RECORDING AND BROADCAST. All television, broadcast, video, or sound recording rights are reserved to the COUNTY but said rights may be acquired by negotiation with the COUNTY. Any arrangements made by LICENSEE in this regard are at its sole expense and liability. If your event is expected to attract media attention, please advise the COUNTY so they may arrange for early entry, additional electricity, or special access needs. I Agree To The Above (Required): Option Signature of Agreement - User Agreement; Community Buildings
RECORDING AND BROADCAST. 19.01 In the event the Employer permits or reproduces an attraction for commercial use in whole or in part covered hereunder using audiotape, videotape, film, broadcast, webcast, streaming (live or otherwise) or any other form of reproduction currently in existence or to be developed in the future, Wardrobe, Make up and Hair work, which is normally within the competence of the Union, shall be handled by the Employees supplied by the Union, and all Employees so employed shall be paid an additional premium of fifty percent (50%) the prevailing hourly rate per hour for the entirety of the call. For the purposes of this provision, an audio or visual recording shall be considered commercial use when there is a direct correlation of such recording and financial gain. For example, if an Artist live-streams a performance whereby the viewers of such live-stream are required to purchase access to the performance, such shall be considered commercial use. The parties acknowledge that any additional compensation for commercial broadcast and/or recording by anyone other than the Employer shall be a subject of negotiations between the Union and the producer of such broadcast and/or recording.
RECORDING AND BROADCAST. 13.01 In the event the Employer reproduces an attraction covered hereunder using audiotape, videotape, film, broadcast, webcast or any other form of reproduction currently in existence or to be developed in the future (hereinafter “Reproduction”), the following provisions shall apply.
RECORDING AND BROADCAST. This Article covers the recording (preservation) of the audio and/or visual aspects of a theatrical production in whole or in part through the use of any device now in existence or yet to be developed. The resulting product shall be referred to as a recording. Other than as set out below, the Ballet shall not make, or allow to be made, or enter into any agreement for the making of, any recording without the express agreement of Equity which will not be unreasonably withheld. Any such recording as set out below shall only be made with the permission of the Ballet and the consent of Equity. No Artist shall be required to take part in any recording, except for those provided for below and the Artist shall not knowingly participate in any recording except as set out below. All Artists shall receive at least twenty-four (24) hours’ notice before the recording being made.
RECORDING AND BROADCAST. 16.01 Unless expressly provided for in this Article, there shall be no premium payment where a recording or broadcast session is called, and without limiting the generality of the foregoing, there shall be no premium payment where a recording or broadcast session is called to produce:
RECORDING AND BROADCAST. 19.1 Where a theatrical production or a concert produced on a temporary or permanent stage, or other event for which stage employees are engaged, on the grounds of Exhibition Place is recorded or broadcast (with or without an audience), in whole or in part, by any means whatsoever, stage employees shall be paid a fifty (50%) percent premium over the applicable hourly or performance rate for time actually worked during the recording or broadcast session, unless the recording or broadcast session is called:
RECORDING AND BROADCAST. First Use: Except as otherwise explicitly provided in this Agreement, no service or any part thereof shall be recorded, reproduced, or transmitted from the place of service in any manner or by any means whatsoever, by the Contracting Party, or by any other person(s), in the absence of the specific written agreement with the American Federation of Musicians International Office. - Subsequent Use: Should any recording created under the terms of this Agreement ever be utilized for any purpose not explicitly set forth herein, including, but not limited to grant application, displacement of musicians in rehearsal or performance, demonstration or marketing of services or product by any group or individual, local, national or foreign broadcast, Internet, phonograph records, promos or commercial announcements, or background music for any type of sound or film program, the Contracting Party shall enter into and comply with all conditions required by the appropriate Agreement of the American Federation of Musicians, including, but not limited to, the payment of 200% of the prevailing wages and allied benefits outlined therein.
RECORDING AND BROADCAST. This Article covers the recording (preservation) of the audio and/or visual aspects of a theatrical production in whole or in part through the use of any device now in existence or yet to be developed. The resulting product shall be referred to as a recording. Other than as set out below, the Engager shall not make, or allow to be made, nor enter into any agreement for the making of, any recording without the express agreement of CAEA which will not be unreasonably withheld. Any such recording as set out below shall only be made with the permission of the Engager and the consent of CAEA. No Artist shall be required to take part in a recording. The Artist shall not knowingly participate in any recording except as set out below. All Artists shall receive at least one (1) week’s notice before the recording being made.
RECORDING AND BROADCAST. 60. Orchestra Victoria Recording and Broadcast The Company and its musicians jointly recognise that recording and broadcast and use of digital technology provides Orchestra Victoria with opportunities to increase access to its work, engage people in the art form, build our profile and showcase our artists.
