Broadcast Sample Clauses

Broadcast. Over-the-air transmission by a radio or television station.
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Broadcast. Allowed to use fonts for large scale broadcast purposes; Video and moving image public transmission, including digital signage screens, TV advertising, cinema advertising.
Broadcast. If the service is Free To Air, the Content Protection System shall implement all forms of protection authorized or otherwise permissible in the Licensed Territories for digital broadcast which shall at a minimum include no redistribution signaling once the standard has been ratified by the European Broadcasting Union (EBU) and Digital Video Broadcasting (DVB).
Broadcast. The right to broadcast by radio or television (by living actors, transcriptions and other present or future means) dramatic versions, sketches, scenes, adaptations and material from or based upon the Work or any motion picture version thereof, and announcements of or concerning such motion pictures, which announcements may include material from the Work or from such motion pictures.
Broadcast. Subject to the conditions listed herein, captured material of the production may be used as part of a feature story on the production, the Theatre, the arts, or any of the artists connected with the production on international, national, state, and local news, arts, and arts award broadcasts; broadcast reviews of the production; talk and entertainment programs; community affairs programs; community service programs; media projects for people with disabilities; T.
Broadcast. You have the right to use the Font Sofrware for the production of audiovisual communications, providing that you don’t exceed the maximum number of Devices authorised by this XXXX.
Broadcast. Subject to the conditions listed herein, captured material of the production may be used as part of a feature story on the production, the Theatre, the arts or any of the artists connected with the production on international, national, state, and local news, arts and arts award broadcasts (provided the Actor is signed to the appropriate SAG- AFTRA contract when applicable), broadcast reviews of the production, talk and entertainment programs, community affairs broadcasts, community service programs, and media projects for people with disabilities. All of the foregoing shall include, but not be limited to, programs broadcast on radio, network and cable television, and the Internet. Subject to the conditions listed below, capture may be made of rehearsals and performances for the uses listed above. Theatre may also capture interviews, backstage footage, other non-rehearsal/non-performance footage, and promotional and publicity events (together, “Additional Footage”), which must be voluntary. (1) During a rehearsal: (a) Starting with the first day of rehearsal through the official opening or one week following the first paid public performance, whichever is earlier, regularly scheduled rehearsals may be captured for up to four consecutive or non- consecutive hours per week over any three-day period. Any capture lasting less than one hour shall constitute a full hour block. In repertory companies, the four consecutive or non-consecutive hours apply per week, not per production. (b) The Stage Manager shall file a report with Equity giving the time utilized for the capture. Said report shall be initialed by the Deputy(ies). Upon contemplation of capture during a rehearsal, the Theatre shall make every reasonable effort to give the cast 24 hours’ notice. (c) If the time of capture is changed, the Theatre shall notify the cast of such change and of the rescheduled time.
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Broadcast. Distributor may not enter into any television, satellite, cable television, computer, or any other electronic media sale or broadcast arrangement without the prior written approval of Producer
Broadcast the agreed hours of locally produced te reo Māori content by the Radio Station @ 70 % te reo Māori fluency plus the agreed hours of other te reo Māori content @ 70 % te reo Māori fluency per day for the period of this Agreement;
Broadcast. There exists a βn-resilient 1-bit broadcast protocol such that ℓ protocol executions (potentially with different senders) require ℓ · polylog(n) · poly(κ) communication per party.
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