Fight Captain Sample Clauses

Fight Captain. ‌ A "Fight Captain" is an Artist engaged to monitor stage fights for the duration of the production.
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Fight Captain. ‌ A Fight Captain is an Artist designated by the Engager to provide or be responsible for the following services and duties:
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Fight Captain. ‌ A Fight Captain must be an Artist member of the company engaged for the duration of one (1) or more productions throughout the season. A Fight Captain shall be paid the additional weekly fee specified in Clause 18:01 in addition to the Artist's contractual in-town fee for each week or part thereof from the date of the first fight rehearsal of a production through to the final performance of said production.
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Fight Captain. ‌ The Engager shall assign a "Fight Captain" to monitor the stage fight(s) for the duration of the production. (See Clause 16:11 for the definition of "Fight Captain".)
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Fight Captain. A “Fight Captain” is the Ballet Master/Mistress or a dancer so designated by the Ballet, in consultation with the Fight Director, to provide or be responsible for the following services and duties:
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Fight Captain. If an Artist is engaged as a Fight Captain, the Artist shall be paid a weekly fee of no less than the amount as specified below in addition to the Artist’s contractual in-town fee for each week or part thereof from the date of the first fight rehearsal of a production through to the final performance of said production. 2017-2020 Weekly Fee $52.50 12:10 Tickets
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Fight Captain. If the Fight Director or Fight Choreographer is not present during the run of the production, a Fight Captain must be selected within the first week of fight/stunt rehearsals. If an Actor engaged under an Equity contract agrees to accept the assignment of Fight Captain, a rider indicating such agreement shall be executed between the Actor and the University and/or Theatre.
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Fight Captain. The term “Fight Captain” shall refer to an individual assigned as Fight Captain under Rule 63(B) whose duties include supervising fight calls, taking notes on stage fighting/stunts during the show and communicating those notes as needed to Actors, the Stage Manager, and/or the Theatre, maintaining stage fighting/stunts during the run of the production, rehearsing stage fighting/stunts with understudies and replacements, and informing the Theatre of any safety concerns that could affect stage fighting/stunts (e.g., the condition of the stage or a prop).
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Fight Captain 
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