions with which the Director shall comply, including the Integrated Casting and Equal Opportunity Policy, the Casting Agreement, and the Nudity and Simulated Sex Appendix.
(c) The Manager shall operate and assist the Director to operate ITC/Equity’s Integrated Casting Policy as defined in Appendix 4 of this agreement and both parties shall consider any part capable of being played by an actor of any race and irrespective of disability (subject to any exemptions agreed by ITC and Equity).
Casting. A. Casting which is done outside the studio shall be conducted on a business- like basis, with regular business hours and telephone service.
B. No audition shall be conducted in a private hotel room or residence where the performer is alone with representatives of production, except that in the event that no alternative site is available for an audition, the performer shall be entitled to have a person of the performer’s choice present and allowed to maintain physical access to the performer at all times during the audition, provided that the person abides by applicable Company policies.”
Casting. ARTISTIC TEAM 5.3 CO.MEMBERS’ CONTRACTS
