Archival Recordings. Company may photograph, videotape, or otherwise record rehearsals and performances of the Work for internal archival and study purposes and to assist Company in staging and rehearsing the Work. Company, upon request by Designer, will provide Designer with one copy of the archival recording.
Archival Recordings. A Multi-Platform up-front payment will be required for the first release of any material from a program previously captured for archival purposes that has not been previously released under the terms of the IMA or other applicable AFM Agreement. A Multi-Platform Release of material that has been previously released under a prior IMA or other applicable AFM Agreement, may require a step-up payment if the rates in section B.1 above are higher than the original upfront payment. For archive recordings older than 8 years, where the number of Musicians to be paid is unusually large, with the approval of the Orchestra Committee, the amount of the up-front payment to each Musician may be reduced, so that the total amount to be divided equally among the Musicians paid shall be equal to 125% of the cost of paying all of the current Orchestra members.
Archival Recordings. The foregoing notwithstanding, the Engager may make study films and/or videotapes during regular rehearsal hours under the following conditions:
Archival Recordings. For archival purposes of the Theatre, or other official library theatrical archive, the Theatre shall have the right to make a film, videotape, or other visual record of the final dress rehearsal or of performances. Such record shall be labeled “for archival use only”. The Theatre shall notify in advance, in writing, the Designer and the UNION prior to any such filming or taping.
Archival Recordings. Recordings of a production may be made for archival purposes under the following terms:
Archival Recordings. The Society may, at its discretion, designate a qualified person to make recordings of orchestra performances (subject to guest artist and composer approval) provided the following conditions are met:
Archival Recordings. An Archival Recording is a recording made for the sole purpose of documenting technical and performance aspects of a production. Archival Recordings are exclusively for use of those creative and management employees directly associated with the Company or the Sydney Opera House. Archival Recording are not intended to create a direct commercial benefit for the hirer, and are not to be used for broadcast, exhibition, distribution or sale in any form. When there is a written undertaking from the hirer, an archival recording may be used for the following purposes:
Archival Recordings. The Manager shall be entitled (without payment to the Actor or member of Stage Management) to make a video recording of a Performance strictly and solely for the
Archival Recordings. AGMA will permit the EMPLOYER to make audio and video tapes which are marked and restricted for archival and study purposes for the executive use of the EMPLOYER for remounting productions. Should there be any release, distribution, sale or any other usage made of these “study” or “archival” tapes, the EMPLOYER agrees to compensate all ARTISTS the appropriate prevailing compensation. The following disclaimer shall appear on all tapes: “This recording was primarily produced for archival purposes. It represents a live concert performance. Unauthorized reproduction, distribution, and/or public performance is prohibited.” The parties hereby agree that this Article encompasses the EMPLOYER’S use of audio and visual tapes for the purposes of fund raising, development, and grant satisfaction, without the need for compensation to the Choristers for the use of such tapes for the aforementioned purposes. The EMPLOYER will maintain responsibility for subsequent use of such tapes if they are distributed to other parties, and agrees that if any party receives compensation for the use of such tapes (other than monies received in connection with the EMPLOYER’S fund raising, development, and grant satisfaction) the Choristers will be compensated in accordance with this Agreement. The EMPLOYER will provide information upon request regarding its intended use of such tapes for fund raising, development and grant satisfaction purposes.
Archival Recordings. There shall be no sound or visual recording of any performance by a musician without the agreement of the MU, but the MU shall not object to sound or visual recordings being made of RSC productions for archival purposes provided that:
