Artistic Director. The Artistic Director, Xxxxx Xxxx, will advise IAYO on the development of the Festival and will work to programme the Festival concerts, assisting each orchestra in the selection of their programme and co- ordinating the overall repertoire for the day. The Artistic Director will also make sure that the length of each programme is in line with requirements and that there are no ‘clashes’ (same piece performed twice at the Festival). It is intended to finalise the programme by October 2025.
Artistic Director. Xxxxxx X. Xxxxxxx began her career as a member of the Dance Theatre of Harlem, under the direction of Xxxxxx Xxxxxxxx, dancing lead roles in Serenade, Four Temperaments, Agon, and Concerto Barocco, all by Xxxxxx Xxxxxxxxxx. She has also appeared as a guest artist with Complexions Contemporary Ballet. Her Broadway credits include Hot Feet, Memphis, Leap of Faith (Assistant Choreographer) and Motown: The Musical. Her regional theatre credits include Sophisticated Ladies, The Wiz, Xxx Xxxxxxx Live, Xxxxxx Xxx’s Cafe (Ovation Nominee, Xxxxx Xxxxxx Award nominee), Trip of Love, Chicago, and A Wonderful World. Film/TV credits include: Across the Universe, Walk Hard, The Princess and the Frog, Xxxxxx, She’s Gotta Have It (Netflix), Starz dramas Flesh and Bone (Yasmine) and Power, Glee, House, and The Academy Awards, to name a few. Xx. Xxxxxxx is the co-founder and Creative Director of Broadway Serves, a non-profit organization whose mission is to engage theater professionals in community service opportunities locally, nationally, and abroad. During the pandemic, she turned her focus to teaching full time for her home studio of Xxxxx-Xxxxxxx Dance School in Washington, DC. She also galvanized the theatre community in a series of conversations on Instagram called Pass the Mic Broadway, an initiative that sparked dialogue about social justice issues between Black and White female theatre makers. She is a proud member of AEA and SAG-AFTRA.
Artistic Director. The Artistic Director is responsible for a successful progress and artistic level of the ESMA. As the head of the board of ESMA, he/she is responsible for the concert programs based on suggestions of the academic staff. The Artistic Director approves student nominations for all concert performances. He/she should ensure good communication and work atmosphere among professors and between professors and students. He can make suggestions to the local implementer and organizer about new activities or events of ESMA.
Artistic Director. Artists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . absent from point-of-origin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . bargaining representatives III, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . billing breaches . ............................................................................ ...... .............................................................................. contractual . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . defaulting Artist 7 discipline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 employees II. iii . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . filing contract . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . inability to rehearse/perform (intoxication/impairment) 2 independent contractors II. iii . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . penalty by Theatre 7 photographs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . prosecuted . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . replacement . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . transportation (see also Travel) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xxxxxxx (releases) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Assistant Choreographers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Assistant Directors Auditions ...................................... accompanist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 callbacks; XXX(C), . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 castin...
Artistic Director. In the event the EMPLOYER replaces the current Artistic Director Xxxxx Xxxxxxxx between December 1st – March 1st, each ARTIST employed by EMPLOYER pursuant to an Individual Employment Contract at the time of such replacement shall be guaranteed reengagement at the ARTIST’s then-current rank for the contract year immediately following such replacement. This provision shall not apply to Apprentices employed in the year of Xx. Xxxxxxxx’x replacement. This guaranteed reengagement of DANCERS shall fulfill the EMPLOYER’S obligations to any DANCER covered by paragraph 6.(f)(2) in the year of the Artistic Director’s replacement. This provision shall not apply in the event that the EMPLOYER replaces any Artistic Director employed subsequent to Xx. Xxxxxxxx. The EMPLOYER agrees that it will not manipulate the timing of the replacement of Xx. Xxxxxxxx in order to avoid the obligations of this provision.
