Single Production and Stock Sample Clauses

Single Production and Stock. ‌ During the last ten (10) days of rehearsal prior to the first public performance of a single production or any production in a stock season, there may be a total of four (4) days where either:

Single Production and Stock. During the last ten days of rehearsal prior to the first public performance of a single production or any production in a stock season, there may be a total of four days where: the Artist may be called to rehearse ten out of twelve consecutive hours per day with a break of at least two hours after a maximum of five hours of rehearsal. This break may be reduced to one-and-one-half hours if the span of the is reduced to eleven-and-one-half hours. These four days must involve on-stage, technical or dress rehearsals; Artist may be called to rehearse for up to two days in the rehearsal hall for nine out of eleven consecutive hours with a break of at least two hours a maximum of five hours of rehearsal. This break may be reduced to one-and-one-half hours if the span of the day is reduced to ten-and-one-half hours. The remaining days are governed by the provisions of above (and must involve on-stage, technical or dress rehearsals). There shall be a minimum of twelve hours between the end of one day’s work and the call to work on the day. Should a call continue for longer than five hours without the required meal break, overtime will be paid (Clause adjusting to the new stage provided that no rest period is invaded. Providing there is a rest period of a minimum of twelve hours after the arrival in a new location, normal rehearsal conditions shall apply, with the exception that no rehearsals shall begin before noon of the day following arrival. While on tour, for an engagement of more than five days in one location where substantial changes are required in cast, stage management, technical personnel or the technical presentation, rehearsals prior to first public performance in the new location shall be as allowed in Clauses and When a production returns to the point of origin from a tour and has not previously been presented in the Theatre in which it plays, the provisions of the preceding paragraph may apply.

Single Production and Stock. During the last ten days of rehearsal prior to the first public performance of a single production, or any production in a stock season, there may be up to three days during which the Artist may be called to rehearse nine out of twelve consecutive hours per day, with a break of at least one-and-one-half hours after a maximum of five hours of rehearsal. The three days must involve on-stage, technical, or dress rehearsals. There may be one other regular rehearsal day (seven hours out of a span of eight and one-half hours) on which the Artist may be required to rehearse for up to five hours before a meal break is required. There shall be a minimum of twelve hours between the end of a day’s work and the call to work on the next day. Should a call continue for longer than five hours without the required meal break, overtime will be paid (Clause Notwithstanding the above, if there are three full weeks of rehearsal prior to the first public performance, there may be one additional rehearsal day during which the Artist may be called to rehearse nine out of twelve consecutive hours with a break of at least one-and-one-half hours after a maximum of five hours of rehearsal. This day must involve on-stage, technical, or dress rehearsal. In such a case no more than three extended rehearsal days may be consecutive. The same provisions for overnight rest and overtime payments for calls which exceed consecutive hours shall apply should this option be exercised.

Single Production and Stock. During the last ten (10) days of rehearsal prior to the first public performance of a single production or any production in a stock season, there may be a total of four (4) days where either: (1) The Artist may be called to rehearse ten (10) out of twelve (12) consecutive hours per day with a break of at least two (2) hours after a maximum of five (5) hours of rehearsal. This break may be reduced to one-and-a-half (1%) hours if the span of the day is reduced to eleven-and-a-half (11%) hours. These four (4) days must involve on-stage, technical or dress rehearsals. Or: (2) The Artist may be called to rehearse for up to two (2) days in the rehearsal hall for nine (9) out of eleven (11) consecutive hours with a break of at least two (2) hours after a maximum of five (5) hours of rehearsal. This break may be reduced to one-and-a-half (1%) hours if the span of the day is reduced to ten-and-a-half (10%) hours. The remaining days are governed by the provisions of (1) above (and must involve on-stage, technical or dress rehearsals). There shall be a minimum of twelve (12) hours between the end of one day’s work and the call to work on the next day. Should a call continue for longer than five (5) hours without the required meal break, overtime will be paid (Clause 1414).