Rehearsal Conditions Sample Clauses

Rehearsal Conditions. Note: All rehearsal rules apply to the individual Artist.
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Rehearsal Conditions. (a) Rehearsal without videotape or pre-recording on any day prior to date of broadcast or date of completion of videotaping –– Minimum of two (2) consecutive hours of rehearsal. (b) Rehearsal with videotaping or pre-recording on any day prior to date of broadcast or date of completion of videotaping –– Minimum of three (3) consecutive hours of rehearsal or videotaping. In the case of dramatic programs which regularly feature a variety act, material for up to five (5) programs may be pre- recorded in such pre-recorded session, provided that rehearsal hours credited in such session shall be no less than one (1) hour for each program in which such pre-recorded music shall appear; and provided further that in this case such programs shall be paid for as a variety program as to such variety act.
Rehearsal Conditions. ‌ (A) Rehearsal Time TourCo‌ An Artist understudying a Mainstage Artist shall receive a transcribed copy of the current revue script as well as access to the archival recording not less than five (5) business days before a put-in rehearsal.
Rehearsal Conditions a) The Manager shall provide a separate rehearsal room with a suitable floor surface and shall use his best endeavours to provide sufficient space for the dancing area to be marked out, and shall be responsible for providing the services of a rehearsal pianist. b) The Manager shall ensure that within 30 minutes of the start of rehearsals and throughout the rehearsals the temperature will be at least 18.3 degrees centigrade. c) Where necessary, the Manager shall provide changing facilities separate from the rehearsal room.
Rehearsal Conditions. (1) All rehearsals up to a total of thirty-six (36) hours per week, shall be paid at no less than the hourly rate specified in Section 28(a) (1), above. (2) Any rehearsal beyond six (6) hours per day or thirty-six (36) hours per week shall be paid at no less than the overtime rate specified in Section 28(a)(2), above. (3) Rehearsal calls shall be a minimum of two (2) hours in length. (4) The EMPLOYER shall initially post available slots for costume and/or wig fittings for Dancers to select on a first come, first served basis. Costume calls may be part of a rehearsal call, provided: (i) The call takes place in the same building as the rehearsal; (ii) The DANCER does not perform the material being rehearsal for twenty (20) minutes; (iii) The DANCER will not miss any pertinent musical or stage direction by participating in said costume/wig fitting call. (5) Costume calls shall be a minimum of one (1) hour when done as a separate call.
Rehearsal Conditions. (a) During pre-season Rehearsal Weeks, there shall be no more than six (6) hours of rehearsal scheduled daily and compensated by the weekly salary. (b) All APPRENTICE ARTISTS shall have a five (5) minute break within each hour of rehearsal and/or training. Breaks may be combined to equal fifteen
Rehearsal Conditions. (a) During pre-season Rehearsal Weeks, there shall be no more than six (6) hours of rehearsal scheduled daily and compensated by the weekly salary. (b) All APPRENTICE ARTISTS shall have a five (5) minute break within each hour of rehearsal and/or training. Breaks may be combined to equal fifteen (15) minutes after ninety (90) minutes of rehearsals but under no circumstances may an ARTIST rehearse more than ninety (90) minutes without a break. (c) Rehearsals during Performance Weeks shall be limited to: three (3) hours on performance days, six (6) hours on non-performance days. (d) There normally shall be no rehearsal scheduled on a day in which two
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Rehearsal Conditions. (a) Rehearsal without videotape or pre-recording on any day prior to date of broadcast or date of completion of videotaping –– Minimum of two (2) consecutive hours of rehearsal. (b) Rehearsal with videotaping or pre-recording on any day prior to date of broadcast or date of completion of videotaping –– Minimum of three (3) consecutive hours of rehearsal or videotaping. In the case of dramatic programs which regularly feature a variety act, material for up to five (5) programs may be pre- recorded in such pre-recorded session, provided that rehearsal hours credited in such session shall be no less than one (1) hour for each program in which such pre-recorded music shall appear; and provided further that in this case such programs shall be paid for as a variety program as to such variety act. (c) Rehearsal with or without videotaping or pre-recording on any day prior to date of broadcast or date of broadcast or date of completion of videotaping - If more than one (1) hour (excluding a meal period of not in excess of one (1) hour) elapses between the end of any sessions and the beginning of the following session on the same day, a minimum of two (2) consecutive hours will be paid for such second session, provided that payment at an overtime rate will not be made, except for time actually worked for which the Musician is otherwise entitled to overtime pay. This provision does not apply if either of the sessions contains no actual rehearsal or pre-recording services but is entirely limited to the use of tapes or records without the orchestra being present. (d) Rehearsal on the day of live broadcast of completion of videotaping.
Rehearsal Conditions. EMPLOYER is cognizant of the value of CHORISTERS' time and, therefore, shall make every effort to end such services by 10:30 p.m., whenever possible. CHORISTERS will be notified prior to signing their contracts of employment when it is anticipated that a particular opera may require that these services be extended beyond 10:30 p.m. 1. No rehearsal shall be held within two (2) hours of the beginning of a performance, with the exception of warm-up. Exceptions to this rule may happen only with the prior approval of the AGMA Delegate. 2. No music rehearsals shall be held during performances for purposes of rehearsing future productions. 3. No music rehearsals will be called on the following dates without prior approval, through AGMA, by the affected CHORISTERS: Thanksgiving Day; December 24 and 25, December 31 and January 1; Easter Sunday; Memorial Day; July 4; Yom Kippur; and Labor Day. 4. There shall be one day per each seven day period in which no rehearsal or performance is scheduled. 5. At music rehearsals, CHORISTERS shall be allowed a ten (10) minute rest period at the conclusion of the first hour after the scheduled start time, and following every subsequent hour. At production rehearsals, CHORISTERS shall be allowed a fifteen (15) minute rest period at the conclusion of the first 90 minutes after the scheduled start time, except in the case of run-throughs dress rehearsals, and performances, when the required rest periods will occur at the conclusions of scenes or at the discretion of EMPLOYER. 6. There shall be no less than a 12 hour gap between rehearsals, with the exception of the Friday night and Saturday morning staging rehearsals and the tech and dress rehearsals. 7. No combined chorus (Phoenix and Tucson) rehearsal shall begin prior to 7:00 p.m. on a weekday nor prior to 10:00 a.m. on weekends.
Rehearsal Conditions. PERFORMANCES. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CLOTHES AND MAKE-UP. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . WORKING ENVIRONMENT/HEALTH AND SAFETY, . . . . . . . . . . . . . . . . . . . . . . . . . . . ACCOMMODATION IN THE POINT OF ORIGIN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
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