Artistic Director. Only the Artistic Director or one (1) equivalent staff member responsible for the artistic direction of the Theatre may direct productions for his/her Theatre without being subject to the terms of this Clause 42. In the case of Joint Productions with more than two (2) partners, this Clause may apply only to the Artistic Directors or his/her equivalent of the first two (2) Theatres. When an Artistic Director or his/her equivalent directs at any Theatre other than his/her own, except as provided for above, he/she will be subject to the terms of Clause 42. Clause 4211 shall only apply to PACT Theatres. No Director shall stage manage the production which he/she is directing. A Director who also functions as a Choreographer of a production which he/she directs must be paid an additional fee equal to fifty (50%) percent of the appropriate Company Category fee for a Choreographer specified in Clause 4304. In the event that dance elements are included in the production which are not intrinsic to its nature and were not envisaged as being required, but their inclusion develops solely at the Directors discretion, this Clause shall not apply. The following Clauses do not apply to Directors: Clause No. 606 607 1404 1406 1407 1408 1410 1414 1415 1612 18 19 20 21 2801 2802 Auditions Code Sex and Nudity Additional Duties Point of Origin (Weekly Contractual Fees) Outside Point of Origin Return from Overnight Tour Vacation Pay (except as provided for in Clause 4202(A)) Regular Overtime Rates Overnight Rest Period Infringement Non-Members, etc. Rehearsal Conditions (except Clauses 1801(G), as provided for in Clause 4202(D)) Costume Fittings Performances Clothes and Make-Up Continuous Engagement Engagement Contracts - Minimum Period 1996.99 CTA - page 91 33 34 35 38 4011 4014 4015 4017 4018 41 4101 43 44 46 As Cast Understudies Changes in Cast and Replacement of Actors Part Cut Out Termination Visual or Sound Recordings (Use in Production) Recordings and Broadcasts - Maximum Call Recording on Day with No Performance Recording Rates Recording Rates (Exclusive of Radio and Cast Albums) ACTRA Contracts Recordings and Broadcasts - Overtime Residual Payments Recordings and Broadcasts Recordings and Broadcasts Spot Commercials of Less Than One Minute Recordings and Broadcasts Recordings and Broadcasts Recordings and Broadcasts, Non-Commercial Use (second sentence of preamble only) Current Affairs Program Choreographers Stage Management Vacations (except as provided for in Clause 4...
Artistic Director. The Artistic Director shall be approved by the Board of the Corporation and shall serve for a period of time that is mutually agreeable to both the Board and the Artistic Director. The Artistic Director shall have final approval over all musical selections performed by the Corporation. The Artistic Director shall have final approval over all musical performers in the Corporation, and shall perform all other duties normally and commonly associated with the director or conductor of a musical ensemble.
Artistic Director. Xxxxxx Xxxxxxx began her career as a member of the Dance Theatre of Harlem, under the direction of Xxxxxx Xxxxxxxx, dancing lead roles in Serenade, Four Temperaments, Agon, and Concerto Barocco, all by Xxxxxx Xxxxxxxxxx. She has also appeared as a guest artist with Complexions Contemporary Ballet. Her Broadway credits include Hot Feet, Memphis, Leap of Faith (Assistant Choreographer) and Motown The Musical. Her regional theatre credits include Sophisticated Ladies,The Wiz, Xxx Xxxxxxx Live, Xxxxxx Xxx’s Cafe (Ovation Nominee, Xxxxx Xxxxxx Award nominee and winner for Outstanding Off-Broadway Ensemble), Trip of Love, Chicago, and A Wonderful World. Film/TV credits include: Across the Universe, Walk Hard, The Princess and the Frog, Xxxxxx, She’s Gotta Have It (Netflix), Starz dramas Flesh and Bone (Yasmine) and Power, Glee, House, and The Academy Awards, to name a few. Xx. Xxxxxxx is the co-founder and Creative Director of Broadway Serves, a non-profit organization whose mission is to engage theater professionals in community service opportunities locally, nationally, and abroad. As a community artivist, she galvanized the theater community in a series of conversations on Instagram called Pass the Mic Broadway, an initiative that sparked dialogue about social justice issues between Black and White femme theater makers. She is a proud member of AEA and SAG-AFTRA. Xxxxxx Xxxxxx was invited by Xxxxxxx Xxxxxxxxxxx to join American Ballet Theatre at the age of 16. Her career spanned 17 years with ABT reaching the rank of Principal dancer. Xx. Xxxxxx is known for her pure classicism and vivid characterizations. While maintaining her career with ABT, Xx. Xxxxxx joined the acclaimed Xxxxx Xxxxx Dance Company in 2000. During her time with TTD, Xx. Xxxxx created the hit Broadway show Movin’ Out and the role of Xxxx on Xx. Xxxxxx. Her interpretation of this role earned her both XXXX Award and Xxxx Xxxxxxx Dance Award nominations. As well as continuing her performing career, Xx. Xxxxxx teaches ballet at the Xxxx Xxxxxx Dance Group, Steps on Broadway, The School at Steps, Xxxxxx Dance, and Xxxxxxx College. Xx. Xxxxxx was awarded an Honorary Doctorate of Humanities from Xxxxxxx College in the spring of 2011. She joined Ballet Tech’s faculty in 2016.
