Artistic Director Sample Clauses

Artistic Director. The Artistic Director, Xxxxx Xxxx, will advise IAYO on the development of the Festival and will work to programme the Festival concerts, assisting each orchestra in the selection of their programme and co-ordinating the overall repertoire for the day. The Artistic Director will also make sure that the length of each programme is in line with requirements and that there are no ‘clashes’ (same piece performed twice at the Festival). It is intended to finalise the programme by October 2011.
Sample 1See All (4)
AutoNDA by SimpleDocs
Artistic Director. Xxxxxx X. Xxxxxxx began her career as a member of the Dance Theatre of Harlem, under the direction of Xxxxxx Xxxxxxxx, dancing lead roles in Serenade, Four Temperaments, Agon, and Concerto Barocco, all by Xxxxxx Xxxxxxxxxx. She has also appeared as a guest artist with Complexions Contemporary Ballet. Her Broadway credits include Hot Feet, Memphis, Leap of Faith (Assistant Choreographer) and Motown: The Musical. Her regional theatre credits include Sophisticated Ladies, The Wiz, Xxx Xxxxxxx Live, Xxxxxx Xxx’s Cafe (Ovation Nominee, Xxxxx Xxxxxx Award nominee), Trip of Love, Chicago, and A Wonderful World. Film/TV credits include: Across the Universe, Walk Hard, The Princess and the Frog, Xxxxxx, She’s Gotta Have It (Netflix), Starz dramas Flesh and Bone (Yasmine) and Power, Glee, House, and The Academy Awards, to name a few. Xx. Xxxxxxx is the co-founder and Creative Director of Broadway Serves, a non-profit organization whose mission is to engage theater professionals in community service opportunities locally, nationally, and abroad. During the pandemic, she turned her focus to teaching full time for her home studio of Xxxxx-Xxxxxxx Dance School in Washington, DC. She also galvanized the theatre community in a series of conversations on Instagram called Pass the Mic Broadway, an initiative that sparked dialogue about social justice issues between Black and White female theatre makers. She is a proud member of AEA and SAG-AFTRA.
Sample 1Sample 2
Artistic Director. The Artistic Director is responsible for a successful progress and artistic level of the ESMA. As the head of the board of ESMA, he/she is responsible for the concert programs based on suggestions of the academic staff. The Artistic Director approves student nominations for all concert performances. He/she should ensure good communication and work atmosphere among professors and between professors and students. He can make suggestions to the local implementer and organizer about new activities or events of ESMA.
Sample 1Sample 2
Artistic Director. The Artistic Director shall be approved by the Board of the Corporation and shall serve for a period of time that is mutually agreeable to both the Board and the Artistic Director. The Artistic Director shall have final approval over all musical selections performed by the Corporation. The Artistic Director shall have final approval over all musical performers in the Corporation, and shall perform all other duties normally and commonly associated with the director or conductor of a musical ensemble.
Sample 1
Artistic Director. Only the Artistic Director or one (1) equivalent staff member responsible for the artistic direction of the Theatre may direct productions for his/her Theatre without being subject to the terms of this Clause 42. In the case of Joint Productions with more than two (2) partners, this Clause may apply only to the Artistic Directors or his/her equivalent of the first two (2) Theatres. When an Artistic Director or his/her equivalent directs at any Theatre other than his/her own, except as provided for above, he/she will be subject to the terms of Clause 42. Clause 4211 shall only apply to PACT Theatres. Multiple Assignments No Director shall stage manage the production which he/she is directing. A Director who also functions as a Choreographer of a production which he/she directs must be paid an additional fee equal to fifty (50%) percent of the appropriate Company Category fee for a Choreographer specified in Clause 4304. In the event that dance elements are included in the production which are not intrinsic to its nature and were not envisaged as being required, but their inclusion develops solely at the Directors discretion, this Clause shall not apply. The following Clauses do not apply to Directors: Clause No. 606 607 1404 1406 1407 1408 1410 1414 1415 1612 18 19 20 21 2801 2802 Auditions Code Sex and Nudity Additional Duties Point of Origin (Weekly Contractual Fees) Outside Point of Origin Return from Overnight Tour Vacation Pay (except as provided for in Clause 4202(A)) Regular Overtime Rates Overnight Rest Period Infringement Non-Members, etc. Rehearsal Conditions (except Clauses 1801(G), as provided for in Clause 4202(D)) Costume Fittings Performances Clothes and Make-Up Continuous Engagement Engagement Contracts - Minimum Period 1996.99 CTA - page 91 2907 33 34 35 38 39 4003 4004 4005 4006 4007 4008 4009 4011 4014 4015 4017 4018 41 4101 43 44 46 As Cast Understudies Changes in Cast and Replacement of Actors Part Cut Out Termination Visual or Sound Recordings (Use in Production) Recordings and Broadcasts - Maximum Call Recording on Day with No Performance Recording Rates Recording Rates (Exclusive of Radio and Cast Albums) ACTRA Contracts Recordings and Broadcasts - Overtime Residual Payments Recordings and Broadcasts Recordings and Broadcasts Spot Commercials of Less Than One Minute Recordings and Broadcasts Recordings and Broadcasts Recordings and Broadcasts, Non-Commercial Use (second sentence of preamble only) Current Affairs Program Choreographer...
Sample 1
Artistic Director. Artists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . absent from point-of-origin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . bargaining representatives III, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . billing breaches . ............................................................................ ...... .............................................................................. contractual . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . defaulting Artist 7 discipline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 employees II. iii . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . filing contract . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . inability to rehearse/perform (intoxication/impairment) 2 independent contractors II. iii . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . penalty by Theatre 7 photographs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . prosecuted . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . replacement . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . transportation (see also Travel) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xxxxxxx (releases) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Assistant Choreographers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Assistant Directors Auditions ...................................... accompanist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 callbacks; XXX(C), . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 castin...
Sample 1
Artistic Director. Xxxxxx X. Xxxxxxx began her career as a member of the Dance Theatre of Harlem, under the direction of Xxxxxx Xxxxxxxx, dancing lead roles in Serenade, Four Temperaments, Agon, and Concerto Barocco, all by Xxxxxx Xxxxxxxxxx. She has also appeared as a guest artist with Complexions Contemporary Ballet. Her Broadway credits include Hot Feet, Memphis, Leap of Faith (Assistant Choreographer) and Motown The Musical. Her regional theatre credits include Sophisticated Ladies, The Wiz, Xxx Xxxxxxx Live, Xxxxxx Xxx’s Cafe (Ovation Nominee, Xxxxx Xxxxxx Award nominee and winner for Outstanding Off-Broadway Ensemble), Trip of Love, Chicago, and A Wonderful World. Film/TV credits include: Across the Universe, Walk Hard, The Princess and the Frog, Xxxxxx, She’s Gotta Have It (Netflix), Starz dramas Flesh and Bone (Yasmine) and Power, Glee, House, and The Academy Awards, to name a few. Xx. Xxxxxxx is the co-founder and Creative Director of Broadway Serves, a non-profit organization whose mission is to engage theater professionals in community service opportunities locally, nationally, and abroad. During the pandemic, she turned her focus to teaching full time for her home studio of Xxxxx-Xxxxxxx Dance School in Washington, DC. She also galvanized the theatre community in a series of conversations on Instagram called Pass the Mic Broadway, an initiative that sparked dialogue about social justice issues between Black and White female theatre makers. She is a proud member of AEA and SAG-AFTRA. Xxxxxx Xxxxxx
Sample 1
AutoNDA by SimpleDocs

Related to Artistic Director

  • School Board Any reference to School Board or District in this Agreement shall mean the District and/or its designated officials.

  • Executive Director (a) The HMO must employ a qualified individual to serve as the Executive Director for its HHSC HMO Program(s). Such Executive Director must be employed full-time by the HMO, be primarily dedicated to HHSC HMO Program(s), and must hold a Senior Executive or Management position in the HMO’s organization, except that the HMO may propose an alternate structure for the Executive Director position, subject to HHSC’s prior review and written approval.

  • Medical Director The Contractor shall employ the services of a Medical Director who is a licensed Indiana Health Care Provider (IHCP) provider board certified in family medicine or internal medicine. If the Medical Director is not board certified in family medicine, they shall be supported by a clinical team with experience in pediatrics, behavioral health, adult medicine and obstetrics/gynecology. The Medical Director shall be dedicated full-time to the Contractor’s Indiana Medicaid product lines. The Medical Director shall oversee the development and implementation of the Contractor’s disease management, case management and care management programs; oversee the development of the Contractor’s clinical practice guidelines; review any potential quality of care problems; oversee the Contractor’s clinical management program and programs that address special needs populations; oversee health screenings; serve as the Contractor’s medical professional interface with the Contractor’s primary medical providers (PMPs) and specialty providers; and direct the Quality Management and Utilization Management programs, including, but not limited to, monitoring, corrective actions and other quality management, utilization management or program integrity activities. The Medical Director, in close coordination with other key staff, is responsible for ensuring that the medical management and quality management components of the Contractor’s operations are in compliance with the terms of the Contract. The Medical Director shall work closely with the Pharmacy Director to ensure compliance with pharmacy-related responsibilities set forth in Section 3.4. The Medical Director shall attend all OMPP quality meetings, including the Quality Strategy Committee meetings. If the Medical Director is unable to attend an OMPP quality meeting, the Medical Director shall designate a representative to take his or her place. Notwithstanding the Medical Director ‘s sending of a representative, the Medical Director shall be responsible for knowing and taking appropriate action on all agenda and action items from all OMPP quality meetings.

  • Director Director/Secretary The Corporate Seal of the Secretary of State for Education, hereunto affixed is authenticated by: ..........................................

  • Program Director The primary contact for managing Match activities for a designated program.

  • Chair The Chair of the Union/Management Committee shall alternate between an Employer representative and a representative of the Union.

  • Project Director The individual designated by the juvenile board or Chief Administrative Officer, who is to be responsible for the administration and coordination of grant funds in accordance with this Contract ,, the general grant requirements, and applicable Targeted Grant requirements.

  • Executive Directors (a) The Executive Directors shall be responsible for the conduct of the general operations of the Bank, and for this purpose, shall exercise all the powers delegated to them by the Board of Governors.

  • Vice Chairperson The Vice Chairperson shall act in place of the Chairperson in the event of the Chairperson’s absence, inability, or refusal to act, and shall exercise and discharge such other duties as may be required by the Committee. The Vice Chairperson shall serve as the parliamentarian and interpret any ambiguities of the bylaws.

  • Chairperson The Chairperson will supervise and control the affairs of the Committee and shall exercise such supervisory powers as may be given him/her by the Members of the Committee. The Chairperson will perform all duties incident to such office and such other duties as may be provided in these bylaws or as may be prescribed from time to time by the Committee. The Chairperson shall preside at all meetings and shall exercise parliamentary control in accordance with Xxxxxx’s Rules of Order.

Time is Money Join Law Insider Premium to draft better contracts faster.